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Collection
Prints and Drawings
44
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
28
COPE, Charles, 1782–1827
4
Cooke, William Bernard, 1778–1855
4
Havell, Daniel, 1785–1826
4
Havell, Robert, 1769–1832
4
Say, William, 1768–1834
4
Crome, John, 1768–1821
3
Dawe, Henry E., 1790–1848
3
Dawson, Robert Kearsley, 1798–1861
2
Lupton, Thomas Goff, 1791–1873
2
Turner, Charles, 1774–1857
2
Unknown artist
2
Ackermann, Rudolph, 1764–1834
1
Allason, Thomas, 1790–1852
1
Atkinson, John Augustus, 1775–approximately 1833
1
Bond, William, active 1772–1831, died 1842
1
Cadell, Thomas, 1773–1836
1
Colnaghi,, established 1760, active ca. 1785–1911
1
Coney, John, 1786–1833
1
Cooke, George, 1781–1834
1
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Date
1782
158
1830
134
1793
116
1808
109
1859
101
1834
97
1818
88
1999
80
1792
75
1630
71
1800
71
1814
70
1836
68
1816
65
1835
65
1850
62
1811
60
1827
60
1803
55
1820
54
1797
53
1819
53
1916
53
1789
50
1812
50
1807
48
1925
48
1896
45
1813
[remove]
44
1739
43
1897
43
1826
42
1795
41
1825
41
1821
40
1802
39
1822
37
1923
36
1915
35
1887
34
1927
34
1745
32
1832
32
1913
32
1776
31
1824
31
1890
31
1911
31
1907
30
1983
30
1810
29
1904
29
1926
29
1732
28
1735
28
1773
28
1900
28
1902
27
1920
27
1799
26
1864
26
1912
26
1990
26
1806
25
1809
25
1928
25
1779
24
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24
1791
23
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23
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23
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23
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23
1765
22
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22
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22
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22
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22
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22
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22
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21
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21
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21
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21
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20
1893
20
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20
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20
1921
20
1950
20
2012
20
1772
19
1775
19
1787
19
1788
19
1857
19
1889
19
1918
19
On-site Access
Accessible by appointment in the Study Room
44
Image Use
Free to Use
44
Image Available
Available
40
Unavailable
4
Classification
Prints
44
Creator Gender
male
44
unknown
2
Collective Title
Liber Studiorum
22
Cooke's Picturesque Views of the Southern Coast of England
4
Picturesque Views of the Antiquities of Pola in Istria
1
Selections of the Ancient Costume of Great Britain and Ireland
1
The British Gallery of Contemporary Portraits
1
Period
19th century
44
Materials & Techniques
etching (printing process)
[remove]
44
wove paper
36
brown ink
22
mezzotint
12
aquatint
8
laid paper
8
chine collé
4
colored ink
4
hand coloring
4
line engraving
4
engraving (printing process)
2
graphite
2
Asian paper
1
watercolor
1
Height [cm]
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48
Width [cm]
Width [cm] range begin
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53
Work Type
intaglio print
44
Genre
landscape
24
architectural subject
21
genre subject
13
marine art
6
religious and mythological subject
6
still life
3
literary theme
2
portrait
2
Subject Terms
trees
11
architectural subject
10
field
6
genre subject
6
landscape
5
river
5
channel (water body component)
4
country house
4
garden
4
house
4
manor house
4
marine art
4
park (grounds)
4
religious and mythological subject
4
road
4
tower (building division)
4
beach
3
buildings
3
bushes
3
chimneys
3
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Subject Terms
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Associated Places
England
13
United Kingdom
11
Europe
9
Crofton
4
English Channel
4
Wakefield
4
Yorkshire
4
Cornwall
2
Dorset
2
Mount's Bay
2
Norfolk
2
Norwich
2
Saint Michael's Mount
2
Weymouth
2
Weymouth Bay
2
Bewdley
1
City of Westminster
1
Hereford and Worcester
1
London
1
Palace of Westminster
1
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Associated Places
»
Associated People
Glaucus
3
Scylla
3
Exhibition History
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
3
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
40
Yale Center for British Art, Gift of Lisa Thornell-Gargiulo
1
Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection
1
Yale Center for British Art, transfer from the Yale University Art Gallery Collection
1
Yale Center for British Art; Yale University Art Gallery Collection
1
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Materials & Techniques
etching (printing process)
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Date
1813
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1
Print made by Joseph Mallord William Turner, 1775–1851
Crowhurst
between 1813 and 1823
2
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
between 1813 and 1823
3
Etched by Joseph Mallord William Turner, 1775–1851
Dumbarton Rock
between 1813 and 1823
4
Print made by Joseph Mallord William Turner, 1775–1851
Dumbarton Rock
between 1813 and 1823
5
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
6
Print made by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
7
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
1813 to 1823
8
Print made by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
between 1813 and 1823
9
Print made by Joseph Mallord William Turner, 1775–1851
Sheep-Washing, Windsor
between 1813 and 1823
10
Etched by Joseph Mallord William Turner, 1775–1851
Sheep-Washing, Windsor
1813 to 1823
11
Print made by Joseph Mallord William Turner, 1775–1851
Sheep-Washing, Windsor
between 1813 and 1823
12
Print made by Joseph Mallord William Turner, 1775–1851
Dumbarton Rock
between 1813 and 1823
13
Print made by Joseph Mallord William Turner, 1775–1851
The Temple of Jupiter in the Island of Aegina
between 1813 and 1823
14
Attributed to Joseph Mallord William Turner, 1775–1851
Via Mala
between 1813 and 1823
15
Print made by Joseph Mallord William Turner, 1775–1851
Ploughing, Eton
1813 to 1823
16
Etched by Joseph Mallord William Turner, 1775–1851
The Stork and Aqueduct
between 1813 and 1823
17
Print made by Joseph Mallord William Turner, 1775–1851
The Stork and Aqueduct
between 1813 and 1823
18
Print made by Joseph Mallord William Turner, 1775–1851
Flounder Fishing, Battersea
between 1813 and 1823
19
Etched by Joseph Mallord William Turner, 1775–1851
The Stork and Aqueduct
between 1813 and 1823
20
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
21
Etched by Joseph Mallord William Turner, 1775–1851
Sheep-Washing, Windsor
between 1813 and 1823
22
Print made by Joseph Mallord William Turner, 1775–1851
Flounder Fishing, Battersea
between 1813 and 1823
23
Etched by Joseph Mallord William Turner, 1775–1851
Dumbarton Rock
between 1813 and 1823
24
Print made by William Bernard Cooke, 1778–1855
St. Michael's Mount, Cornwall
1813
25
Print made by John Crome, 1768–1821
Front of the New Mills
1813
26
Print made by George Cuitt, 1779–1854
Presented by the Officers
after 1813
27
Print made by William Bernard Cooke, 1778–1855
St. Michael's Mount, Cornwall
1813
28
Print made by William Bernard Cooke, 1778–1855
Weymouth, Dorsetshire
1813
29
Print made by William Bernard Cooke, 1778–1855
Weymouth, Dorsetshire
1813
30
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
31
Print made by John Augustus Atkinson, 1775–1831
Fools; or Jesters
1813
32
Print made by John Crome, 1768–1821
Road Scene, Trowse Hall, near Norwich
1813
33
Print made by Robert Kearsley Dawson, 1798–1861
Map of Bewdley from the Ordnance Survey
undated
34
Print made by Robert Kearsley Dawson, 1798–1861
Map of Worcestershire Showing Western and Eastern Divisions
undated
35
Print made by George Cooke, 1781–1834
Antiquities at Pola, Frontispiece
ca. 1818
36
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
37
Print made by unknown artist
North East View of Henry VII Chapel Westminster
ca. 1813
38
Charles Williams, active 1796–1830
The Delicate Investigation or Secrets of - Time Three o' Clock in the Morning!!!
1813
39
Robert Havell, 1769–1832
Crofton
1813
40
Robert Havell, 1769–1832
Crofton
1813
41
Print made by John Crome, 1768–1821
Composition: Sandy Road through Woodland
1813
42
Print made by Thomas Rowlandson, 1756–1827
Dr. Syntax Returned from His Tour
1813
43
Print made by Joseph Jeakes, active 1796– ca. 1829
His Majesty's Frigate the Shannon
1813
44
Print made by William Bond, active 1772–1831, died 1842
General Sir George Augustus Eliott, K.B
1813