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Collection
Prints and Drawings
65
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
52
Cooke, William Bernard, 1778–1855
23
Dawe, Henry E., 1790–1848
6
Nuttall,, Fisher & Dixon, active 1818
6
Smirke, Robert, 1752–1845
5
Allen, James C., active 1821–1831
4
Smith, Anker., 1759–1819
4
Turner, Charles, 1774–1857
4
Lupton, Thomas Goff, 1791–1873
3
Unknown artist
3
Hodgetts, Thomas, active 1801–1846
2
Say, William, 1768–1834
2
Winkles, B., active 1830–1840
2
Bromley, William, 1769–1842
1
Byrne, John, 1786–1847
1
Cadell, Thomas, 1773–1836
1
Davis, John Phillip, 1784–1862
1
Delamotte, William Alfred, 1775–1863
1
Fry, William Thomas, 1789–1843
1
Hargreaves, Thomas, 1774–1847
1
more
Creator
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Date
1782
158
1830
134
1793
116
1808
109
1859
101
1834
97
1818
88
1999
80
1792
75
1630
71
1800
71
1814
70
1836
68
1816
[remove]
65
1835
65
1850
62
1811
60
1827
60
1803
55
1820
54
1797
53
1819
53
1916
53
1789
50
1812
50
1807
48
1925
48
1896
45
1813
44
1739
43
1897
43
1826
42
1795
41
1825
41
1821
40
1802
39
1822
37
1923
36
1915
35
1887
34
1927
34
1745
32
1832
32
1913
32
1776
31
1824
31
1890
31
1911
31
1907
30
1983
30
1810
29
1904
29
1926
29
1732
28
1735
28
1773
28
1900
28
1902
27
1920
27
1799
26
1864
26
1912
26
1990
26
1806
25
1809
25
1928
25
1779
24
1891
24
1791
23
1855
23
1919
23
1922
23
1929
23
1765
22
1794
22
1796
22
1833
22
1839
22
1863
22
1930
22
1725
21
1801
21
1842
21
1910
21
1817
20
1823
20
1829
20
1893
20
1906
20
1917
20
1921
20
1950
20
2012
20
1772
19
1775
19
1787
19
1788
19
1857
19
1889
19
1918
19
On-site Access
Accessible by appointment in the Study Room
65
Image Use
Free to Use
64
Under Certain Circumstances
1
Image Available
Available
61
Unavailable
4
Classification
Prints
64
Drawings & Watercolors
1
Creator Gender
male
64
unknown
3
female
1
Collective Title
Liber Studiorum
23
Cooke's Views in Sussex
17
Cooke's Rivers of Devon
6
Illustrations from Camden's 'The imperial history of England'
6
Cooke's Picturesque Views of the Southern Coast of England
3
Studies of, 167 Drawings, and 1 Print, for Oil Paintings, by Benjamin R. Haydon
1
Surtees' History of Durham
1
The British Gallery of Contemporary Portraits
1
Period
19th century
65
Materials & Techniques
etching (printing process)
[remove]
65
laid paper
33
wove paper
32
brown ink
24
line engraving
23
mezzotint
23
engraving (printing process)
3
aquatint
2
watercolor
2
graphite
1
hand coloring
1
pen
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
11
to
53
Unknown
1
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
15
to
58
Unknown
1
Work Type
intaglio print
65
drawing
1
watercolor
1
Genre
landscape
49
architectural subject
16
historical subject
8
marine art
7
genre subject
4
animal art
3
portrait
2
religious and mythological subject
2
cityscape
1
literary theme
1
military art
1
sporting art
1
still life
1
Subject Terms
landscape (representation)
6
river
6
architectural subject
5
frame (furnishing)
5
historical subject
5
bridge
4
marine art
4
channel (water body component)
3
death
3
abbey
2
estate
2
landscape
2
mourning
2
park
2
people
2
plague
2
religious and mythological subject
2
stairs
2
George IV
1
Old Testament
1
more
Subject Terms
»
Associated Places
United Kingdom
8
England
6
France
6
Alps
4
Europe
4
Arve
3
Bonneville
3
Calais
3
Cornwall
3
Devon
3
Dover, Strait of
3
English Channel
3
Tamar
3
City of Westminster
2
Dunblane
2
Dunblane Cathedral
2
London
2
Mount Edgcumbe Country Park Estate
2
Palace of Westminster
2
Plymouth Sound
2
more
Associated Places
»
Associated People
Caratacus [Caractacus] (fl. AD 40–51), king in Britain
1
Claudius [Tiberius Claudius Nero Germanicus] (10 BC–AD 54), Roman emperor
1
Edward I (1239–1307), king of England and lord of Ireland, and duke of Aquitaine
1
Edward IV (1442–1483), king of England and lord of Ireland
1
Henry IV (1367–1413), king of England and lord of Ireland, and duke of Aquitaine
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
5
Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (Yale Center for British Art, 2007-09-27 - 2007-12-30)
1
Egypt - The Legacy (Sarah Lawrence College Art Gallery, 1990-02-13 - 1990-04-22)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
56
Yale Center for British Art, Gift of James Wilson, YCBA Docent
6
Yale Center for British Art, Gift of James Langhorne
1
Yale Center for British Art, Paul Mellon Fund
1
Yale Center for British Art; Yale University Art Gallery Collection
1
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Materials & Techniques
etching (printing process)
