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Materials & Techniques etching (printing process)

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Paul Sandby The Opening of the Carnival at Rome
Paul Sandby, 1731–1809
The Opening of the Carnival at Rome
ca. 1781
Paul Sandby The Horse Race at Rome During the Carnival
Paul Sandby, 1731–1809
The Horse Race at Rome During the Carnival
ca. 1781
unknown artist Duke of Monmouth as a Boy
Print made by unknown artist
Duke of Monmouth as a Boy
between 1673 and 1685
James Bretherton Englishman at Paris, 1767
Print made by James Bretherton, ca. 1730–1806
Englishman at Paris, 1767
1799
James Bretherton Every Sous Begad!
Print made by James Bretherton, ca. 1730–1806
Every Sous Begad!
1799
James Bretherton John Jehu L'Inghilterra
Print made by James Bretherton, ca. 1730–1806
John Jehu L'Inghilterra
1772
James Bretherton Monsieur Le Fouet, La Francia
Print made by James Bretherton, ca. 1730–1806
Monsieur Le Fouet, La Francia
1772
Charles Bretherton Postiglione Germanico
Print made by Charles Bretherton, ca. 1760–1783
Postiglione Germanico
1772
Charles Bretherton Postiglione Inglese
Print made by Charles Bretherton, ca. 1760–1783
Postiglione Inglese
1772
Henry William Bunbury Overthrow of Dr. Slop
Print made by Henry William Bunbury, 1750–1811
Overthrow of Dr. Slop
between 1773 and 1817
John Sell Cotman Column at Yarmouth to the Memory of Lord Nelson
Print made by John Sell Cotman, 1782–1842
Column at Yarmouth to the Memory of Lord Nelson
1817
James Gillray Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
James Gillray Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
Thomas Barber Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
Print made by Thomas Barber, ca. 1768–1843
Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
1829
Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
Robert Isaac Cruikshank A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
Print made by Robert Isaac Cruikshank, 1789–1856
A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
after 1820
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
James Gillray Blood on Thunder Fording the Red Sea
James Gillray, 1756–1815
Blood on Thunder Fording the Red Sea
1788
Sir William Russell Flint Amazons on a Breton Beach
Sir William Russell Flint, 1880–1969
Amazons on a Breton Beach
1931
Thomas Rowlandson Dr. Syntax Returned from His Tour
Print made by Thomas Rowlandson, 1756–1827
Dr. Syntax Returned from His Tour
1813