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Welcome to YCBA Collections Online
The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
4
Creator
Alken, Henry Thomas, 1784–1851
4
Date
1797
41
1792
40
1808
29
1826
20
1839
16
1741
12
1896
10
1745
6
1875
6
1880
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1773
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1802
5
1857
5
1972
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1791
4
1800
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4
1834
4
1835
4
1879
4
1778
3
1786
3
1804
3
1766
2
1775
2
1779
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1784
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1787
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1788
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1789
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1793
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1795
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1799
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1803
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1811
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1813
2
1815
2
1829
2
1856
2
1974
2
1753
1
1771
1
1772
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1780
1
1781
1
1794
1
1801
1
1809
1
1812
1
1819
1
1820
1
1821
1
1827
1
1838
1
1841
1
1842
1
1848
1
1851
1
1852
1
1853
1
1863
1
1864
1
1868
1
1873
1
1885
1
1893
1
1982
1
1990
1
On-site Access
Accessible by appointment in the Study Room
4
Image Use
Free to Use
4
Image Available
Available
4
Classification
Drawings & Watercolors
4
Creator Gender
male
4
Period
19th century
4
Materials & Techniques
black ink
4
etching (printing process)
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4
gouache
4
pen
4
watercolor
4
wove paper
3
Height [cm]
12
4
Width [cm]
20
4
Work Type
drawing
4
watercolor
4
intaglio print
3
Genre
landscape
4
literary theme
4
sporting art
4
Subject Terms
dogs (animals)
4
horseback riders
4
horseback riding
4
horses (animals)
4
hounds (dogs)
4
hunt
4
hunters
4
hunting
4
landscape
4
literary theme
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4
men
4
sporting art
4
trees
3
field
2
fields
2
galloping
2
fences
1
hats
1
hills
1
jumping
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Credit Line
Yale Center for British Art, Paul Mellon Collection
4
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Materials & Techniques
etching (printing process)
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1800
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1
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
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2
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
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3
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
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4
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
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