Materials & Techniques: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Fund / Subject Terms: costume

Print made by Pieter van den Berge, active 1689–1737

Girls Singing

undated

Print made by Cornelis Apostool, 1762–1844

Here Nature List'ning Stood

1795

Print made by Augustus Fox, 1800–1876

The Dreams of the Youthful Shakespeare

1827

Georg Goldberg, 1830–1894

"Antony and Cleopatra," Act III, Scene XI

undated

Andreas Geiger, 1765–1856

Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung

undated

Print made by William Heath, 1795–1840

Opera Reminiscences: Desdemona and Otello

1829

James Heath, 1757–1834

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

1802

Print made by John Augustus Atkinson, 1775–1831

Costume of the Reign of King Henry III, 1250

1814

Print made by John Augustus Atkinson, 1775–1831

Military Costumes of the Reign of King Henry VI, 1447

1812

Print made by Philip Dawe, ca.1750–ca.1790

Reading by a Paper-Bell Shade

1768

Print made by Francis E. Adams, active ca.1760–1775

Heyday! Is This My Daughter Anne!

1773

Print made by Richard Brookshaw, 1736–1804

Man with Jug

undated

Print made by Richard Brookshaw, 1736–1804

The Contented Dutchmen

1770

Print made by John Bell, 1811–1895

Diavoli Pescatori

between 1838 and 1850

Print made by unknown artist

The Young Roscius

1804

Print made by Francesco Bartolozzi, 1728–1815

Ophelia: There Is Rue for You and Here's Some for Me

1784

James Faed Sr., 1821–1911

Shakespeare in His Study

1859

James Gillray The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

Print made by James Gillray, 1756–1815

The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

1805

Print made by William Heath, 1795–1840

Opera Reminiscences: Desdemona and Othello

1829

William Nutter, 1754–1802

Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia

1789

Print made by Callender, active mid–18th century

Voluntier

1745

Print made by Callender, active mid–18th century

Flash Maccaroni

1748

Print made by Callender, active mid–18th century

John's Coffee House

1745

Print made by Callender, active mid–18th century

Study of a Man with a Cutlass

between 1745 and 1748

Print made by Francesco Bartolozzi, 1728–1815

Lavinia, Countess Spencer, Viscountess Althorp

1787

Print made by Francesco Bartolozzi, 1728–1815

Miss Gwatkin as 'Simplicity'

1789

Print made by Richard Earlom, 1743–1822

Sensibility

1789

Print made by John Dean, 1754–1798

Miss Crockatt as Julia de Roubigné

1786

Print made by Francesco Bartolozzi, 1728–1815

Peniston, William, and Frederick James Lamb: The Affectionate Brothers

1791

Print made by William Doughty, 1757–1782

The Honorable Augustus Keppel, Admiral of the Blue

1779

Print made by William Doughty, 1757–1782

Miss Mary Palmer

1779

Print made by Francesco Bartolozzi, 1728–1815

Lady Smith and Her Children: George Henry, Louisa, and Charlotte

1789

Print made by Francesco Bartolozzi, 1728–1815

Hon. Mr. Leicester Stanhope

1789

Print made by Francesco Bartolozzi, 1728–1815

Lady Elizabeth Foster

1787

Print made by Francesco Bartolozzi, 1728–1815

Jane, Countess of Harrington, with Her Children, Lord Petersham and Honorable Lincoln Stanhope

1789

Print made by John Condé, 1765–1794

His Royal Highness George Prince of Wales

1794

Print made by Francesco Bartolozzi, 1728–1815

The Honourable Mrs. Bingham

after 1786

Print made by Charles Ansell, ca.1752–active 1790

Hamlet

1809

Print made by Joseph Collyer, 1748–1827

Miss Eliza Farren

1788

Print made by Richard Earlom, 1743–1822

Mrs. Gulston

1771

Print made by John Alexander, 1686–before 1768

Lot and His Family

ca. 1718

Print made by Philip Dawe, ca.1750–ca.1790

Juliet

1779

Print made by John Bell, 1811–1895

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Fund

Subject Terms costume

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Fund

Subject Terms costume

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