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Collection
Prints and Drawings
79
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
[remove]
79
Hakewill, James, 1778–1843
35
Pye, John, 1782–1874
16
Cooke, George, 1781–1834
10
Murray, John, founded 1768
6
Smith, William R., active 1819–1851
6
Byrne, John, 1786–1847
5
Cooke, William Bernard, 1778–1855
5
Heath, Charles, 1785–1848
5
Hollis, George, 1792–1842
5
Le, Keux John, 1783–1846
5
Middiman, Samuel, ca. 1750–1831
5
Rawle, Samuel, 1771–1860
4
Fittler, James, 1758–1835
3
Higham, Thomas, 1796–1844
3
Landseer, John, 1769–1852
3
Scott, John, 1774–1828
3
Allason, Thomas, 1790–1852
2
Lupton, Thomas Goff, 1791–1873
2
Mitan, James, 1776–1822
2
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1830
95
1834
92
1818
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79
1814
63
1859
61
1836
60
1816
52
1811
43
1812
43
1819
43
1835
36
1820
34
1827
31
1896
29
1813
28
1808
25
1821
25
1825
24
1832
24
1822
19
1823
17
1833
17
1842
16
1807
13
1809
12
1824
12
1826
12
1829
12
1891
12
1817
11
1828
11
1838
9
1920
8
1831
7
1841
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1856
7
1815
6
1837
6
1851
6
1875
5
1886
5
1887
5
1845
4
1885
4
1902
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1839
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1852
3
1853
3
1854
3
1858
3
1889
3
1795
2
1846
2
1860
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1861
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1862
2
1863
2
1866
2
1882
2
1799
1
1800
1
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1
1840
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1847
1
1850
1
1864
1
1873
1
1878
1
1879
1
1888
1
1893
1
On-site Access
Accessible by appointment in the Study Room
79
Image Use
Free to Use
79
Image Available
Available
79
Classification
Prints
79
Creator Gender
male
79
Collective Title
A Picturesque Tour of Italy
35
Whitaker's History of Richmondshire
31
Cooke's Picturesque Views of the Southern Coast of England
5
Liber Studiorum
2
Picturesque Views of the Antiquities of Pola in Istria
2
Cooke's Views in Sussex
1
Period
19th century
79
Materials & Techniques
etching (printing process)
[remove]
79
wove paper
66
line engraving
60
chine collé
44
engraving (printing process)
16
laid paper
14
stipple engraving
3
brown ink
2
mezzotint
2
engraver's proof
1
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59
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89
Work Type
intaglio print
79
frontispiece
2
Genre
landscape
60
architectural subject
43
cityscape
22
marine art
11
animal art
3
genre subject
2
botanical subject
1
Subject Terms
river
32
landscape (representation)
31
architectural subject
22
cityscape
15
bridge
11
church
11
castle
8
abbey
7
waterfall
7
ruin
6
marine art
5
mountain
4
palace
4
basilica
3
bridges
3
mausoleum
3
rivers
3
valley (landform)
3
bay (body of water)
2
cemetery
2
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Subject Terms
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Associated Places
England
30
United Kingdom
29
Europe
18
Italy
15
Durham
13
Tees
12
North Yorkshire
9
Richmond
8
Swale
6
Grand Canal
4
Greta
4
Lazio
4
Ponte di Rialto
4
San Bartolomeo church
4
Veneto
4
Venezia
4
Wycliffe
4
Wycliffe Hall
4
Abbey of St. Agatha, Easby
3
Arno
3
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Associated Places
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Exhibition History
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
79
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Materials & Techniques
etching (printing process)
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Date
1818
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Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
Remove constraint Creator: Turner, J. M. W. (Joseph Mallord William), 1775–1851
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1
Etched by Joseph Mallord William Turner, 1775–1851
Ploughing, Eton
1818
2
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
3
Engraved by George Hollis, 1792–1842
The Forum Romanum
1818-1820
4
Print made by John Byrne, 1786–1847
Rome from Monte Testaccio
1818-1820
5
Print made by John Byrne, 1786–1847
Rome from Monte Testaccio
1818-1820
6
Print made by John Byrne, 1786–1847
Tomb of Cecilia Metella
1818-1820
7
Print made by W. R. Smith, active 1819–1851
Florence, from Fiesoli
1818-1820
8
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1818-1823
9
Print made by Thomas Higham, 1796–1844
Egglestone Abbey, near Barnard Castle
1818-1823
10
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
11
Print made by J. C. Varrall, active 1815–1827
Merrick Abbey, Swaledale
1818-1823
12
Print made by Henry Le Keux, 1787–1868
Simmer Lake, near Askrig
1818-1823
13
Print made by John Scott, 1774–1828
Aysgarth Force
1818-1823
14
Print made by Charles Heath, 1785–1848
