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Materials & Techniques etching (printing process)

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Topic subjectplace ss Greater London

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1. The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
Creator:
Print made by Simon Gribelin, 1662–1733
Date:
1720
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/8 × 18 3/16 inches (32.7 × 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Ceiling in the Banqueting House at Whitehall

The Ceiling in the Banqueting House at Whitehall
Creator:
Print made by Simon Gribelin, 1662–1733
Date:
ca. 1720
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/16 × 18 5/16 inches (31.6 × 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. West Hill in Surrey, the Seat of D. H. Rucker Esqr.

West Hill in Surrey, the Seat of D. H. Rucker Esqr.
Creator:
Print made by William Angus, 1752–1821
Date:
1810
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 10 3/8 inches (20.9 × 26.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Great Exhibition: Exterior View from the Southwest

The Great Exhibition: Exterior View from the Southwest
Creator:
Print made by George Baxter, 1804–1867
Date:
1851
Materials & Techniques:
Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:
Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. A View of Erith, Looking Up the Thames

A View of Erith, Looking Up the Thames
Creator:
Print made by John Boydell, 1720–1804
Date:
1750
Materials & Techniques:
Etching with hand coloring on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 12 1/4 x 18 9/16 inches (31.1 x 47.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Somerset House, London

Somerset House, London
Creator:
Print made by Stanley Anderson, 1884–1966
Date:
1910
Materials & Techniques:
Drypoint and etching on medium, smooth, beige Asian paper
Dimensions:
Sheet: 11 3/4 x 18 13/16 inches (29.8 x 47.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

7. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
Creator:
Print made by Paul Angier, active 1749
Date:
1749
Materials & Techniques:
Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 18 7/8 inches (31.4 x 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

8. Horse Guards

Horse Guards
Creator:
Print made by Stanley Anderson, 1884–1966
Date:
1911
Materials & Techniques:
Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 x 14 5/8 inches (33 x 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

9. Demolition of St. James's Hall, Interior

Demolition of St. James's Hall, Interior
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1906
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream Asian paper
Dimensions:
Sheet: 20 11/16 x 15 1/4 inches (52.5 x 38.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. Emerson Tuttle in memory of Theodore Sizer, transfer from the Yale University Art Gallery

10. Springtime at Fulham

Springtime at Fulham
Creator:
Print made by Austin, Robert, 1895-1973, 1895–1973
Date:
1921
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 10 3/8 x 11 3/8 inches (26.4 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

11. The Building

The Building
Creator:
Sir Muirhead Bone, 1876–1953
Date:
1904
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 16 15/16 x 13 3/8 inches (43 x 33.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

12. Somerset House

Somerset House
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1905
Materials & Techniques:
Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 17 5/16 x 15 9/16 inches (43.9 x 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

13. London. A Street: 'Henry IV Part II,' Act II, Scene I

London. A Street: 'Henry IV Part II,' Act II, Scene I
Creator:
Print made by George Cruikshank, 1792–1878
Date:
after 1857
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 7/8 × 8 1/8 inches (14.9 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

14. Night Watchman

Night Watchman
Creator:
Print made by John Bogle, 1746–1804
Date:
1776
Materials & Techniques:
Etching on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 17 3/4 x 11 15/16 inches (45.1 x 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

15. The South Sea House

The South Sea House
Creator:
Print made by unknown artist
Date:
between 1720 and 1728
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 7/16 x 19 3/4 inches (36.7 x 50.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Admiralty Office

The Admiralty Office
Creator:
Print made by Thomas Bowles III, ca. 1712–1767
Date:
1731
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 x 19 3/4 inches (35.5 x 50.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. St. Martin's Church

St. Martin's Church
Creator:
Print made by unknown artist
Date:
between 1731 and 1754
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 5/16 x 14 3/4 inches (49 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside

The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
Creator:
Print made by unknown artist
Date:
between 1720 and 1750
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 11/16 x 14 7/16 inches (44.9 x 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone
Creator:
Print made by George Barret, ca. 1728/32–1784
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 3/4 × 6 1/4 inches (12 × 15.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
Creator:
Print made by George Barret, ca. 1728/32–1784
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 13/16 × 6 11/16 inches (12.2 × 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Water Engine, Cold-Bath-Field's Prison

Water Engine, Cold-Bath-Field's Prison
Creator:
Print made by John Bluck, active 1791–1831
Date:
1808
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/8 x 9 7/16 inches (32 x 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

22. Saint Stephen's, Walbrook

Saint Stephen's, Walbrook
Creator:
Print made by John Bluck, active 1791–1831
Date:
1809
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/16 x 12 5/8 inches (23.9 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

23. A View of the Fire in Covent Garden

A View of the Fire in Covent Garden
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1769
Materials & Techniques:
Etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 11/16 × 13 1/8 inches (24.6 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

24. The Breaking Up of the Agamemnon, no. 2

The Breaking Up of the Agamemnon, no. 2
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
after 1880
Materials & Techniques:
Etching and drypoint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/16 x 21 7/8 inches (38.6 x 55.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

25. The Breaking Up of the Agamemnon, no. 2

The Breaking Up of the Agamemnon, no. 2
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
after 1880
Materials & Techniques:
Etching and mezzotint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/16 x 22 1/16 inches (38.3 x 56.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

26. Fulham on the Thames

Fulham on the Thames
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
after 1858
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/4 x 16 7/8 inches (29.9 x 42.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Dr. M.J. Sharpe for the Richard Sharpe V, B.S. 1873, Collection

27. Fulham

Fulham
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
after 1858
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 x 11 9/16 inches (14 x 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

28. Fulham on the Thames

Fulham on the Thames
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
after 1858
Materials & Techniques:
Etching and drypoint, with plate tone on thin, smooth, cream Asian paper
Dimensions:
Sheet: 9 3/16 x 15 1/16 inches (23.3 x 38.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

29. Kew

Kew
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1864
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 8 1/4 x 6 1/8 inches (21 x 15.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Leonard C. Hanna Jr., BA 1910

30. By Twickenham

By Twickenham
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1865
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/8 x 14 13/16 inches (27 x 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

31. By Twickenham

By Twickenham
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1865
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 6 7/16 x 9 7/16 inches (16.4 x 23.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

32. St. Martin's Church Westminster

St. Martin's Church Westminster
Creator:
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Date:
1810
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 5 3/8 inches (19.1 × 13.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. The Breaking Up of the Agamemnon, no. 1

The Breaking Up of the Agamemnon, no. 1
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1870
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 7/8 x 18 3/4 inches (27.6 x 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

34. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/16 x 15 1/2 inches (28.8 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. A Perspective View of the Foundling Hospital with Emblematic Figures

A Perspective View of the Foundling Hospital with Emblematic Figures
Creator:
Charles Grignion, 1717–1810
Date:
1749
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, beige laid paper, pasted on mount
Dimensions:
Sheet: 13 3/4 × 17 3/8 inches (35 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. York House: Longitudinal Section from North to South

York House: Longitudinal Section from North to South
Creator:
George Gladwin, active 1820s–1830s
Date:
1827
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 11 9/16 inches (24.2 x 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. York House: Plan of Principle Floor

York House: Plan of Principle Floor
Creator:
George Gladwin, active 1820s–1830s
Date:
1827
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/16 x 11 5/16 inches (23 x 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Statue of Achilles in Hyde Park

Statue of Achilles in Hyde Park
Creator:
Print made by Samuel Freeman, 1773–1857
Date:
1827
Materials & Techniques:
Stipple engraving and etching on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 7 7/8 x 5 5/16 inches (20 x 13.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Tower Hill

Tower Hill
Creator:
Charles Heath, 1785–1848
Date:
1825
Materials & Techniques:
Etching on moderately thick, moderately textured, cream wove paper with beige chine collé
Dimensions:
Sheet: 9 13/16 x 12 1/16 inches (25 x 30.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. The Penitentiary and Distant View of Westminster Bridge

