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Collection
Prints and Drawings
88
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
79
Hakewill, James, 1778–1843
35
Pye, John, 1782–1874
16
Cooke, George, 1781–1834
10
Arnald, George, 1763–1841
6
Heath, Charles, 1785–1848
6
Murray, John, founded 1768
6
Smith, William R., active 1819–1851
6
Byrne, John, 1786–1847
5
Cooke, William Bernard, 1778–1855
5
Hollis, George, 1792–1842
5
Le, Keux John, 1783–1846
5
Middiman, Samuel, ca. 1750–1831
5
Rawle, Samuel, 1771–1860
4
Fittler, James, 1758–1835
3
Higham, Thomas, 1796–1844
3
Landseer, John, 1769–1852
3
Scott, John, 1774–1828
3
Allason, Thomas, 1790–1852
2
Lupton, Thomas Goff, 1791–1873
2
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Date
1782
158
1830
134
1793
116
1808
109
1859
101
1834
97
1818
[remove]
88
1999
80
1792
75
1630
71
1800
71
1814
70
1836
68
1816
65
1835
65
1850
62
1811
60
1827
60
1803
55
1820
54
1797
53
1819
53
1916
53
1789
50
1812
50
1807
48
1925
48
1896
45
1813
44
1739
43
1897
43
1826
42
1795
41
1825
41
1821
40
1802
39
1822
37
1923
36
1915
35
1887
34
1927
34
1745
32
1832
32
1913
32
1776
31
1824
31
1890
31
1911
31
1907
30
1983
30
1810
29
1904
29
1926
29
1732
28
1735
28
1773
28
1900
28
1902
27
1920
27
1799
26
1864
26
1912
26
1990
26
1806
25
1809
25
1928
25
1779
24
1891
24
1791
23
1855
23
1919
23
1922
23
1929
23
1765
22
1794
22
1796
22
1833
22
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22
1863
22
1930
22
1725
21
1801
21
1842
21
1910
21
1817
20
1823
20
1829
20
1893
20
1906
20
1917
20
1921
20
1950
20
2012
20
1772
19
1775
19
1787
19
1788
19
1857
19
1889
19
1918
19
On-site Access
Accessible by appointment in the Study Room
88
Image Use
Free to Use
88
Image Available
Available
88
Classification
Prints
88
Creator Gender
male
88
Collective Title
A Picturesque Tour of Italy
35
Whitaker's History of Richmondshire
31
Cooke's Picturesque Views of the Southern Coast of England
5
Liber Studiorum
2
Picturesque Views of the Antiquities of Pola in Istria
2
Cooke's Views in Sussex
1
Period
19th century
88
Materials & Techniques
etching (printing process)
[remove]
88
wove paper
71
line engraving
61
chine collé
44
laid paper
18
engraving (printing process)
16
stipple engraving
6
mezzotint
5
brown ink
3
colored ink
2
sepia
2
engraver's proof
1
Height [cm]
Height [cm] range begin
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Height [cm] range end
Current results range from
12
to
59
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
14
to
89
Work Type
intaglio print
88
frontispiece
2
Genre
landscape
64
architectural subject
45
cityscape
24
marine art
11
genre subject
10
animal art
3
botanical subject
1
portrait
1
Subject Terms
river
38
landscape (representation)
31
architectural subject
24
cityscape
17
church
13
bridge
11
castle
8
genre subject
8
men
8
abbey
7
trees
7
waterfall
7
boats
6
canoes
6
cliffs
6
poles
6
riverbanks
6
ruin
6
sampans
6
marine art
5
more
Subject Terms
»
Associated Places
England
30
United Kingdom
29
Europe
22
Italy
15
Durham
13
Tees
12
North Yorkshire
9
Richmond
8
Meuse
6
Swale
6
Grand Canal
4
Greta
4
Lazio
4
Ponte di Rialto
4
San Bartolomeo church
4
Veneto
4
Venezia
4
Wycliffe
4
Wycliffe Hall
4
Abbey of St. Agatha, Easby
3
more
Associated Places
»
Associated People
Royal Academy
1
West, Benjamin (1738–1820), American history painter active in Britain
1
Exhibition History
British Comic Art 1730 - 1830 (Museum of Art and Archaelogy, University of Missouri-Columbia, 1988-10-14 - 1988-12-04)
2
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
81
Yale Center for British Art, Paul Mellon Fund
6
Yale Center for British Art; Yale University Art Gallery Collection; Gift of James B. Richardson, Jr., B.A. 1957
1
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1
Etched by Joseph Mallord William Turner, 1775–1851
Ploughing, Eton
1818
2
Print engraved by John Pye, 1782–1874
Hardraw Fall
1818
3
Print made by Charles Heath, 1785–1848
Benjamin West, Esq., President of the Royal Academy of London
1818
4
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818
5
Print made by George Cooke, 1781–1834
Naples, from the Mole
1818-1820
6
Print made by Samuel Rawle, 1771–1860
Florence, from the Ponte alla Carraia
1818
7
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1818-1823
8
Etched by Samuel Middiman, ca. 1750–1831
Hardraw Fall
1818
9
Print made by James Fittler, 1758–1835
Isola Bella, on the Lago Maggiore
1818
10
Print made by Thomas Higham, 1796–1844
Egglestone Abbey, near Barnard Castle
1818-1823
11
Print made by Thomas Goff Lupton, 1791–1873
Ploughing, Eton
1818, printed after 1851
12
Print made by George Hollis, 1792–1842
Rome, Bridge, and Castle of St. Angelo, on the Tyber
1818
13
Print made by John Pye, 1782–1874
A View of Oxford from the Abingdon Road
1818
14
Print made by John Pye, 1782–1874
A View of Oxford from the Abingdon Road
1818
15
Print made by William Bernard Cooke, 1778–1855
Ilfracombe, North Devon
1818
16
Print made by William Bernard Cooke, 1778–1855
East and West Looe, Cornwall
1818
17
Print made by George Cooke, 1781–1834
Tintagel Castle, Cornwall
1818
18
Print made by William Bernard Cooke, 1778–1855
Ilfracombe, North Devon
1818
19
Print made by William Bernard Cooke, 1778–1855
East and West Looe, Cornwall
1818
20
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
21
Print made by Samuel Rawle, 1771–1860
Florence, from the Ponte alla Carraia
1818-1820
22
Print made by John Landseer, 1769–1852
High Force or Fall of Tees
1818-1823
23
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
24
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
25
Print made by J. C. Varrall, active 1815–1827
Merrick Abbey, Swaledale
1818-1823
26
Print made by John Le Keux, 1783–1846
Rome from the Farnesean Gardens
1818-1820
27
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
28
Print made by George Hollis, 1792–1842
Rome, Bridge, and Castle of St. Angelo, on the Tyber
1818
29
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818-1820
30
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818-1820
31
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818-1820
32
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818-1820
33
Print made by John Byrne, 1786–1847
Rome from Monte Testaccio
1818-1820
34
Print made by John Le Keux, 1783–1846
Rome from the Farnesean Gardens
1818-1820
35
Print made by John Byrne, 1786–1847
Rome from Monte Mario
1818-1820
36
Print made by John Byrne, 1786–1847
Tomb of Cecilia Metella
1818-1820
37
Print made by Samuel Rawle, 1771–1860
Florence, from the Ponte alla Carraia
1818-1820
38
Print made by James Fittler, 1758–1835
Isola Bella, on the Lago Maggiore
1818-1820
39
Print made by George Cooke, 1781–1834
Antiquities at Pola, Frontispiece
1818
40
Print made by George Cooke, 1781–1834
Antiquities at Pola, Frontispiece
1818
41
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1818-1823
42
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1818-1823
43
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1818-1823
44
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1818-1823
45
Print made by John Scott, 1774–1828
Aske Hall
1818-1823
46
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
47
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
48
Print made by John Scott, 1774–1828
Aysgarth Force
1818-1823
49
Print made by Henry Le Keux, 1787–1868
Simmer Lake, near Askrig
1818-1823
50
Print made by Charles Heath, 1785–1848
Kirkby Lonsdale Churchyard
1818-1823
51
Print made by Charles Heath, 1785–1848
Kirkby Lonsdale Churchyard
1818-1823
52
Print made by W. R. Smith, active 1819–1851
Heysham and Cumberland Mountains
1818-1823
53
Print made by Thomas Higham, 1796–1844
Egglestone Abbey, near Barnard Castle
1818-1823
54
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
55
Print made by John Scott, 1774–1828
Aysgarth Force
1818-1823
56
Print made by W. R. Smith, active 1819–1851
Heysham and Cumberland Mountains
1818-1823
57
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1818
58
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
59
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
60
Print made by Samuel Middiman, ca. 1750–1831
Bridge at Narni
1818-1820
61
Print made by John Landseer, 1769–1852
Cascade of Terni
1818-1820
62
Print made by George Hollis, 1792–1842
Rome, Bridge, and Castle of St. Angelo, on the Tyber
1818
63
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
64
Print made by William Richardson, active 1842–1877
The Roman Forum, from the Tower of the Capitol
1818-1820
65
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818
66
Engraved by George Hollis, 1792–1842
The Forum Romanum
1818-1820
67
Engraved by George Hollis, 1792–1842
The Forum Romanum
1818-1820
68
Print made by John Byrne, 1786–1847
Tomb of Cecilia Metella
1818-1820
69
Etched by Samuel Middiman, ca. 1750–1831
Lake of Nemi
1818-1820
70
Print made by W. R. Smith, active 1819–1851
Florence, from Fiesoli
1818-1820
71
Print made by John Byrne, 1786–1847
Rome from Monte Testaccio
1818-1820
72
Print made by W. R. Smith, active 1819–1851
Florence, from Fiesoli
1818-1820
73
Print made by James Fittler, 1758–1835
Isola Bella, on the Lago Maggiore
1818-1820
74
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1818-1823
75
Print made by John Landseer, 1769–1852
High Force or Fall of Tees
1818-1823
76
Print made by Thomas Higham, 1796–1844
Egglestone Abbey, near Barnard Castle
1818-1823
77
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
78
Print made by Samuel Rawle, 1771–1860
Brignall Church
1818-1823
79
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
80
Print made by Charles Heath, 1785–1848
Ingleborough, from Hornby Castle Terrace
1818-1823
81
Print made by William Radclyffe, 1780–1855
Hornby Castle from Tatham Church
1818-1823
82
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
83
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
84
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
85
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
86
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
87
Print made by George Cruikshank, 1792–1878
Traveling in France -or, -Le départ de la diligence
1818
88
Print made by Robert Isaac Cruikshank, 1789–1856
Dandies Having a Treat
1818