Materials & Techniques: etching (printing process) / Date: 1915 / Height [cm]: 15 - YCBA Collections Search Search Results

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Materials & Techniques etching (printing process)

Date 1915

Height [cm] 15

1. The Ford

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1915
Materials & Techniques:: Etching; 6th state on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 × 13 1/2 inches (23.5 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

2. The Ford

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1915
Materials & Techniques:: Etching; 3rd State on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 12 inches (21 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3. Carnagh

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1915
Materials & Techniques:: Etching; 1st state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 11 inches (19.7 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

4. Portrait of Martin Hardie Esq.

Portrait of Martin Hardie Esq.

Creator:: Print made by James McBey, 1883–1959
Date:: between 1915 and 1919
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 9 3/4 inches (18.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel and Pearl K. Bell

5. Femme de Lettres

No cover image available

Creator:: Print made by Walter Richard Sickert, 1860–1942
Date:: 1915
Materials & Techniques:: Etching proof state before letters
Dimensions:: Plate: 6 × 9 inches (15.2 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund