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Materials & Techniques etching (printing process)

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William Hogarth Strolling Actresses Dressing in a Barn
Print made by William Hogarth, 1697–1764
Strolling Actresses Dressing in a Barn
1738
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
William Blake 'But for the blessing wrestle not with heaven' (Page 88)
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
James C. Allen Lowestoffe Lighthouse
Print made by James C. Allen, active 1821–1831
Lowestoffe Lighthouse
ca. 1830
Edward Goodall Cologne on the Rhine
Print made by Edward Goodall, 1795–1870
Cologne on the Rhine
1824
Edward Goodall Perugia
Print made by Edward Goodall, 1795–1870
Perugia
1830
Edward Goodall The Forum
Print made by Edward Goodall, 1795–1870
The Forum
1830
Edward Goodall Galileo's Villa
Print made by Edward Goodall, 1795–1870
Galileo's Villa
1830
Edward Goodall Marengo
Print made by Edward Goodall, 1795–1870
Marengo
1830
Edward Goodall Venice
Print made by Edward Goodall, 1795–1870
Venice
1830
Francesco Bartolozzi The Cottagers
Print made by Francesco Bartolozzi, 1728–1815
The Cottagers
1794
Leopold Flameng Grolier with the Printer Aldus Manutius
Print made by Leopold Flameng, 1831–1911
Grolier with the Printer Aldus Manutius
1882
John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
John Dixon, ca. 1740–1811
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
William Woollett View of the Walton Bridge, Venus's Temple
William Woollett, 1735–1785
View of the Walton Bridge, Venus's Temple
1757
William Woollett The Fishery
Print made by William Woollett, 1735–1785
The Fishery
1768
Samuel Middiman Shakespeare's Winter Tale Act III Scene III
Samuel Middiman, ca. 1750–1831
Shakespeare's Winter Tale Act III Scene III
1794
Edward Rooker The Magicians Marching off After the Success of their Incantations
Edward Rooker, 1724–1774
The Magicians Marching off After the Success of their Incantations
ca. 1763
Edward Rooker A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River
Edward Rooker, 1724–1774
A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River
ca. 1763
Thomas Cheesman Thomas Philip third Lord Grantham, afterwards Earl De Grey, with his brothers, Frederick John and Philip
Print made by Thomas Cheesman, 1760–1834/35
Thomas Philip third Lord Grantham, afterwards Earl De Grey, with his brothers, Frederick John and Philip
1791
Matthew Darly The Preposterous Head Dress, or the Feathered Lady
Print made by Matthew Darly, active 1754–1778
The Preposterous Head Dress, or the Feathered Lady
1776
Robert Thew As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
George Vertue The Battle Array of Carberry Hill Near Edinburgh with the Surrender of Mary Queen of Scots
after George Vertue, 1684–1756
The Battle Array of Carberry Hill Near Edinburgh with the Surrender of Mary Queen of Scots
1738
William Woollett Celadon and Amelia
Print made by William Woollett, 1735–1785
Celadon and Amelia
1766
Edward Rooker The Summit of Cader Idris Mountain
Edward Rooker, 1724–1774
The Summit of Cader Idris Mountain
1775
James Mason Pembroke Town and Castle
James Mason, 1710–1783
Pembroke Town and Castle
1775
Francesco Bartolozzi St. Nil
Print made by Francesco Bartolozzi, 1728–1815
St. Nil
1762
Francesco Bartolozzi Juvenis auscultans seni de divinis admonenti
Print made by Francesco Bartolozzi, 1728–1815
Juvenis auscultans seni de divinis admonenti
1764
Nathaniel Sparks Guildhall, London
Print made by Nathaniel Sparks, 1880–1957
Guildhall, London
1910
William Woollett Meleager and Atalanta
Print made by William Woollett, 1735–1785
Meleager and Atalanta
1779
William Woollett Ceyx and Alcyone
William Woollett, 1735–1785
Ceyx and Alcyone
1769
William Woollett Solitude
Print made by William Woollett, 1735–1785
Solitude
1778
William Byrne Carnarvon Castle
William Byrne, 1743–1805
Carnarvon Castle
1775
Pierre Charles Canot The Great Bridge over the Taafe
Pierre Charles Canot, ca. 1710–1777
The Great Bridge over the Taafe
1775
George Cooke Part of Waterloo Bridge with the Shot Tower, &c.
