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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
28
Creator
Girtin, Thomas, 1775–1802
28
Lewis, Frederick Christian the Elder, 1779–1856
16
Pickett, W., active 1792–1820
4
Harraden, James, active 1801–1814
3
Harraden, Richard Banks, 1778–1862
3
Stadler, Joseph Constantine, active 1780–1812
2
Date
1803
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28
1802
12
1834
5
1771
2
1799
1
1854
1
1859
1
1864
1
1889
1
1908
1
On-site Access
Accessible by appointment in the Study Room
28
Image Use
Free to Use
28
Image Available
Available
28
Classification
Prints
28
Creator Gender
male
28
Collective Title
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
28
Period
19th century
28
Materials & Techniques
aquatint
28
etching (printing process)
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28
hand coloring
2
watercolor
2
wove paper
1
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140
Work Type
intaglio print
28
Genre
cityscape
25
architectural subject
21
landscape
3
Subject Terms
river
18
architectural subject
4
cityscape
4
bridge (built work)
3
boats
1
buildings
1
carriages
1
carts
1
clouds
1
horse (animal)
1
people
1
Associated Places
Europe
28
France
28
Île-de-France
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28
Seine
21
Paris
15
Pont Neuf
7
Val-de-Marne
7
Cathédrale Notre-Dame de Paris
6
Charenton-le-Pont
5
Pont de Charenton-le-Pont
5
Acqueduct of Louveciennes
4
Louveciennes
4
Marly-le-Roi
4
Pont de la Concorde
4
Saint-Germain-en-Laye
4
Yvelines
4
Bassin de l'Arsenal
3
Bourse de Paris
3
Marne
3
Panthéon
3
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Associated Places
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Exhibition History
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
2
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
28
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Materials & Techniques
etching (printing process)
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Date
1803
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Île-de-France
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1
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli and St. German en Laye seen in the distance
1803
2
Print made by Thomas Girtin, 1775–1802
View of the Village of Chaillot and etc. taken from Pont de la Concorde
1803
3
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
4
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, & c
1803
5
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
6
Print made by Thomas Girtin, 1775–1802
View of Pont St. Michael taken from Pont Neuf
1803
7
Print made by Thomas Girtin, 1775–1802
View of the Gate of the St. Denis taken from the Suburbs
1803
8
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
9
Print made by Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde
1803
10
Print made by Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre and the College of Four Nations
1803
11
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint and etc
1803
12
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame
1803
13
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
14
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance
1803
15
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
16
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
17
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
18
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
19
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
20
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
21
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
22
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
23
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
24
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
25
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
26
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
27
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
28
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803