Materials & Techniques: etching (printing process) / Collection: Prints and Drawings / Subject Terms: book

Print made by Samuel Palmer, 1805–1881

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881

The Sleeping Shepherd

1857

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

ca. 1797

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

George Vertue, 1684–1756

Johannes Potter, Archiepiscopus Cantuariensis

1741

Print made by Philip Dawe, ca.1750–ca.1790

Reading by a Paper-Bell Shade

1768

Print made by James Barry, 1741–1806

Repose in Egypt

ca. 1776

Print made by James Barry, 1741–1806

Repose in Egypt

ca. 1776

Print made by George Baxter, 1804–1867

George Pritchard, Her Britannic Majesty's Consul

1845

Print made by David Allan, 1744–1796

Pilgrims Paying Their Devotion in St. Peters at Rome

between 1773 and 1775

Print made by Henry William Bunbury, 1750–1811

The Damnation of Obadiah

between 1773 and 1817

Print made by Gerald Leslie Brockhurst, 1890–1978

Le Casaquin de Laine

1923

Print made by Austin, Robert, 1895-1973, 1895–1973

Romance

1922

Print made by John Dean, 1754–1798

Miss Crockatt as Julia de Roubigné

1786

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

...in ein Nonnen Kloster geh: 'Hamlet,' Act III, Scene IX

1778

Print made by John Hall, 1739–1797

Comedies

ca. 1776

James Fittler, 1758–1835

'The Gamester,' Act V, Scene IV

1792

Print made by Luigi Schiavonetti, 1765–1810

The Death of the Good Old Man

1808, published 1813

Print made by James Bretherton, ca. 1730–1806

The Damnation of Obadiah

1773

Print made by Thomas Bonner, ca. 1740–ca. 1812

Junius

1769

Print made by E. J. Dumée, active 1790

The Discovery

1788

Print made by Thomas Gaugain, 1748–1812

James Beattie, LL.D

1805

Sir Francis Seymour Haden, 1818–1910

A Lady Reading

1858

Print made by James Gillray, 1756–1815

Shakespeare Sacrificed; or, The Offering to Avarice

1789

Print made by Charles Heath, 1785–1848

Benjamin West, Esq., President of the Royal Academy of London

1818

James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

1806

Samuel William Reynolds, 1773–1835

Thomas Girtin

1817

Print made by Philip Dawe, ca.1750–ca.1790

Reading by a Paper-Bell Shade

1768

Print made by Francesco Bartolozzi, 1728–1815

And Ah! Let Pity Turn Her Dewy Eyes..

1801

Print made by Francesco Bartolozzi, 1728–1815

Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

1786

Print made by George Cruikshank, 1792–1878

Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4

1820

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by Anthony Cardon, 1772–1813

E. Edwards, Associate and Teacher of Perspective in the Royal Academy

1808

Print made by Thomas Chambars, ca. 1724–1789

Sir Nathaniel Bacon

1793

Print made by Thomas Chambars, ca. 1724–1789

Sir Nathaniel Bacon

1762

Print made by John Condé, 1765–1794

Mrs. Fitzherbert

1792

William Lee Hankey, 1869–1952

Young Woman Reading to a Small Child

undated

Print made by Robert Cooper, active ca. 1800–1836

Mr. Wilkinson as Michael in Free & Easy

1822

Print made by Francesco Bartolozzi, 1728–1815

A Lecture on Gadding

1789

Print made by Andrew Fairbairn Affleck, 1874/7–1936

Six Venice Etchings, Title Page

undated

Print made by Stanley Anderson, 1884–1966

The National Gallery

undated

James Hardy, active 1770s

Joseph Baretti, Secretary for Foreign Correspondence to the Royal Academy

undated

Print made by George Cooke, 1781–1834

Humphry Repton, Esq

1820

Charles Grignion, 1717–1810

Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV

undated

Print made by Thomas Chambars, ca. 1724–1789

Enoch Seeman

undated

Print made by Thomas Chambars, ca. 1724–1789

Enoch Seeman

undated

Print made by Pierre Audouin, 1768–1822

Angelica Kauffman

undated

James McNeill Whistler, 1834–1903

The Open Book

1861

Print made by John James Chalon, 1778–1854

Portrait of a Man with Hat

1792

Print made by John Cochran, active 1825–1854

Sir William Jones

ca. 1832

Print made by William Kentridge, born 1955

Study for ‘Atlas Procession'

2000

Print made by William Hogarth, 1697–1764

Tail Piece, or the Bathos

1764

Print made by Luigi Schiavonetti, 1765–1810

The Day of Judgment

1808

Print made by John Dean, 1754–1798

The Schoolboy

1777

Print made by Luigi Schiavonetti, 1765–1810

The Death of the Good Old Man

1808

Print made by Luigi Schiavonetti, 1765–1810

The Day of Judgment

1808

Print made by Luigi Schiavonetti, 1765–1810

The Death of the Good Old Man

1808

Print made by William Henry Pyne, 1769–1843

A Bishop

1805

Print made by Henry Fuseli, 1741–1825

Spectrum Dioneum

1768

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