Materials & Techniques: etching (printing process) / Genre: marine art / Width [cm]: 30

Print made by Joseph Mallord William Turner, 1775–1851

Calm

1812

Print made by Edward Goodall, 1795–1870

Naples

1830

Print made by Robert Wallis, 1794–1878

Amalfi

1830

Print made by John Horsburgh, 1791–1869

Hotel de Ville, Paris

1834

Print made by William Miller, 1796–1882

Mayence

1834

Print made by William Miller, 1796–1882

Fort Augustus

1836

Print made by Edward Goodall, 1795–1870

HMS Bellerophon, Plymouth Sound

1835

Print made by James C. Allen, active 1821–1831

Harborough Sands

ca. 1830

Print made by Edward Goodall, 1795–1870

Lake of Como, I

1830

Print made by Sir Frank Short, 1857–1945

Shipping at the Entrance of the Medway, No. 2

1896

Print made by Joseph Farington, 1747–1821

Windsor Bridge

1792

Print made by William Miller, 1796–1882

Windsor Castle, Berkshire

1831

Print made by Thomas Goff Lupton, 1791–1873

Wrapper to 'Ports of England'

1826

Print made by John Sell Cotman, 1782–1842

Column at Yarmouth to the Memory of Lord Nelson

1817

Print made by Ernest Stephen Lumsden, 1883–1948

Boats and Palace

1922

Print made by Edward Goodall, 1795–1870

Aldborough, Suffolk

1827

Print made by John Cousen, 1804–1880

Calais Pier

between 1859 and 1861

Print made by Thomas Goff Lupton, 1791–1873

Wrapper to 'Ports of England'

