Materials & Techniques: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: grass

Etched by Joseph Mallord William Turner, 1775–1851

Jason

1807

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1826

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

ca. 1797

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

ca. 1797

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

Print made by William Blake, 1757–1827

'Swift on His Downy Pinion Flies from Woe' (Page 1)

ca. 1797

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

Print made by William Blake, 1757–1827

'The thunder if in that the Almighty dwells' (Page 80)

ca. 1797

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1793

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

Print made by M. Coote, ca. 1758/62–1801

Dudley Priory in Worcestershire, Plate 2

before 1786

M. Coote, ca. 1758/62–1801

Dudley Priory in Worcestershire, Plate 2

before 1786

Print made by Francesco Bartolozzi, 1728–1815

Evening

undated

James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

1806

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

1806

Print made by John Bluck, active 1791–1831

Clare Hall

1814

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "One Day as I was Walking in the Woods..."

1789

Print made by Anthony Cardon, 1772–1813

Credulity

1796

unknown artist

A Donkey

1756

Print made by Thomas Bonnor, ca. 1740–ca. 1812

Blockley Church

ca. 1793

Print made by George Bickham the Elder, 1683/4–1758

Two cows and two sheep in a stream, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)

undated

Print made by George Bickham the Elder, 1683/4–1758

A Man, a horse and two dogs, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 6)

undated

Print made by George Bickham the Elder, 1683/4–1758

A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)

undated

Print made by Jean B. C. Chatelain, 1710–1771

A New Book of Landskips, Pleasant & Useful for to Learn to Draw without a Master

1737

Print made by Jean B. C. Chatelain, 1710–1771

Man and Woman Digging

1737

George Bickham the Elder A Duck and an Eagle with prey, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn From the Life by Mr. Francis Barlow, 1731 (1 of 9)

Print made by George Bickham the Elder, 1683/4–1758

A Duck and an Eagle with prey, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn From the Life by Mr. Francis Barlow, 1731 (1 of 9)

1731

George Bickham the Elder Two Turkeys, two hens and four doves a plate for 'A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)

Print made by George Bickham the Elder, 1683/4–1758

Two Turkeys, two hens and four doves a plate for 'A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)

1731

Print made by Jean B. C. Chatelain, 1710–1771

Man Chopping Wood

1737

Print made by George Bickham the Elder, 1683/4–1758

Two cows and a dog in a stream, Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)

undated

Print made by Jean B. C. Chatelain, 1710–1771

Shepherd and Flock Outside a Village

1737

Print made by John Bluck, active 1791–1831

Clare Hall

1814

Print made by Thomas Bonnor, ca. 1740–ca. 1812

Blockley Church

1793

Print made by James C. Allen, active 1821–1831

Penzance, Cornwall

1833

Print made by James Basire II, 1769–1822

Frankley Chapel, S. E., Worcestershire

1812

Print made by M. Coote, ca. 1758/62–1801

Dudley Priory in Worcestershire, Plate 1

before 1786

William Hincks, 1752–1797

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

1791

Thomas Higham, 1796–1844

Benacre Hall, Suffolk

1819

Print made by James Caldwall, 1739–1819

Hagley Hall

undated

Print made by John Robert Cozens, 1752–1797

South View of Bath

1773

Print made by John Robert Cozens, 1752–1797

Bath: The South Parade

1773

Print made by John Robert Cozens, 1752–1797

Bath: The North Parade

1773

Robert Dighton, 1752–1814

A Jack in Office

1793

Print made by George Baxter, 1804–1867

The Belle of the Village

1854

Print made by Bradshaw & Blacklock, active ca.1850

The Crimean War

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Eight colour prints

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Haddon Hall

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Italian Peasants - Tryoliean Waltz

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Newstead Abbey

after 1850

after George Baxter, 1804–1867

Christ's Charge to Peter

after 1855

Print made by Richard Ansdell, 1815–1885

Sleepest or Wakest Thou?

ca. 1853

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Jean B. C. Chatelain, 1710–1771

Wooded Landscape with a River Leading to Distant Buildings

undated

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

John Dixon, ca. 1740–1811

Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

1771

Print made by Charles Bretherton, ca. 1760–1783

Postiglione Inglese

1772

Print made by Henry William Bunbury, 1750–1811

The Siege of Namur

between 1773 and 1817

Print made by John Crome, 1768–1821

Road Scene, Trowse Hall, near Norwich

1813

Print made by John Crome, 1768–1821

Wooded Landscape

ca. 1812

Print made by Sir Frank Short, 1857–1945

Pan and Syrinx

1896

Print made by Sir Frank Short, 1857–1945

Pan and Syrinx

1896

Print made by Bradshaw & Blacklock, active ca.1850

Chepstow Castle

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Cathedrals in England

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Eight Rural Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Balmoral Castle

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

The Farmer's Boy & The Rustic Angler

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Print made by John Crome, 1768–1821

Back of the New Mills, Norwich

1812

Sir Francis Seymour Haden, 1818–1910

Kensington Gardens, no. 1 (small plate)

1859

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

1789

Print made by Thomas Bonnor, ca. 1740–ca. 1812

Stanford, the Seat of Sir Edward Winnington, Baronet

undated

Print made by Francesco Bartolozzi, 1728–1815

February

1793

Print made by Francesco Bartolozzi, 1728–1815

June

1789

Print made by Frederick Bacon, 1803–1887

Thomas Bewick

1852

Print made by James Tibbits Willmore, 1800–1863

The Golden Bough

1856

Print made by James Tibbits Willmore, 1800–1863

The Golden Bough

1856

Print made by Bradshaw & Blacklock, active ca.1850

Turkish Scenes

after 1850

William Dickinson, 1746–1823

Charlotte at the Tomb of Werther

1785

Print made by Bradshaw & Blacklock, active ca.1850

Country Scenes

after 1850

Published by Sir Frank Short, 1857–1945

Jason

1807

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms grass

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms grass

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