Materials & Techniques: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: vines

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms vines

Print made by Samuel Palmer, 1805–1881

The Bellman

1879

Print made by Samuel Palmer, 1805–1881

The Bellman

1879

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

Heneage Finch fourth Earl of Aylesford, 1751–1812

Maxstoke Priory

undated

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by Bradshaw & Blacklock, active ca.1850

Garden Flowers

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Garden Flowers

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

after George Baxter, 1804–1867

Prince Albert

after 1855

after George Baxter, 1804–1867

Prince Albert

after 1855

Print made by Anthony Cardon, 1772–1813

Credulity

1796

Simon François Ravenet, 1706–1774

Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet

1753

George Bickham the Elder Two Turkeys, two hens and four doves a plate for 'A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)

Print made by George Bickham the Elder, 1683/4–1758

Two Turkeys, two hens and four doves a plate for 'A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)

1731

James Gillray, 1756–1815

Doublûres of Characters; - or - Striking Resemblance in Phisiognomy

1798

Print made by Simon Gribelin, 1662–1733

The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

1720

Print made by Simon Gribelin, 1662–1733

The Ceiling in the Banqueting House at Whitehall

ca. 1720

Print made by Robert Blyth, 1750–1784

Silenus

1779

Print made by Robert Blyth, 1750–1784

Silenus

1779

Print made by James Charles Armytage, 1802–1897

The Balcony

between 1835 and 1854

Print made by Francesco Bartolozzi, 1728–1815

Morning

undated

Print made by J. Carwitham, active 1720–1740

A New Drawing Book of Variety of Landskips

ca. 1730

Print made by Francesco Bartolozzi, 1728–1815

September

1793

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