Materials & Techniques: etching (printing process) / Creator Gender: male / Subject Terms: rural

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Materials & Techniques etching (printing process)

Creator Gender male

Subject Terms rural

Print made by John Crome, 1768–1821

Back of the New Mills, Norwich

1812

Print made by Sir Muirhead Bone, 1876–1953

Stirling Castle, No. 2

1909

Print made by Sir Muirhead Bone, 1876–1953

Ely Cathedral

1903

Print made by Thomas Creswick, 1811–1869

The Blacksmith's Shop

1838

Paul Drury, 1903–1987

After Work

1926

Heneage Finch fourth Earl of Aylesford, 1751–1812

Maxstoke Priory

undated

Print made by Philip Gilbert Hamerton, 1834–1894

Val Sainte Veronique and Ancient Chestnuts

ca. 1874

Print made by Paul Drury, 1903–1987

After Work

1926

Print made by Richard Earlom, 1743–1822

View of a Portico by the Side of a River, with Herdsmen and Cattle

1774

Print made by Sir Muirhead Bone, 1876–1953

The Ballantrae Road

1907

Print made by Frederick Vango Burridge, 1869–1945

Oxcliffe Marshe, 1900

1900

Print made by Louisa Augusta Greville, 1743–active 1762

Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground

1760

Print made by David Allan, 1744–1796

Jenny and Roger

1808

Print made by David Allan, 1744–1796

Peggy and Patie

1808

Print made by David Allan, 1744–1796

Madge and Bauldy

1808

Print made by David Allan, 1744–1796

Patie and Peggy

1808

Paul Drury, 1903–1987

September

1928

Print made by Richard Earlom, 1743–1822

A Landscape with Buildings

1807

Print made by Graham Vivian Sutherland, 1903–1980

Barrow Hedges Farm

1924

Print made by Paul Drury, 1903–1987

Evening

1925

Print made by Paul Drury, 1903–1987

Nicol's Farm

1925

Heywood Hardy, 1843–1933

Halfway House

undated

Print made by Edward Bouverie-Hoyton, active 1930

Devon Coast

1920s

Print made by John Crome, 1768–1821

Mousehold Heath, Norwich

between 1810 and 1811

Print made by Stanley Roy Badmin, 1906–1989

Swinbrook Bridge

1931

Print made by Frederick Vango Burridge, 1869–1945

A Marsh Farm

undated

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