Ingleborough, from Hornby Castle Terrace
1818-1823
15
Print made by William Radclyffe, 1780–1855
Hornby Castle from Tatham Church
1818-1823
16
Print made by William Bernard Cooke, 1778–1855
East and West Looe, Cornwall
1818
17
Print made by William Bernard Cooke, 1778–1855
Ilfracombe, North Devon
1818
18
Print made by George Cooke, 1781–1834
Tintagel Castle, Cornwall
1818
19
Print made by Samuel Rawle, 1771–1860
Florence, from the Ponte alla Carraia
1818-1820
20
Print made by George Cooke, 1781–1834
Antiquities at Pola, Frontispiece
1818
21
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1818-1823
22
Print made by John Landseer, 1769–1852
High Force or Fall of Tees
1818-1823
23
Print made by John Scott, 1774–1828
Aske Hall
1818-1823
24
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
25
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
26
Print made by Charles Heath, 1785–1848
Kirkby Lonsdale Churchyard
1818-1823
27
Print made by Charles Heath, 1785–1848
Kirkby Lonsdale Churchyard
1818-1823
28
Print made by W. R. Smith, active 1819–1851
Heysham and Cumberland Mountains
1818-1823
29
Print made by W. R. Smith, active 1819–1851
Heysham and Cumberland Mountains
1818-1823
30
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1818
31
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
32
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
33
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
34
Print made by John Le Keux, 1783–1846
Rome from the Farnesean Gardens
1818-1820
35
Print made by John Byrne, 1786–1847
Rome from Monte Mario
1818-1820
36
Print made by John Byrne, 1786–1847
Tomb of Cecilia Metella
1818-1820
37
Etched by Samuel Middiman, ca. 1750–1831
Lake of Nemi
1818-1820
38
Print made by Samuel Rawle, 1771–1860
Florence, from the Ponte alla Carraia
1818-1820
39
Print made by James Fittler, 1758–1835
Isola Bella, on the Lago Maggiore
1818-1820
40
Print made by George Cooke, 1781–1834
Antiquities at Pola, Frontispiece
1818
41
Print made by James Fittler, 1758–1835
Isola Bella, on the Lago Maggiore
1818-1820
42
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1818-1823
43
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1818-1823
44
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1818-1823
45
Print made by Thomas Higham, 1796–1844
Egglestone Abbey, near Barnard Castle
1818-1823
46
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
47
Print made by John Landseer, 1769–1852
High Force or Fall of Tees
1818-1823
48
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
49
Print made by Samuel Rawle, 1771–1860
Brignall Church
1818-1823
50
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
51
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
52
Print made by John Scott, 1774–1828
Aysgarth Force
1818-1823
53
Engraved by George Hollis, 1792–1842
The Forum Romanum
1818-1820
54
Print made by W. R. Smith, active 1819–1851
Florence, from Fiesoli
1818-1820
55
Print made by John Le Keux, 1783–1846
Rome from the Farnesean Gardens
1818-1820
56
Print made by Thomas Goff Lupton, 1791–1873
Ploughing, Eton
1818, printed after 1851
57
Print made by James Fittler, 1758–1835
Isola Bella, on the Lago Maggiore
1818
58
Print made by Thomas Higham, 1796–1844
Egglestone Abbey, near Barnard Castle
1818-1823
59
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1818-1823
60
Print made by John Pye, 1782–1874
A View of Oxford from the Abingdon Road
1818
61
Print made by John Pye, 1782–1874
A View of Oxford from the Abingdon Road
1818
62
Print made by William Bernard Cooke, 1778–1855
Ilfracombe, North Devon
1818
63
Print made by William Bernard Cooke, 1778–1855
East and West Looe, Cornwall
1818
64
Print made by John Landseer, 1769–1852
Cascade of Terni
1818-1820
65
Print made by George Hollis, 1792–1842
Rome, Bridge, and Castle of St. Angelo, on the Tyber
1818
66
Print made by Samuel Middiman, ca. 1750–1831
Bridge at Narni
1818-1820
67
Print made by George Hollis, 1792–1842
Rome, Bridge, and Castle of St. Angelo, on the Tyber
1818
68
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818-1820
69
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818-1820
70
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818-1820
71
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818
72
Print made by William Richardson, active 1842–1877
The Roman Forum, from the Tower of the Capitol
1818-1820
73
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818-1820
74
Print engraved by John Pye, 1782–1874
Hardraw Fall
1818
75
Print made by George Hollis, 1792–1842
Rome, Bridge, and Castle of St. Angelo, on the Tyber
1818
76
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818
77
Print made by George Cooke, 1781–1834
Naples, from the Mole
1818-1820
78
Print made by Samuel Rawle, 1771–1860
Florence, from the Ponte alla Carraia
1818
79
Etched by Samuel Middiman, ca. 1750–1831
Hardraw Fall
1818