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Collection
Prints and Drawings
27
Creator
Blake, William, 1757–1827
27
Edwards, Richard, active 1796–1797
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27
Young, Edward, 1683–1765
27
Date
1792
27
On-site Access
Accessible by appointment in the Study Room
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27
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Prints
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male
27
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Young's Night Thoughts
27
Period
18th century
27
Materials & Techniques
etching (printing process)
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27
line engraving
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watercolor
27
wove paper
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drawing
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intaglio print
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watercolor
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literary theme
27
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literary theme
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text
26
men
19
women
16
nudes
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angels
7
wings
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children
6
grass
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clouds
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gowns
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vines
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angel
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beds
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crowns
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cups
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dead
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death
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floating
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food
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Exhibition History
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
27
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
2
Credit Line
Yale Center for British Art, Paul Mellon Collection
27
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etching (printing process)
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Edwards, Richard, active 1796–1797
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1
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
2
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
3
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
4
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
5
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
6
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
7
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
8
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
9
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
10
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
11
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
12
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
13
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
14
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
15
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
16
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
17
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
18
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
19
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
20
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
21
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
22
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
23
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
24
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
25
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
26
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
27
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797