Materials & Techniques: etching (printing process) / Date: 1789 / Subject Terms: sash - YCBA Collections Search Search Results

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Materials & Techniques etching (printing process)

Date 1789

Subject Terms sash

1. Sensibility

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1789
Materials & Techniques:: Color-printed stipple engraving and etching with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 9 5/8 inches (31.5 × 24.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Sensibility

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1789
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 3/8 x 13 9/16 inches (44.2 x 34.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Age of Innocence

Age of Innocence

Creator:: Print made by Joseph Grozer, ca. 1755–1798
Date:: ca. 1794
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/2 x 10 1/16 inches (34.3 x 25.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

4. Miss Gwatkin as 'Simplicity'

Miss Gwatkin as 'Simplicity'

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1789
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/8 x 8 1/2 inches (30.8 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

5. Sensibility

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1789
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 9/16 × 11 7/16 inches (37 × 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund