Materials & Techniques: etching (printing process) / Date: 1860 / Subject Terms: landscape - YCBA Collections Search Search Results

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Materials & Techniques etching (printing process)

Date 1860

Subject Terms landscape

1. The Morning of Life

The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 10 7/8 inches (19 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Morning of Life

The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 1/2 x 11 3/4 inches (21.6 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3. Combe Bottom

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint, with plate tone on thin, smooth, cream Asian paper
Dimensions:: Sheet: 4 7/16 x 6 1/8 inches (11.3 x 15.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

4. Shere Mill Pond, no. 2 (large plate)

Shere Mill Pond, no. 2 (large plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream Asian paper
Dimensions:: Sheet: 8 5/16 x 14 1/16 inches (21.1 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

5. Kensington Gardens, no. 2 (large plate)

Kensington Gardens, no. 2 (large plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 17 3/16 x 12 1/2 inches (43.6 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906

6. Shere Mill Pond, no. 2 (large plate)

Shere Mill Pond, no. 2 (large plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream antique laid paper
Dimensions:: Sheet: 8 1/4 x 13 7/8 inches (20.9 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Yale Stevens from her father's (Richard Sharpe V, B.S. 1873) Collection

7. Shere Mill Pond, no. 2 (large plate)

Shere Mill Pond, no. 2 (large plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream antique laid paper
Dimensions:: Sheet: 12 1/2 x 18 3/8 inches (31.7 x 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

8. Shere Mill Pond, no. 1 (small plate)

Shere Mill Pond, no. 1 (small plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint on thin, smooth, cream Asian paper
Dimensions:: Sheet: 6 1/4 x 7 13/16 inches (15.8 x 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

9. A Byroad in Tipperary

A Byroad in Tipperary

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/8 x 15 5/8 inches (30.8 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

10. Kensington Gardens, no. 2 (large plate)

Kensington Gardens, no. 2 (large plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint, with plate tone on medium, smooth, cream Asian paper
Dimensions:: Sheet: 10 13/16 x 6 3/4 inches (27.4 x 17.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

11. The Holly Field

The Holly Field

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 x 6 9/16 inches (10.5 x 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard C. Morse

12. Combe Bottom

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, light blue laid paper
Dimensions:: Sheet: 7 11/16 x 12 1/2 inches (19.6 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

13. A Byroad in Tipperary

A Byroad in Tipperary

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint, retouched with graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 5 11/16 x 11 1/4 inches (14.5 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

14. The Morning of Life

No cover image available

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 12 5/16 inches (22.6 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection