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Materials & Techniques etching (printing process)

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Genre animal art

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Subject Terms rocks (landforms)

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Samuel Palmer Moeris and Galatea
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer Moeris and Galatea
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
1880-1883
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
George Stubbs A Horse Affrighted by a Lion
Print made by George Stubbs, 1724–1806
A Horse Affrighted by a Lion
1777
George Bickham the Elder A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)
Print made by George Bickham the Elder, 1683/4–1758
A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
Richard Ansdell The Sentinel
Print made by Richard Ansdell, 1815–1885
The Sentinel
1857
John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
John Dixon, ca. 1740–1811
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
Sir Francis Seymour Haden Harlech, no. 2
Sir Francis Seymour Haden, 1818–1910
Harlech, no. 2
1880
Edward Julius Detmold Evening
Print made by Edward Julius Detmold, 1883–1957
Evening
1926
Matthew Dubourg Grouse Shooting
Print made by Matthew Dubourg, active 1786–1838
Grouse Shooting
1822
Peter P. Benazech For Japanning, Plate 3
Print made by Peter P. Benazech, 1767–1794
For Japanning, Plate 3
1757
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858