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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
21
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
20
Allen, James C., active 1821–1831
4
Dawe, Henry E., 1790–1848
4
Cooke, William Bernard, 1778–1855
3
Lupton, Thomas Goff, 1791–1873
3
Turner, Charles, 1774–1857
3
Hodgetts, Thomas, active 1801–1846
2
Say, William, 1768–1834
2
Byrne, John, 1786–1847
1
Kennion, Charles John, 1789–1853
1
Kennion, Edward, 1743–1809
1
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1834
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On-site Access
Accessible by appointment in the Study Room
21
Image Use
Free to Use
21
Image Available
Available
21
Classification
Prints
21
Creator Gender
male
21
Collective Title
Liber Studiorum
14
Cooke's Rivers of Devon
6
Period
19th century
21
Materials & Techniques
etching (printing process)
[remove]
21
brown ink
14
laid paper
14
mezzotint
14
wove paper
7
line engraving
5
Height [cm]
Height [cm] range begin
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Current results range from
12
to
40
Width [cm]
Width [cm] range begin
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Current results range from
21
to
58
Work Type
intaglio print
21
Genre
landscape
21
architectural subject
9
genre subject
3
religious and mythological subject
2
cityscape
1
marine art
1
Subject Terms
river
3
abbey
2
bridge
2
death
2
landscape
2
landscape (representation)
2
mourning
2
people
2
plague
2
religious and mythological subject
2
stairs
2
Old Testament
1
architectural subject
1
bananas
1
branches
1
child
1
city
1
cityscape
1
family
1
fences
1
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Subject Terms
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Associated Places
United Kingdom
3
Alps
2
Arve
2
Bonneville
2
Dunblane
2
Dunblane Cathedral
2
France
2
Scotland
2
Africa
1
Dartmoor
1
Devon
1
Egypt
1
England
1
Jamaica
1
Tamar
1
Torridge
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
Egypt - The Legacy (Sarah Lawrence College Art Gallery, 1990-02-13 - 1990-04-22)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
20
Yale Center for British Art, Gift of James Langhorne
1
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Materials & Techniques
etching (printing process)
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Date
1816
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21
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1
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
2
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
3
Etched by Joseph Mallord William Turner, 1775–1851
Inverary Castle and Town, Scotland
1816
4
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
5
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
6
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
7
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
8
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
9
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
10
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
11
Etched by Joseph Mallord William Turner, 1775–1851
Solway Moss
1816
12
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
13
Print made by William Bernard Cooke, 1778–1855
Dartmoor; Source of the Tamar and the Torridge
1816
14
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
15
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
16
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
17
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
18
Print made by William Bernard Cooke, 1778–1855
Source of the Tamer and Torridge
1816
19
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
20
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
21
Print made by John Byrne, 1786–1847
A View of Hall-head Sugar Plantation, Jamaica
1816