Print made by George Cooke, 1781–1834
Part of Waterloo Bridge with the Shot Tower, &c
1832
W. R. Smith Hospice of the Great St. Bernard II (The Dead-House)
Print made by W. R. Smith, active 1819–1851
Hospice of the Great St. Bernard II (The Dead-House)
1829
John Pye Temples of Paestum
Print made by John Pye, 1782–1874
Temples of Paestum
1830
John Henry Robinson The Tarentella
Print made by John Henry Robinson, 1796–1871
The Tarentella
1830
Edward Goodall Venice
Print made by Edward Goodall, 1795–1870
Venice
1830
Edward Alfred Goodall A Tomb
Edward Alfred Goodall, 1819–1908
A Tomb
1830
Daniel Allen Buondelmonte
Print made by Daniel Allen, active 1830s
Buondelmonte
1830
William Finden The Pilgrim's Return
Print made by William Finden, 1787–1852
The Pilgrim's Return
1830
Frederick Christian Lewis the Elder Giovanni and Garcia De' Medici
Print made by Frederick Christian Lewis the Elder, 1779–1856
Giovanni and Garcia De' Medici
1830
Daniel Allen An Etruscan Vase
Print made by Daniel Allen, active 1830s
An Etruscan Vase
1830
Edward Francis Finden Scio (Fontana de Melek, Mehmet Pasha)
Print made by Edward Francis Finden, 1791–1857
Scio (Fontana de Melek, Mehmet Pasha)
1832-1834
Edward Goodall Lake of Como, I
Print made by Edward Goodall, 1795–1870
Lake of Como, I
1830
W. R. Smith Hannibal Passing the Alps
Print made by W. R. Smith, active 1819–1851
Hannibal Passing the Alps
1830
Edward Goodall Galileo's Villa
Print made by Edward Goodall, 1795–1870
Galileo's Villa
1830
Daniel Allen Cristina
Print made by Daniel Allen, active 1830s
Cristina
1830
John Henry Robinson The Death of Raphael
Print made by John Henry Robinson, 1796–1871
The Death of Raphael
1830
Daniel Allen Funeral of a Doge in St. Mark's Place
Print made by Daniel Allen, active 1830s
Funeral of a Doge in St. Mark's Place
1830
Daniel Allen A Grecian Drinking Cup
Print made by Daniel Allen, active 1830s
A Grecian Drinking Cup
1830
Henry Hulsberg Cobham Hall, Kent: First and Second Floor Plans
Print made by Henry Hulsberg, active 1700s–died 1729
Cobham Hall, Kent: First and Second Floor Plans
1715 to 1725
William Woollett Celadon and Amelia
Engraved by William Woollett, 1735–1785
Celadon and Amelia
1766
Robert Pollard His Majesty Reviewing His Troops on Black Heath
Print made by Robert Pollard, 1755–1838
His Majesty Reviewing His Troops on Black Heath
1797
Robert Pollard The Hermitage of Warkworth
Robert Pollard, 1755–1838
The Hermitage of Warkworth
1787
unknown artist St. Martin's Church
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
unknown artist The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
Print made by unknown artist
The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
between 1720 and 1750
John Bogle Night Watchman
Print made by John Bogle, 1746–1804
Night Watchman
1776
William Doughty The Rev. William Mason, M. A.
Print made by William Doughty, 1757–1782
The Rev. William Mason, M. A
1779
Robert Pollard View of London Bloomsbury Square
Print made by Robert Pollard, 1755–1838
View of London Bloomsbury Square
1787
Robert Pollard View of Grosvenor Square
Robert Pollard, 1755–1838
View of Grosvenor Square
1789