Materials & Techniques: etching (printing process) / Collection: Prints and Drawings / Subject Terms: religious and mythological subject - YCBA Collections Search Search Results

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Materials & Techniques etching (printing process)

Collection Prints and Drawings

Subject Terms religious and mythological subject

Samuel Palmer The Vine

Print made by Samuel Palmer, 1805–1881

The Vine

1852

Samuel Palmer The Vine

Print made by Samuel Palmer, 1805–1881

The Vine

1852

Samuel Palmer The Cypress Grove

Print made by Samuel Palmer, 1805–1881

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

Samuel Palmer The Morning of Life

Print made by Samuel Palmer, 1805–1881

The Morning of Life

1860-1861

Samuel Palmer The Vine

Print made by Samuel Palmer, 1805–1881

The Vine

1852

Samuel Palmer The Vine

Print made by Samuel Palmer, 1805–1881

The Vine

1852

Joseph Mallord William Turner Jason

Etched by Joseph Mallord William Turner, 1775–1851

Jason

1807

Joseph Mallord William Turner Procris and Cephalus

Etched by Joseph Mallord William Turner, 1775–1851

Procris and Cephalus

1812

Joseph Mallord William Turner Procris and Cephalus

Print made by Joseph Mallord William Turner, 1775–1851

Procris and Cephalus

1812

Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21

Etched by Joseph Mallord William Turner, 1775–1851

Rispah: 2nd Book of Samuel, Chap. 21

1812

Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21

Etched by Joseph Mallord William Turner, 1775–1851

Rispah: 2nd Book of Samuel, Chap. 21

1812

Joseph Mallord William Turner The Fifth Plague of Egypt

Etched by Joseph Mallord William Turner, 1775–1851

The Fifth Plague of Egypt

1808

Joseph Mallord William Turner Jason

Etched by Joseph Mallord William Turner, 1775–1851

Jason

1807

Joseph Mallord William Turner Christ and the Woman of Samaria

Etched by Joseph Mallord William Turner, 1775–1851

Christ and the Woman of Samaria

1819

Joseph Mallord William Turner Glaucus and Scylla

Etched by Joseph Mallord William Turner, 1775–1851

Glaucus and Scylla

between 1813 and 1823

Joseph Mallord William Turner Tenth Plague of Egypt

Etched by Joseph Mallord William Turner, 1775–1851

Tenth Plague of Egypt

1816

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner Glaucus and Scylla

Etched by Joseph Mallord William Turner, 1775–1851

Glaucus and Scylla

1813 to 1823

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21

Etched by Joseph Mallord William Turner, 1775–1851

Rispah: 2nd Book of Samuel, Chap. 21

1812

Joseph Mallord William Turner Procris and Cephalus

Etched by Joseph Mallord William Turner, 1775–1851

Procris and Cephalus

1812

Joseph Mallord William Turner Christ and the Woman of Samaria

Etched by Joseph Mallord William Turner, 1775–1851

Christ and the Woman of Samaria

1819

Joseph Mallord William Turner Aesacus and Hesperie

Print made by Joseph Mallord William Turner, 1775–1851

Aesacus and Hesperie

1819

Joseph Mallord William Turner Tenth Plague of Egypt

Etched by Joseph Mallord William Turner, 1775–1851

Tenth Plague of Egypt

1816

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'But for the blessing wrestle not with heaven' (Page 88)

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake Alas! (Plate 9)

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1826

William Blake For the Sexes: The Gates of Paradise, Title Page (Plate 1)

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Title Page (Plate 1)

1826

William Blake "My son! my Son!" (Plate 10)

Print made by William Blake, 1757–1827

"My son! my Son!" (Plate 10)

1826

William Blake "Fear & hope are -- Vision" (Plate 15)

Print made by William Blake, 1757–1827

"Fear & hope are -- Vision" (Plate 15)

1826

William Blake "The Traveller hasteth in the Evening" (Plate 16)

Print made by William Blake, 1757–1827

"The Traveller hasteth in the Evening" (Plate 16)

1826

William Blake Air (Plate 6)

Print made by William Blake, 1757–1827

Air (Plate 6)

1826

William Blake Fire (Plate 7)

Print made by William Blake, 1757–1827

Fire (Plate 7)

1826

William Blake "I want! I want!" (Plate 11)

Print made by William Blake, 1757–1827

"I want! I want!" (Plate 11)

1826

William Blake "Help! Help!" (Plate 12)

Print made by William Blake, 1757–1827

"Help! Help!" (Plate 12)

1826

William Blake "To The Accuser who is The God of This World..." (Plate 19)

Print made by William Blake, 1757–1827

"To The Accuser who is The God of This World..." (Plate 19)

1826

William Blake "At length for hatching ripe he breaks the shell" (Plate 8)

Print made by William Blake, 1757–1827

"At length for hatching ripe he breaks the shell" (Plate 8)

1826

William Blake Aged Ignorance (Plate 13)

Print made by William Blake, 1757–1827

Aged Ignorance (Plate 13)

1826

William Blake "Does thy God O Priest take such vengeance as this?" (Plate 14)

Print made by William Blake, 1757–1827

"Does thy God O Priest take such vengeance as this?" (Plate 14)

1826

William Blake Death's Door (Plate 17)

Print made by William Blake, 1757–1827

Death's Door (Plate 17)

1826

William Blake "I have said to the Worm: Thou art my mother & my sister" (Plate 18)

Print made by William Blake, 1757–1827

"I have said to the Worm: Thou art my mother & my sister" (Plate 18)

1826

William Blake Frontispiece, "What is Man!" (Plate 2)

Print made by William Blake, 1757–1827

Frontispiece, "What is Man!" (Plate 2)

1826

William Blake "I found him beneath a Tree" (Plate 3)

Print made by William Blake, 1757–1827

"I found him beneath a Tree" (Plate 3)

1826

William Blake "He meets his Saviour in the Grave..." (Plate 20)

Print made by William Blake, 1757–1827

"He meets his Saviour in the Grave..." (Plate 20)

1826

William Blake Water (Plate 4)

Print made by William Blake, 1757–1827

Water (Plate 4)

1826

William Blake Earth (Plate 5)

Print made by William Blake, 1757–1827

Earth (Plate 5)

1826

Luigi Schiavonetti Robert Blair, The Grave, Title Page

Print made by Luigi Schiavonetti, 1765–1810

Robert Blair, The Grave, Title Page

1808, published 1813

Luigi Schiavonetti The Descent of Man into the Vale of Death

Print made by Luigi Schiavonetti, 1765–1810

The Descent of Man into the Vale of Death

1808, published 1813

Luigi Schiavonetti The Reunion of the Soul & the Body

Print made by Luigi Schiavonetti, 1765–1810

The Reunion of the Soul & the Body

1808, published 1813

George Vertue Johannes Potter, Archiepiscopus Cantuariensis

George Vertue, 1684–1756

Johannes Potter, Archiepiscopus Cantuariensis

1741

Pieter S. van der Gunst Thomas Wolsey

Pieter S. van der Gunst, 1659–c. 1724

Thomas Wolsey

undated

Simon Gribelin The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

Print made by Simon Gribelin, 1662–1733

The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

1720

Simon Gribelin The Ceiling in the Banqueting House at Whitehall

Print made by Simon Gribelin, 1662–1733

The Ceiling in the Banqueting House at Whitehall

ca. 1720

Richard Brookshaw Susanna and the Two Elders

Print made by Richard Brookshaw, 1736–1804

Susanna and the Two Elders

undated

Richard Earlom Susanna and the Elders

Print made by Richard Earlom, 1743–1822

Susanna and the Elders

1769

Bradshaw & Blacklock The Last Supper

Print made by Bradshaw & Blacklock, active ca.1850

The Last Supper

ca. 1854

James Barry Repose in Egypt

Print made by James Barry, 1741–1806

Repose in Egypt

ca. 1776

James Barry Repose in Egypt

Print made by James Barry, 1741–1806

Repose in Egypt

ca. 1776

George Baxter The Death of Ananias

after George Baxter, 1804–1867

The Death of Ananias

after 1855

George Baxter Christ's Charge to Peter

after George Baxter, 1804–1867

Christ's Charge to Peter

after 1855

David Allan Pilgrims Paying Their Devotion in St. Peters at Rome

Print made by David Allan, 1744–1796

Pilgrims Paying Their Devotion in St. Peters at Rome

between 1773 and 1775