Materials & Techniques: etching (printing process) / Associated Places: England / Width [cm]: 30

Print made by George Cooke, 1781–1834

Watchet, Somersetshire

1814-1826

Print made by William Bernard Cooke, 1778–1855

Margate, Kent

1822

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1818-1823

Print made by William Bernard Cooke, 1778–1855

St. Michael's Mount, Cornwall

1813

Print made by George Cooke, 1781–1834

Land's End, Cornwall

1814-1826

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855

Lyme Regis, Dorsetshire

1814

Print made by William Bernard Cooke, 1778–1855

Dartmouth, Devon

1814

Print made by George Cooke, 1781–1834

Teignmouth, Devon

1815

Print made by William Bernard Cooke, 1778–1855

The Mew Stone at the Entrance of Plymouth Sound

1815

Print made by William Bernard Cooke, 1778–1855

Plymouth Dock from Mount Edgecumbe

1816

Print made by William Bernard Cooke, 1778–1855

Plymouth from Mount Batten

1817

Print made by William Bernard Cooke, 1778–1855

Plymouth from Mount Batten

1817

Print made by George Cooke, 1781–1834

Pendennis Castle, and Entrance of Falmouth Harbour

1814 to 1826

Print made by George Cooke, 1781–1834

Watchet, Somersetshire

1814-1826

$William Bernard Cooke Ilfracombe, North Devon$

Print made by William Bernard Cooke, 1778–1855

Ilfracombe, North Devon

1818

Print made by William Miller, 1796–1882

Clovelly Bay and Lundy Island

1814 to 1826

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by William Miller, 1796–1882

Clovelly Bay and Lundy Island

1814 to 1826

Print made by John Crome, 1768–1821

Back of the New Mills, Norwich

1812

Print made by Joseph Farington, 1747–1821

Windsor Bridge

1792

Print made by John Crome, 1768–1821

Front of the New Mills

1813

Print made by Edward Goodall, 1795–1870

Rye, Sussex

1814 to 1826

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by William Miller, 1796–1882

Portsmouth, Hampshire

1825

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1826

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1825

Print made by John Horsburgh, 1791–1869

Whitstable, Kent

1814 to 1826

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1822

Print made by Stanley Anderson, 1884–1966

Horse Guards

1911

Print made by William Bernard Cooke, 1778–1855

Plymouth from Mount Batten

1817

Print made by William Bernard Cooke, 1778–1855

East and West Looe, Cornwall

1818

Print made by William Bernard Cooke, 1778–1855

East and West Looe, Cornwall

1818

$William Bernard Cooke Ilfracombe, North Devon$

Print made by William Bernard Cooke, 1778–1855

Ilfracombe, North Devon

1818

Print made by William Bernard Cooke, 1778–1855

Torbay from Brixham

1814 to 1826

Print made by William Bernard Cooke, 1778–1855

Margate, Kent

1822

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814-1826

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814 to 1826

Print made by George Cooke, 1781–1834

Poole, Dorsetshire

1814-1826

Print made by William Bernard Cooke, 1778–1855

St. Michael's Mount, Cornwall

1813

Print made by George Cooke, 1781–1834

Poole, Dorsetshire

1814

Print made by George Cooke, 1781–1834

Poole, Dorsetshire

1814-1826

Print made by George Cooke, 1781–1834

Land's End, Cornwall

1814-1826

Print made by George Cooke, 1781–1834

Land's End, Cornwall

1814-1826

Print made by William Bernard Cooke, 1778–1855

Weymouth, Dorsetshire

1813

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1814

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855

Lyme Regis, Dorsetshire

1814

Print made by William Bernard Cooke, 1778–1855

Lyme Regis, Dorsetshire

1814

Print made by William Bernard Cooke, 1778–1855

Margate, Kent

1822

Print made by Edward Goodall, 1795–1870

Rye, Sussex

1814 to 1826

Print made by James C. Allen, active 1821–1831

St. Mawes, Cornwall

1814 to 1826

Print made by Robert Wallis, 1794–1878

Ramsgate, Kent

1814 to 1826

Print made by Robert Wallis, 1794–1878

Ramsgate, Kent

1814 to 1826

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by John Bogle, 1746–1804

Night Watchman

1776

Print made by William Byrne, 1743–1805

View of Leiston Abbey

1781

Print made by John Sell Cotman, 1782–1842

Column at Yarmouth to the Memory of Lord Nelson

1817

Print made by David Lucas, 1802–1881

Cottage in a Cornfield

1844

Print made by Letitia Byrne, 1779–1849

Bolton Abbey, Yorkshire

1809

Sir Francis Seymour Haden, 1818–1910

A Water Meadow

1859

Sir Francis Seymour Haden, 1818–1910

The Lark at Heaven's Gate Sings

1859

Sir Francis Seymour Haden, 1818–1910

Windmill Hill, no. 1

1877

Sir Francis Seymour Haden, 1818–1910

Nine Barrow Down

1877

Print made by Robert Wallis, 1794–1878

Barnard Castle, Durham

1827

Print made by Robert Kearsley Dawson, 1798–1861

Map of Worcestershire Showing Western and Eastern Divisions

undated

John Harris, 1811–1865

The North Prospect of the Cathedral Church of St. Mary at Worcester

undated

Print made by W. R. Smith, active 1819–1851

Dartmouth Cove

1827

Print made by Robert Wallis, 1794–1878

Barnard Castle, Durham

1827

Print made by Robert Wallis, 1794–1878

Colchester, Essex

1827

William Ellis, 1747–1810

The House of William Russell, Esq., Showell Green

1792

Print made by George Cooke, 1781–1834

Part of Waterloo Bridge with the Shot Tower, &c

1832

Print made by Thomas Bonnor, ca. 1740–ca. 1812

Blockley Church

ca. 1793

William Ellis, 1747–1810

The New Meeting

1792

Print made by William Richardson, active 1842–1877

Crossing the Brook

between 1859 and 1861

Print made by unknown artist

Elevations and Plans of the Court of Kings Bench

ca. 1827

Print made by Robert Spence, 1871–1964

George Fox at Launceston Gaol

between 1890 and 1911

Print made by Robert Spence, 1871–1964

George Fox and Captain Keat

between 1890 and 1911

Print made by Robert Spence, 1871–1964

George Fox Is Beaten in the Steeple-House at Ulverston

between 1890 and 1911

Print made by William Bernard Cooke, 1778–1855

The Mew Stone at the Entrance of Plymouth Sound

1815

Print made by W. R. Smith, active 1819–1851

Leicester Abbey, Leicestershire

1834

Print made by Edward Goodall, 1795–1870

Carlisle

1834

Print made by John Bluck, active 1791–1831

Clare Hall

1814

James McNeill Whistler, 1834–1903

The "Adam and Eve," Old Chelsea

1879

Print made by John Bluck, active 1791–1831

Clare Hall

1814

Print made by James McNeill Whistler, 1834–1903

The Adam and Eve Tavern, Old Chelsea

1878

Print made by William Daniell, 1769–1837

Quay at Straddon Point Near Plymouth

1825

John Hill, 1770–1850

St. Sepulchres, The Round Church

1814

Hedley Fitton, 1859–1929

Founders Tomb, Winchester

undated

Print made by John Crome, 1768–1821

Mousehold Heath, Norwich

between 1810 and 1811

Hedley Fitton, 1859–1929

St. Martin's Church

undated

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Materials & Techniques etching (printing process)

Associated Places England

Width [cm] 30

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Materials & Techniques etching (printing process)

Associated Places England

Width [cm] 30

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