The Penitentiary and Distant View of Westminster Bridge
Creator:
Charles Heath, 1785–1848
Date:
1825
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 1/4 × 6 1/2 inches (10.8 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Athenaeum

Athenaeum
Creator:
Print made by R. F. Cahusac, active 1830
Date:
1830
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 15/16 x 18 7/8 inches (32.8 x 48 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Plan of the Regent's Park

Plan of the Regent's Park
Creator:
Print made by John Cleghorn, active 1840–1881
Date:
1827
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 8 11/16 × 11 1/4 inches (22.1 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Royal Humane Society's Receiving House in Hyde Park

Royal Humane Society's Receiving House in Hyde Park
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching on medium, smooth, beige laid paper
Dimensions:
Sheet: 3 × 4 13/16 inches (7.6 × 12.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Regent's Canal Basin, City Road

Regent's Canal Basin, City Road
Creator:
Charles Heath, 1785–1848
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 3/4 × 5 7/16 inches (9.5 × 13.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Merchant Taylors' School and St. Paul's School

Merchant Taylors' School and St. Paul's School
Creator:
Print made by Benjamin Cole, 1697–1783
Date:
1756
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 9/16 × 9 5/8 inches (39.5 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Fairburn's Plan of the Proposed Wet-Docks and Cut, from New Gravel Lane to Blackwall

Fairburn's Plan of the Proposed Wet-Docks and Cut, from New Gravel Lane to Blackwall
Creator:
Print made by John Fairburn, active 19th century
Date:
1796
Materials & Techniques:
Etching and line engraving, hand-colored on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 10 3/8 × 16 inches (26.3 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Part of Waterloo Bridge with the Shot Tower, &c.

Part of Waterloo Bridge with the Shot Tower, &c.
Creator:
Print made by George Cooke, 1781–1834
Date:
1832
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 17 1/2 x 11 13/16 inches (44.5 x 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Plan of the West India Docks

Plan of the West India Docks
Creator:
Print made by Benjamin Baker, 1766–1841
Date:
1802
Materials & Techniques:
Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 x 16 1/4 inches (30.5 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
Creator:
Print made by Thomas Barber, ca. 1768–1843
Date:
1829
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:
Sheet: 5 11/16 x 8 7/8 inches (14.5 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835
Creator:
Print made by Thomas Mann Baynes, 1794–1854
Date:
after 1835
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 21 inches (37.5 x 53.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Beddington

Beddington
Creator:
William Ellis, 1747–1810
Date:
1792
Materials & Techniques:
Aquatint and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 8 7/16 inches (16.9 × 21.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Buckingham House, St. James' Park

Buckingham House, St. James' Park
Creator:
Print made by John Burnet, 1784–1868
Date:
1810
Materials & Techniques:
Etching and line engraving on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 5 5/16 × 8 9/16 inches (13.5 × 21.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Tooting Church

Tooting Church
Creator:
Print made by George Cooke, 1781–1834
Date:
1827
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/16 × 5 1/8 inches (11.2 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Cremorne Gardens: Chelsea Bandstand

Cremorne Gardens: Chelsea Bandstand
Creator:
Walter Greaves, 1846–1930
Date:
1871
Materials & Techniques:
Etching and drypoint on thick, slightly textured, beige laid paper
Dimensions:
Sheet: 13 5/16 x 10 1/2 inches (33.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. York House: Plan of the Ground Floor

York House: Plan of the Ground Floor
Creator:
George Gladwin, active 1820s–1830s
Date:
1827
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/16 x 11 5/16 inches (23.7 x 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. By Twickenham

By Twickenham
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1865
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 9 3/4 x 14 15/16 inches (24.8 x 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

57. Old Hungerford Bridge

Old Hungerford Bridge
Creator:
Print made by James McNeill Whistler, 1834–1903
Date:
1861
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 x 9 3/16 inches (17.5 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Boris I. Bittker

