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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
10
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
9
Dunkarton, Robert, 1744–1811
3
Say, William, 1768–1834
3
Audinet, Philip, 1766–1837
1
Brown, Mather, 1761–1831
1
Hodgetts, Thomas, active 1801–1846
1
Stratford, J., active 1792–1813
1
Turner, Charles, 1774–1857
1
Date
1808
35
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24
1773
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11
1630
10
1811
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1834
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1979
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On-site Access
Accessible by appointment in the Study Room
10
Image Use
Free to Use
10
Image Available
Available
10
Classification
Prints
10
Creator Gender
male
10
Collective Title
Liber Studiorum
9
Illustrations from Camden's 'The imperial history of England'
1
Period
19th century
10
Materials & Techniques
etching (printing process)
[remove]
10
brown ink
9
mezzotint
9
wove paper
8
laid paper
2
chine collé
1
line engraving
1
Height [cm]
Height [cm] range begin
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Current results range from
18
to
36
Width [cm]
Width [cm] range begin
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Current results range from
17
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43
Work Type
intaglio print
10
Genre
landscape
8
architectural subject
4
genre subject
3
historical subject
1
literary theme
1
marine art
1
Subject Terms
landscape
3
temple
2
trees
2
animals
1
architectural
1
cityscape
1
country (rural landscape)
1
deer
1
execution (event)
1
frame (furnishing)
1
hill
1
hills
1
historical subject
1
king (person)
1
knight (landholder)
1
people
1
queen (person)
1
river
1
sheep
1
view
1
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Associated People
James VI and I (1566–1625), king of Scotland, England, and Ireland
1
Mary [Mary Stewart] (1542–1587), queen of Scots
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
1
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
9
Yale Center for British Art, Gift of James Wilson, YCBA Docent
1
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Materials & Techniques
etching (printing process)
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Date
1811
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Height [cm]
28
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1
Etched by Joseph Mallord William Turner, 1775–1851
Windmill and Lock
1811
2
Print made by Joseph Mallord William Turner, 1775–1851
Junction of Severn and Wye
1811
3
Etched by Joseph Mallord William Turner, 1775–1851
The Hindoo Worshipper
1811
4
Etched by Joseph Mallord William Turner, 1775–1851
Martello Towers near Bexhill, Sussex
1811
5
Etched by Joseph Mallord William Turner, 1775–1851
Marine Dabblers
1811
6
Etched by Joseph Mallord William Turner, 1775–1851
Hind Head Hill
1811
7
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
8
Etched by Joseph Mallord William Turner, 1775–1851
The Hindoo Worshipper
1811
9
Etched by Joseph Mallord William Turner, 1775–1851
London from Greenwich
1811
10
Print made by Philip Audinet, 1766–1837
Lord Sinclair advising King James to Revenge the Execution of Mary Queen of Scots
1811