Materials & Techniques: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: gown

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms gown

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

Print made by William Angus, 1752–1821

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

Print made by Charles Bretherton, ca. 1760–1783

Lady Pointing with a Stick

1782

Print made by James Bretherton, ca. 1730–1806

A Modern Spread Eagle

1782

Print made by James Bretherton, ca. 1730–1806

Study of a Lady

1781

Print made by John Goldar, 1729–1795

Captain Conquest and His Baggage Wagon

1772

Print made by James Caldwall, 1739–1819

A Macarony Alderman and His Rib

1772

Charles Grignion, 1717–1810

A View from Richmond Hill Up the River

1794

Print made by John Condé, 1765–1794

Mrs. Fitzherbert

1792

Print made by Agostino Brunias, 1728–1796

The Barbadoes Mulatto Girl

1779

Print made by Charles West Cope, 1811–1890

Morning Prayer

1844

Print made by James Bretherton, ca. 1730–1806

Strephon and Chloe

1801

Print made by Richard Earlom, 1743–1822

Sensibility

1789

Print made by Richard Earlom, 1743–1822

Sensibility

1789

John Eginton, active 1763–1800

The Affectionate Daughter

1792

Print made by E. J. Dumée, active 1790

The Discovery

1788

Print made by Luigi Schiavonetti, 1765–1810

The Reunion of the Soul & the Body

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

The Soul Exploring the Recesses of the Grave

1808, published 1813

Engraved by Robert Pollard, 1755–1838

View of Queen Square

1789

Print made by John Condé, 1765–1794

Melania

1792

Print made by Pierre Audouin, 1768–1822

Angelica Kauffman

undated

Print made by William Ellis, 1747–1810

Clapham

1792

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