58. Interior of the Chapel of the Holy Trinity

Interior of the Chapel of the Holy Trinity
Creator:
Print made by Thomas Dale, active ca. 1921
Date:
1825
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/8 × 9 5/8 inches (32 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald and Willi Holden

59. Black Lion Wharf

Black Lion Wharf
Creator:
Print made by James McNeill Whistler, 1834–1903
Date:
1859
Materials & Techniques:
Etching and drypoint on thin, slightly textured, beige China paper
Dimensions:
Sheet: 9 1/8 × 14 inches (23.1 × 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

60. The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1822
Materials & Techniques:
Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 7/16 × 19 3/16 inches (36.6 × 48.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David M. Doret

61. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching, stipple engraving and drypoint print on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 x 15 1/4 inches (28.6 x 38.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 15/16 x 15 1/2 inches (27.8 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching, drypoint print and stipple engraving on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 11 3/16 x 15 9/16 inches (28.4 x 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching and drypoint print on moderately thick, textured, cream laid paper
Dimensions:
Sheet: 11 1/8 x 15 9/16 inches (28.2 x 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Smithfield

Smithfield
Creator:
Print made by Stanley Anderson, 1884–1966
Date:
undated
Materials & Techniques:
Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 12 15/16 x 14 5/8 inches (32.9 x 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

67. St. Bartholomew's Gateway

St. Bartholomew's Gateway
Creator:
Hedley Fitton, 1859–1929
Date:
undated
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 16 x 10 3/16 inches (40.6 x 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

68. View of Queen Square

View of Queen Square
Creator:
Engraved by Robert Pollard, 1755–1838
Date:
1789
Materials & Techniques:
Etching, line engraving, and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 1/2 × 24 7/16 inches (49.5 × 62.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. The Elevation of the Design for the Bank of England by Theodore Jacobsen Esqr.

The Elevation of the Design for the Bank of England by Theodore Jacobsen Esqr.
Creator:
Paul Fourdrinier, 1698–1758
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 7/8 x 16 1/4 inches (27.6 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. The Adam and Eve Tavern, Old Chelsea

The Adam and Eve Tavern, Old Chelsea
Creator:
Print made by James McNeill Whistler, 1834–1903
Date:
1878
Materials & Techniques:
Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 3/4 x 14 3/4 inches (24.8 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald and Willi Holden

71. Westminster Abbey from Dean's Yard

No cover image available
Creator:
Print made by Ernest L. Hampshire, born 1882
Date:
undated
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 8 5/8 x 12 1/4 inches (21.9 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

72. St. Paul's from Charing Cross

No cover image available
Creator:
Print made by Johnstone Baird, active 1900–1935
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 5/8 x 10 1/4 inches (37.1 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

73. The Monument

No cover image available
Creator:
Print made by Johnstone Baird, active 1900–1935
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 18 x 9 3/16 inches (45.7 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

74. The Fire Tower, London

No cover image available
Creator:
Hedley Fitton, 1859–1929
Date:
undated
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 18 11/16 x 12 3/4 inches (47.4 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

75. A Plan for the Bank of England Designed by Theodore Jacobsen, Esqr.

No cover image available
Creator:
Paul Fourdrinier, 1698–1758
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/4 x 10 13/16 inches (41.2 x 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Le Pont de Waterloo a Londres

No cover image available
Creator:
John Postle Heseltine, 1843–1929
Date:
1897
Materials & Techniques:
Etching on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 x 10 11/16 inches (17.4 x 27.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

77. St. Martin's Church

No cover image available
Creator:
Hedley Fitton, 1859–1929
Date:
undated
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 17 5/16 x 11 11/16 inches (44 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

78. Barge Building, Limehouse

No cover image available
Creator:
Hedley Fitton, 1859–1929
Date:
undated
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 12 13/16 x 16 1/4 inches (32.5 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery