Materials & Techniques: etching (printing process) / Date: 1827 / Width [cm]: 31

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Materials & Techniques etching (printing process)

Date 1827

Width [cm] 31

Print made by Robert Wallis, 1794–1878

St. Maurice

1827

Print made by Edward Goodall, 1795–1870

Rievaulx Abbey, Yorkshire

1827

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

Print made by Edward Goodall, 1795–1870

Fall of the Tees, Yorkshire

1827

Print made by J. C. Varrall, active 1815–1827

Launceston, Cornwall

1827

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1827

Print made by Edward Goodall, 1795–1870

Aldborough, Suffolk

1827

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

Print made by Edward Goodall, 1795–1870

Aldborough, Suffolk

1827

Print made by Edward Goodall, 1795–1870

Rievaulx Abbey, Yorkshire

1827

Print made by Robert Wallis, 1794–1878

Lancaster from the Aqueduct Bridge

1827

Print made by J. C. Varrall, active 1815–1827

Launceston, Cornwall

1827

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

Print made by Robert Wallis, 1794–1878

Bolton Abbey, Yorkshire

1827

Print made by Samuel Cousins, 1801–1887

La Surprise

1827

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

Print made by Henry Heath, active 1824–1835

A Parti Carré for a Crown

1827

Print made by John Phillips, active 1840–1852

Removing Rubbish. Cabinet In's and Out's

1827

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