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Collection
Prints and Drawings
55
Creator
Girtin, Thomas, 1775–1802
29
Hayley, William, 1745–1820
17
Lewis, Frederick Christian the Elder, 1779–1856
16
Vernor, & Hood, active 1795–1807
14
Greig, John, active 1803–1853
9
Storer, James Sargant, 1771–1853
9
Pickett, W., active 1792–1820
5
Johnson, Joseph, 1738–1809
4
Blake, William, 1757–1827
3
Gillray, James, 1756–1815
3
Girtin, James, ca. 1780–after 1820
3
Harraden, James, active 1801–1814
3
Harraden, Richard Banks, 1778–1862
3
Bartolozzi, Francesco, 1727–1815
2
Humphrey, Hannah, ca. 1745–1818
2
Stadler, Joseph Constantine, active 1780–1812
2
Boydell, John, 1720–1804
1
Cowper, William, 1731–1800
1
Hamilton, William, 1751–1801
1
Heins, John Theodore, 1697–1756
1
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1782
158
1830
134
1793
116
1808
109
1859
101
1834
97
1818
88
1999
80
1792
75
1630
71
1800
71
1814
70
1836
68
1816
65
1835
65
1850
62
1811
60
1827
60
1803
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55
1820
54
1797
53
1819
53
1916
53
1789
50
1812
50
1807
48
1925
48
1896
45
1813
44
1739
43
1897
43
1826
42
1795
41
1825
41
1821
40
1802
39
1822
37
1923
36
1915
35
1887
34
1927
34
1745
32
1832
32
1913
32
1776
31
1824
31
1890
31
1911
31
1907
30
1983
30
1810
29
1904
29
1926
29
1732
28
1735
28
1773
28
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28
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26
1864
26
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24
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24
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23
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23
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23
1765
22
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22
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22
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22
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21
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21
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21
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21
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20
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20
1950
20
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20
1772
19
1775
19
1787
19
1788
19
1857
19
1889
19
1918
19
On-site Access
Accessible by appointment in the Study Room
55
Image Use
Free to Use
55
Image Available
Available
37
Unavailable
18
Classification
Prints
55
Creator Gender
male
55
female
3
Collective Title
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
29
The Life, and Posthumous Writings, of William Cowper
17
Period
19th century
55
Materials & Techniques
etching (printing process)
[remove]
55
aquatint
29
wove paper
24
line engraving
17
stipple engraving
3
watercolor
3
hand coloring
2
Height [cm]
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0
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56
Unknown
1
Width [cm]
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Current results range from
11
to
140
Unknown
2
Work Type
intaglio print
55
frontispiece
1
Genre
cityscape
26
architectural subject
22
literary theme
19
landscape
8
portrait
3
Subject Terms
river
18
architectural subject
4
cityscape
4
bridge (built work)
3
breeches
2
buildings
2
chain
2
hat
2
literary theme
2
play
2
stockings
2
windows
2
As You Like It, play by William Shakespeare
1
Twelfth Night; or, What You Will, play by William Shakespeare
1
arcade
1
arches
1
balcony
1
bed
1
blocks
1
boats
1
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Subject Terms
»
Associated Places
Europe
28
France
28
Île-de-France
28
Seine
21
Paris
15
Pont Neuf
7
Val-de-Marne
7
Cathédrale Notre-Dame de Paris
6
Charenton-le-Pont
5
Pont de Charenton-le-Pont
5
Acqueduct of Louveciennes
4
Louveciennes
4
Marly-le-Roi
4
Pont de la Concorde
4
Saint-Germain-en-Laye
4
Yvelines
4
Bassin de l'Arsenal
3
Bourse de Paris
3
Marne
3
Panthéon
3
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
2
Ludwig, Furst von Starhemberg (1762–1833), Austrian diplomat
1
Napoleon I (1769–1821), Emperor of the French
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
2
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
2
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
54
Yale Center for British Art, Paul Mellon Fund
1
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Materials & Techniques
etching (printing process)
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1
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
2
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
3
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
4
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
5
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
6
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
7
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
8
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
9
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
10
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
11
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
12
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
13
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803
14
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
15
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1803
16
James Gillray, 1756–1815
A Scotch Poney - commonly call'd a Galloway
1803
17
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
18
Print made by Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde
1803
19
Print made by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
20
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint and etc
1803
21
Print made by Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre and the College of Four Nations
1803
22
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame
1803
23
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
24
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
25
Print made by Thomas Girtin, 1775–1802
View of the Village of Chaillot and etc. taken from Pont de la Concorde
1803
26
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
27
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
28
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
29
Print made by Thomas Girtin, 1775–1802
View of Pont St. Michael taken from Pont Neuf
1803
30
Print made by Thomas Girtin, 1775–1802
View of the Gate of the St. Denis taken from the Suburbs
1803
31
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance
1803
32
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli and St. German en Laye seen in the distance
1803
33
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, & c
1803
34
Print made by James Girtin, ca. 1780–after 1820
Dedication Page for: to the Right Honorable George Earl of Essex
1803
35
James Girtin, ca. 1780–after 1820
Half Title page for: Views in Paris and its Environs
1803
36
James Girtin, ca. 1780–after 1820
Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs
1803
37
Print made by Caroline Watson, 1760–1814
Judith, or Cowper's Oak
1803-1804
38
Print made by William Blake, 1757–1827
Mrs Cowper Mother of the Poet
1803-1804
39
Print made by William Blake, 1757–1827
William Cowper
1803-1804
40
James Gillray, 1756–1815
The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats
ca. 1808
41
Print made by John Greig, active 1803–1853
The Wilderness
1803-1804
42
Text by William Hayley, 1745–1820
The Life, and Posthumous Writings, of William Cowper, (volume 1)
1803-1804
43
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney
1803
44
Print made by James S. Storer, 1771–1853
Cowper's Summer House
1803-1804
45
Print made by John Greig, active 1803–1853
Olney Church
1803-1804
46
Print made by John Greig, active 1803–1853
The Peasant's Nest
1803-1804
47
Print made by John Greig, active 1803–1853
The Elms
1803-1804
48
Print made by James S. Storer, 1771–1853
The Shrubbery
1803-1804
49
Print made by John Greig, active 1803–1853
Weston House
1803-1804
50
Print made by James S. Storer, 1771–1853
Views from the Alcove
1803-1804
51
Print made by James S. Storer, 1771–1853
The Alcove from the Avenue
1803-1804
52
Print made by John Greig, active 1803–1853
The Temple in the Wilderness
1803-1804
53
Print made by James S. Storer, 1771–1853
The Rustic Bridge
1803-1804
54
Print made by James S. Storer, 1771–1853
Weston Lodge
1803-1804
55
Print made by James S. Storer, 1771–1853
Olney Bridge
1803-1804