Materials & Techniques: etching (printing process) / Collection: Prints and Drawings / Subject Terms: women - YCBA Collections Search Search Results

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Materials & Techniques etching (printing process)

Collection Prints and Drawings

Subject Terms women

Joseph Mallord William Turner The Woman and Tambourine

Etched by Joseph Mallord William Turner, 1775–1851

The Woman and Tambourine

1807

Joseph Mallord William Turner The Woman and Tambourine

Etched by Joseph Mallord William Turner, 1775–1851

The Woman and Tambourine

1807

Joseph Mallord William Turner The Drawing of the Clyde

Etched by Joseph Mallord William Turner, 1775–1851

The Drawing of the Clyde

1809

Joseph Mallord William Turner Apuleia in Search of Apuleius

Print made by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

ca. 1797

William Blake 'O treacherous conscience!' (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience!' (Page 27)

ca. 1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

ca. 1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

ca. 1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

William Blake I Found Him Beneath a Tree (Plate 3)

Print made by William Blake, 1757–1827

I Found Him Beneath a Tree (Plate 3)

1793

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

ca. 1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

ca. 1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

ca. 1797

William Blake 'Where sense runs savage broke from reason's chain' (Page 46)

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

ca. 1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

ca. 1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

William Blake 'And vapid; sense and reason shew the door' (Page 72)

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

William Blake Fear & Hope Are -- Vision (Plate 15)

Print made by William Blake, 1757–1827

Fear & Hope Are -- Vision (Plate 15)

1793

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake For the Sexes: The Gates of Paradise, Title Page (Plate 1)

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Title Page (Plate 1)

1826

William Blake "Fear & hope are -- Vision" (Plate 15)

Print made by William Blake, 1757–1827

"Fear & hope are -- Vision" (Plate 15)

1826

William Blake "I found him beneath a Tree" (Plate 3)

Print made by William Blake, 1757–1827

"I found him beneath a Tree" (Plate 3)

1826

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

ca. 1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

Matthew Darly The Preposterous Head Dress, or the Feathered Lady

Print made by Matthew Darly, active 1754–1778

The Preposterous Head Dress, or the Feathered Lady

1776

unknown artist The Methodist Tailor Caught in Adultery

Print made by unknown artist

The Methodist Tailor Caught in Adultery

1768

Matthew Darly Statue Hall or the Modern Register Office

Print made by Matthew Darly, active 1754–1778

Statue Hall or the Modern Register Office

1769

Sir William Russell Flint Gypsy Chorus, Granada

Sir William Russell Flint, 1880–1969

Gypsy Chorus, Granada

1931

Frederick Landseer Maur Griggs The Quay

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Quay

1916

Austin, Robert, 1895-1973 Wood Carriers

Print made by Austin, Robert, 1895-1973, 1895–1973

Wood Carriers

1932

Austin, Robert, 1895-1973 Four Friends

Print made by Austin, Robert, 1895-1973, 1895–1973

Four Friends

1947

Richard Earlom A Landscape, with the Story of Europa

Print made by Richard Earlom, 1743–1822

A Landscape, with the Story of Europa

1802

Richard Earlom A Landscape with Cattle

Print made by Richard Earlom, 1743–1822

A Landscape with Cattle

1775

Hedley Fitton St. Bartholomew's Gateway

Hedley Fitton, 1859–1929

St. Bartholomew's Gateway

undated

George Cruikshank The Triumph of Cupid: A Reverie

Print made by George Cruikshank, 1792–1878

The Triumph of Cupid: A Reverie

undated

Charles Grignion Britannia Allegory

Charles Grignion, 1717–1810

Britannia Allegory

between 1743 and 1747

Guillaume Philippe Benoist Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

1745

Peltro W. Tomkins The Three Witches

Peltro W. Tomkins, 1760–1840

The Three Witches

1786

unknown artist The South Sea House

Print made by unknown artist

The South Sea House

between 1720 and 1728

unknown artist St. Martin's Church

Print made by unknown artist

St. Martin's Church

between 1731 and 1754

George Cruikshank Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess

Print made by George Cruikshank, 1792–1878

Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess

1835

Pieter van den Berge Girls Singing

Print made by Pieter van den Berge, active 1689–1737

Girls Singing

undated

Luigi Schiavonetti The Descent of Man into the Vale of Death

Print made by Luigi Schiavonetti, 1765–1810

The Descent of Man into the Vale of Death

1808, published 1813

Luigi Schiavonetti The Day of Judgment

Print made by Luigi Schiavonetti, 1765–1810

The Day of Judgment

1808, published 1813

George Baxter The Great Exhibition: Exterior View from the Southwest

Print made by George Baxter, 1804–1867

The Great Exhibition: Exterior View from the Southwest

1851

Bradshaw & Blacklock Hampton Court

Print made by Bradshaw & Blacklock, active ca.1850

Hampton Court

after 1850

Bradshaw & Blacklock Eaton Hall

Print made by Bradshaw & Blacklock, active ca.1850

Eaton Hall

after 1850

Bradshaw & Blacklock Rural Scenes

Print made by Bradshaw & Blacklock, active ca.1850

Rural Scenes

after 1850

Vincent Robert Alfred Brooks Ten Needle-Box Prints

Print made by Vincent Robert Alfred Brooks, 1814–1885

Ten Needle-Box Prints

undated

Simon Gribelin The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

Print made by Simon Gribelin, 1662–1733

The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

1720

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

James Mitan Turin, from the Portico of the Superga Church

Print made by James Mitan, 1776–1822

Turin, from the Portico of the Superga Church

1820

Luigi Schiavonetti Death of the Strong Wicked Man

Print made by Luigi Schiavonetti, 1765–1810

Death of the Strong Wicked Man

1808, published 1813

Luigi Schiavonetti The Death of the Good Old Man

Print made by Luigi Schiavonetti, 1765–1810

The Death of the Good Old Man

1808, published 1813

William Byrne View of Leiston Abbey

Print made by William Byrne, 1743–1805

View of Leiston Abbey

1781

Simon Gribelin The Ceiling in the Banqueting House at Whitehall

Print made by Simon Gribelin, 1662–1733

The Ceiling in the Banqueting House at Whitehall

ca. 1720

John Copley Morning on a Hillside

Print made by John Copley, 1875–1950

Morning on a Hillside

1936

Sir David Young Cameron Porta del Molo, Genoa [North Italian Set: No. 23]

Print made by Sir David Young Cameron, 1865–1945

Porta del Molo, Genoa [North Italian Set: No. 23]

1896

Sir David Young Cameron Roslyn

Print made by Sir David Young Cameron, 1865–1945

Roslyn

1899

Sir David Young Cameron The Palace of the Stuarts

Print made by Sir David Young Cameron, 1865–1945

The Palace of the Stuarts

1898

Sir David Young Cameron Montivilliers

Print made by Sir David Young Cameron, 1865–1945

Montivilliers

1903

Sir David Young Cameron The North Porch, Harfleur

Print made by Sir David Young Cameron, 1865–1945

The North Porch, Harfleur

1904

Sir David Young Cameron The Belfry of Bruges [Belgian Set: No. 6]

Print made by Sir David Young Cameron, 1865–1945

The Belfry of Bruges [Belgian Set: No. 6]

1907

Sir David Young Cameron Notre Dame, Dinant [Belgian Set: No. 8]

Print made by Sir David Young Cameron, 1865–1945

Notre Dame, Dinant [Belgian Set: No. 8]

1907

Sir David Young Cameron The Five Sisters, York Minister

Print made by Sir David Young Cameron, 1865–1945

The Five Sisters, York Minister

1907

Sir David Young Cameron The Palace, Stirling Castle

Print made by Sir David Young Cameron, 1865–1945

The Palace, Stirling Castle

1893

Sir David Young Cameron Ponte Vecchio [North Italian Set: No. 21]

Print made by Sir David Young Cameron, 1865–1945

Ponte Vecchio [North Italian Set: No. 21]

1895

Sir David Young Cameron The North Porch, Harfleur

Print made by Sir David Young Cameron, 1865–1945

The North Porch, Harfleur

1904

Sir David Young Cameron Belgian Set: Damme [No. 5]

Print made by Sir David Young Cameron, 1865–1945

Belgian Set: Damme [No. 5]

1907

Sir David Young Cameron Dinant [Belgian Set: No. 9]

Print made by Sir David Young Cameron, 1865–1945

Dinant [Belgian Set: No. 9]

1907

Samuel David Colkett The Gipsy Encampment

Print made by Samuel David Colkett, 1806–1863

The Gipsy Encampment

1830

James Caldwall The Cotillion Dance

Print made by James Caldwall, 1739–1819

The Cotillion Dance

1771