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Date
1816
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1
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
2
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
3
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
4
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
5
Etched by Joseph Mallord William Turner, 1775–1851
Raglan Castle
1816
6
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
7
Etched by Joseph Mallord William Turner, 1775–1851
Inverary Castle and Town, Scotland
1816
8
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
9
Print made by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
10
Print made by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
11
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
12
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
13
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
14
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
15
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
16
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
17
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
18
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
19
Print made by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
20
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
21
Etched by Joseph Mallord William Turner, 1775–1851
Solway Moss
1816
22
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
23
Print made by unknown artist
Little Devil's Bridge
between 1816 and 1820
24
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
25
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
26
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
27
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816
28
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816 to 1820
29
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
30
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
31
Print made by William Bernard Cooke, 1778–1855
Dartmoor; Source of the Tamar and the Torridge
1816
32
Print made by Samuel Rawle, 1771–1860
Hylton Castle, County of Durham
1816 to 1823
33
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
34
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
35
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
36
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816 to 1820
37
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
38
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
39
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1816
40
Print made by William Bernard Cooke, 1778–1855
Winchelsea
1816 to 1820
41
Print made by William Bernard Cooke, 1778–1855
Plymouth Dock from Mount Edgecumbe
1816
42
Print made by Mary Dawson Turner, 1774–1850
Portrait of Benjamin Robert Haydon
1816
43
Print made by William Bernard Cooke, 1778–1855
Battle Abbey, The spot where Harold Fell
1816
44
Print made by William Bernard Cooke, 1778–1855
Brightling Observatory
1816
45
Print made by William Bernard Cooke, 1778–1855
Bodiham Castle, Sussex
1816
46
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
47
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
48
Print made by William Bernard Cooke, 1778–1855
Source of the Tamer and Torridge
1816
49
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
50
Print made by William Bernard Cooke, 1778–1855
Falmouth, Cornwall
1816
51
Print made by William Bernard Cooke, 1778–1855
Plymouth Dock from Mount Edgecumbe
1816
52
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
53
Print made by B. Winkles, active 1830–1840
Longitudinal Section of Westminster Hall
ca. 1821
54
Print made by B. Winkles, active 1830–1840
Interior of Westminster Hall as Prepared for the Banquet
ca. 1821
55
Print made by Anker Smith, 1759–1819
Vortigern & Rowena
1816
56
Print made by Anker Smith, 1759–1819
Alfred in the Danish Camp
1816
57
Print made by Anker Smith, 1759–1819
Attempt to Assassinate Prince Edward in Palestine
1816
58
Print made by Anker Smith, 1759–1819
Lady Elizabeth Grey's Interview with Edward IV
1816
59
Print made by William Bromley, 1769–1842
Death of Henry IV
1816
60
Print made by unknown artist
Caractacus before Claudius
1816
61
Print made by John Byrne, 1786–1847
A View of Hall-head Sugar Plantation, Jamaica
1816
62
Edward W. Trendall, active 1816–1848
Grandstand on the Race Ground at Epsom
undated
63
William Alfred Delamotte, 1775–1863
[A set of] Twenty etchings, Ten etchings, Sandhurst, 1816, 1817
1816 to 1817
64
Print made by William Thomas Fry, 1789–1843
James Currie, M.D. F.R.S
1816
65
Print made by unknown artist
The Three Swords
ca. 1821