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Collection
Prints and Drawings
18
Creator
Girtin, Thomas, 1775–1802
18
Lewis, Frederick Christian the Elder, 1779–1856
10
Pickett, W., active 1792–1820
4
Harraden, James, active 1801–1814
2
Harraden, Richard Banks, 1778–1862
2
Date
1818
38
1834
24
1803
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1864
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1859
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1827
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1863
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1802
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1851
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1877
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1824
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1832
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1897
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1773
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On-site Access
Accessible by appointment in the Study Room
18
Image Use
Free to Use
18
Image Available
Available
18
Classification
Prints
18
Creator Gender
male
18
Collective Title
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
18
Period
19th century
18
Materials & Techniques
aquatint
18
etching (printing process)
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18
hand coloring
2
watercolor
2
wove paper
1
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140
Work Type
intaglio print
18
Genre
cityscape
18
architectural subject
17
Subject Terms
river
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18
architectural subject
4
cityscape
4
bridge (built work)
3
boats
1
buildings
1
carriages
1
carts
1
clouds
1
horse (animal)
1
people
1
Associated Places
Europe
18
France
18
Île-de-France
18
Paris
15
Seine
15
Pont Neuf
7
Cathédrale Notre-Dame de Paris
6
Pont de la Concorde
4
Bassin de l'Arsenal
3
Bourse de Paris
3
Charenton-le-Pont
3
Marne
3
Panthéon
3
Pont de Charenton-le-Pont
3
Quartier de Chaillot
3
Val-de-Marne
3
Jardins des Tuileries
2
Musée du Louvre
2
Palais des Tuileries
2
Pont Saint Michel
2
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Associated Places
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Exhibition History
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
18
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etching (printing process)
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1803
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1
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
2
Print made by Thomas Girtin, 1775–1802
View of Pont St. Michael taken from Pont Neuf
1803
3
Print made by Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde
1803
4
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint and etc
1803
5
Print made by Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre and the College of Four Nations
1803
6
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame
1803
7
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
8
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
9
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, & c
1803
10
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
11
Print made by Thomas Girtin, 1775–1802
View of the Village of Chaillot and etc. taken from Pont de la Concorde
1803
12
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
13
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
14
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
15
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
16
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
17
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
18
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803