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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
25
Creator
Blake, William, 1757–1827
24
Edwards, Richard, active 1796–1797
24
Young, Edward, 1683–1765
24
Dryden, John
1
Haward, Francis, 1759–1797
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Reynolds, Joshua, Sir, 1723–1792
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1792
39
1797
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On-site Access
Accessible by appointment in the Study Room
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25
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25
Classification
Prints
25
Creator Gender
male
25
Collective Title
Young's Night Thoughts
24
Period
18th century
25
Materials & Techniques
etching (printing process)
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25
line engraving
24
watercolor
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wove paper
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laid paper
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stipple engraving
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intaglio print
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watercolor
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literary theme
25
religious and mythological subject
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literary theme
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religious and mythological subject
24
text
21
men
17
women
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nudes
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beard
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grass
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nude
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man
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children
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clouds
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angels
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horse (animal)
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rocks (landforms)
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sleeping
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spear
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sun
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trees
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wings
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Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
24
Yale Center for British Art, Paul Mellon Fund
1
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etching (printing process)
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1797
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1
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
2
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
3
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
4
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
5
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
6
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
7
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
8
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
9
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
10
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
11
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
12
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
13
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
14
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
15
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
16
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
17
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
18
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
19
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
20
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
21
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
22
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
23
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
24
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
25
Print made by Francis Haward, 1759–1797
Cymon and Iphigenia
1797