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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
20
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
15
Wallis, Robert, 1794–1878
6
Goodall, Edward, 1795–1870
5
Fores, S. W., 1761–1838
3
Heath, Henry, active 1824–1835
3
Smith, William R., active 1819–1851
3
Brandard, Robert, 1805–1862
1
Humphrey, George, ca. 1773–ca. 1831
1
Jones, Thomas, active 1828
1
McLean, Thomas, 1788–1875
1
Phillips, John, active 1840–1852
1
Date
1999
78
1830
63
1827
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1630
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1776
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1751
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1832
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1925
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1773
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1823
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1819
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1792
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1826
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1836
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1859
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2016
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1621
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1
On-site Access
Accessible by appointment in the Study Room
20
Image Use
Free to Use
20
Image Available
Available
18
Unavailable
2
Classification
Prints
20
Creator Gender
male
20
Collective Title
Picturesque Views in England and Wales
13
Rogers's Italy
2
Period
19th century
19
Materials & Techniques
etching (printing process)
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20
wove paper
20
line engraving
15
chine collé
6
hand coloring
5
watercolor
5
Height [cm]
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43
Width [cm]
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Current results range from
9
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46
Work Type
intaglio print
20
Genre
landscape
11
cityscape
7
marine art
6
architectural subject
5
Subject Terms
river
7
landscape (representation)
5
castle
3
cityscape
3
marine art
3
bridge
2
cove
1
military art
1
mountain
1
tower (single built work)
1
waterfall
1
Associated Places
England
6
United Kingdom
6
Durham
3
Barnard Castle
2
Barnard Castle Bridge
2
Teesdale
2
Alde
1
Aldeburgh
1
Colchester
1
Colchester Castle
1
Colne
1
Cornwall
1
Dart
1
Dartmouth
1
Devon
1
Essex
1
High Force
1
Middleton in Teesdale
1
Pennines
1
Saltash
1
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Associated Places
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Exhibition History
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
15
Yale Center for British Art, Gift of Godfrey Pearlson
5
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Materials & Techniques
etching (printing process)
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Date
1827
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25
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1
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827
2
Print made by Robert Wallis, 1794–1878
St. Maurice
1827
3
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827
4
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827
5
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
6
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827
7
Print made by Robert Wallis, 1794–1878
Lancaster, from the Aqueduct Bridge
1827
8
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827
9
Print made by Edward Goodall, 1795–1870
Fall of the Tees, Yorkshire
1827
10
Print made by Robert Wallis, 1794–1878
Barnard Castle, Durham
1827
11
Print made by Robert Wallis, 1794–1878
Barnard Castle, Durham
1827
12
Print made by Robert Wallis, 1794–1878
Colchester, Essex
1827
13
Print made by W. R. Smith, active 1819–1851
Dartmouth Cove
1827
14
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827
15
Print made by Robert Wallis, 1794–1878
St. Maurice (vignette)
1827
16
Print made by Henry Heath, active 1824–1835
A Parti Carré for a Crown
1827
17
Print made by Henry Heath, active 1824–1835
The Buck-Basket. A scene from the Merry Wives of Windsor
1827
18
Print made by Henry Heath, active 1824–1835
Out of Court. Auspicium Melioris Devi
1827
19
Print made by John Phillips, active 1840–1852
The King Commander in Chief; or, the Upset of Waterloo - Man, Bags & Baggage
1827
20
Print made by Thomas Jones, active 1828
Transubstantiation -or Symptoms of Dictating- Cabaling- Conspiring- Overawing
1827