1826

Print made by George Cooke, 1781–1834

Part of Waterloo Bridge with the Shot Tower, &c

1832

Print made by William Bernard Cooke, 1778–1855

St. Michael's Mount, Cornwall

1813

Print made by George Cooke, 1781–1834

Land's End, Cornwall

1814-1826

Print made by William Bernard Cooke, 1778–1855

Weymouth, Dorsetshire

1813

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1814

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855

Lyme Regis, Dorsetshire

1814

Print made by William Bernard Cooke, 1778–1855

Lyme Regis, Dorsetshire

1814

Print made by William Bernard Cooke, 1778–1855

Dartmouth, Devon

1814

Print made by William Bernard Cooke, 1778–1855

Plymouth from Mount Batten

1817

Print made by George Cooke, 1781–1834

Pendennis Castle, and Entrance of Falmouth Harbour

1814 to 1826

$William Bernard Cooke Ilfracombe, North Devon$

Print made by William Bernard Cooke, 1778–1855

Ilfracombe, North Devon

1818

Print made by William Bernard Cooke, 1778–1855

East and West Looe, Cornwall

1818

Print made by William Bernard Cooke, 1778–1855

East and West Looe, Cornwall

1818

Print made by George Cooke, 1781–1834

Watchet, Somersetshire

1814-1826

Print made by George Cooke, 1781–1834

Watchet, Somersetshire

1814-1826

Print made by William Bernard Cooke, 1778–1855

Fowey, Cornwall

1820

Print made by William Bernard Cooke, 1778–1855

Margate, Kent

1822

Print made by William Bernard Cooke, 1778–1855

Margate, Kent

1822

Print made by William Bernard Cooke, 1778–1855

Margate, Kent

1822

Print made by William Miller, 1796–1882

Clovelly Bay and Lundy Island

1814 to 1826

Print made by Robert Wallis, 1794–1878

Ramsgate, Kent

1814 to 1826

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by Robert Wallis, 1794–1878

Ramsgate, Kent

1814 to 1826

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814 to 1826

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1826

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1825

Print made by William Bernard Cooke, 1778–1855

St. Michael's Mount, Cornwall

1813

Print made by George Cooke, 1781–1834

Poole, Dorsetshire

1814-1826

Print made by William Bernard Cooke, 1778–1855

Lyme Regis, Dorsetshire

1814

Print made by William Bernard Cooke, 1778–1855

Torbay from Brixham

1814 to 1826

Print made by Edward Goodall, 1795–1870

Rye, Sussex

1814 to 1826

Print made by Edward Goodall, 1795–1870

Rye, Sussex

1814 to 1826

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814-1826

Print made by John Horsburgh, 1791–1869

Whitstable, Kent

1814 to 1826

Print made by George Hollis, 1792–1842

Rome, Bridge, and Castle of St. Angelo, on the Tyber

1818

Print made by George Hollis, 1792–1842

Rome, Bridge, and Castle of St. Angelo, on the Tyber

1818

Print made by Edward Goodall, 1795–1870

The Lake of Geneva

1829

Print made by George Cooke, 1781–1834

Poole, Dorsetshire

1814-1826

Print made by George Cooke, 1781–1834

Teignmouth, Devon

1815

Print made by Edward Goodall, 1795–1870

Lake of Como, I

1830

Print made by William Bernard Cooke, 1778–1855

The Mew Stone at the Entrance of Plymouth Sound

1815

Print made by William Bernard Cooke, 1778–1855

Plymouth Dock from Mount Edgecumbe

1816

Print made by William Bernard Cooke, 1778–1855

Plymouth from Mount Batten

1817

Print made by William Bernard Cooke, 1778–1855

Plymouth from Mount Batten

1817

$William Bernard Cooke Ilfracombe, North Devon$

Print made by William Bernard Cooke, 1778–1855

Ilfracombe, North Devon

1818

Print made by William Bernard Cooke, 1778–1855

Fowey, Cornwall

1820

Print made by William Miller, 1796–1882

Clovelly Bay and Lundy Island

1814 to 1826

Print made by James C. Allen, active 1821–1831

St. Mawes, Cornwall

1814 to 1826

Print made by William Miller, 1796–1882

Portsmouth, Hampshire

1825

Print made by George Cooke, 1781–1834

Poole, Dorsetshire

1814

Print made by George Cooke, 1781–1834

Land's End, Cornwall

1814-1826

Print made by John Pye, 1782–1874

The Rialto, Venice

1818-1820

Print made by Samuel Rawle, 1771–1860

Florence, from the Ponte alla Carraia

1818-1820

Print made by Edward Radclyffe, 1809–1863

Calais Pier

after 1832

Print made by George Arnald, 1763–1841

Bouvignes and Dinant

1822

Print made by Sir David Young Cameron, 1865–1945

Ponte Vecchio [North Italian Set: No. 21]

1895

Print made by Sir David Young Cameron, 1865–1945

Custom House

1899

Print made by William Bernard Cooke, 1778–1855

The Mew Stone at the Entrance of Plymouth Sound

1815

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

Print made by Sir David Young Cameron, 1865–1945

Ayr

1889

Print made by W. R. Smith, active 1819–1851

Dartmouth Cove

1827

Print made by Edward Goodall, 1795–1870

Aldborough, Suffolk

1827

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

Print made by Robert Brandard, 1805–1862

Gosport, Entrance to Portsmouth Harbour

1831

Print made by Sir Frank Short, 1857–1945

The Mildmay Sea-Piece (on the frontispeice of the "Twelve Subjects" titled Sunset on Beach)

1886

Print made by Stanley Anderson, 1884–1966

Pont Corneille, Rouen

undated

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

Print made by James McBey, 1883–1959

Portsay Harbor

1903

James McNeill Whistler, 1834–1903

The "Adam and Eve," Old Chelsea

1879

Print made by William Daniell, 1769–1837

Quay at Straddon Point Near Plymouth

1825

Print made by Sir David Young Cameron, 1865–1945

R. 47 Ayr. No. 18 in the Clyde Set

1889

Print made by unknown artist

On the Beach

1893

Print made by James McBey, 1883–1959

Gale at Port Errol

1922

Print made by Arthur John Reginald Trevor Briscoe, 1873–1943

Man Overboard

1926

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Materials & Techniques etching (printing process)

Genre marine art

Width [cm] 30

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Materials & Techniques etching (printing process)

Genre marine art

Width [cm] 30

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