Etched by Joseph Mallord William Turner, 1775–1851
Basle
1807
2
Etched by Joseph Mallord William Turner, 1775–1851
Flint Castle, Vessels Unloading
1807
3
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
4
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
5
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
6
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
7
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
8
Print made by John Augustus Atkinson, 1775–1831
Costume of the Reign of King Henry III, 1250
1814
9
Print made by unknown artist
A View of Several Palaces at Naples at Sun Rise
undated
10
Print made by George Baxter, 1804–1867
The Great Exhibition: Exterior View from the Southwest
1851
11
after George Baxter, 1804–1867
Prince Albert
after 1855
12
after George Baxter, 1804–1867
Prince Albert
after 1855
13
Paul Sandby, 1731–1809
The Opening of the Carnival at Rome
ca. 1781
14
Paul Sandby, 1731–1809
The Romans Polite to Strangers
ca. 1781
15
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1830
16
Print made by Austin, Robert, 1895-1973, 1895–1973
The Horse of Ostend
1921
17
Print made by unknown artist
Duke of Monmouth as a Boy
between 1673 and 1685
18
Print made by Sir Muirhead Bone, 1876–1953
Walberswick Ferry
1913
19
Print made by Stanley Anderson, 1884–1966
Horse Guards
1911
20
Print made by Austin, Robert, 1895-1973, 1895–1973
The Cathedral, Palma
1928
21
Print made by Sir Muirhead Bone, 1876–1953
Rainy Night in Rome
1914
22
Print made by Sir Muirhead Bone, 1876–1953
Demolition of St. James's Hall, Interior
1906
23
Print made by Austin, Robert, 1895-1973, 1895–1973
Early Spring, Gloucestershire
1922
24
Sir Muirhead Bone, 1876–1953
The Building
1904
25
Print made by Sir Muirhead Bone, 1876–1953
Ely Cathedral
1903
26
Print made by Edward Radclyffe, 1809–1863
Lancaster Sands
undated
27
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
28
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
29
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
30
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
31
Print made by Alfred-Louis Brunet-Debaines, 1845–ca. 1935
Hardwicke Hall
undated
32
Print made by Frederik Christiaan Bierweiler, active 1800–1831
De Kruisiging
ca. 1820
33
Print made by John Robert Cozens, 1752–1797
Bath: The South Parade
1773
34
Print made by John Robert Cozens, 1752–1797
The City of Bath taken from the London Road
1773
35
Print made by John Robert Cozens, 1752–1797
Bath: The Circus
1773
36
Print made by W. R. Smith, active 1819–1851
Dido and Aeneas; The Morning of the Chase
1842
37
Print made by Henry William Bunbury, 1750–1811
Love and Wind
undated
38
Print made by George Cruikshank, 1792–1878
Traveling in France -or, -Le départ de la diligence
1818
39
Print made by Thomas Bowles III, ca. 1712–1767
The Admiralty Office
1731
40
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone
undated
41
Walter Geikie, 1795–1837
Edinburgh Castle and Horse Fair
1830
42
Robert Dighton, 1752–1814
A Lesson Westward - or A Morning Visit to Betsy Cole
1782
43
Print made by John Bruce, fl. 1826
Chain Pier at Brighton
ca. 1830
44
Print made by Henry William Bunbury, 1750–1811
Overthrow of Dr. Slop
between 1773 and 1817
45
Print made by David Lucas, 1802–1881
Salisbury Cathedral
1837
46
Print made by John Sell Cotman, 1782–1842
Column at Yarmouth to the Memory of Lord Nelson
1817
47
Print made by Thomas Creswick, 1811–1869
The Blacksmith's Shop
1838
48
Charles Grignion, 1717–1810
A View of the Bridge at Walton-on-Thames in Surrey
1752
49
Charles Grignion, 1717–1810
A View from Richmond Hill Up the River
1794
50
John Hassell, 1767–1825
View of Sion House from the Banks of the Thames
1799
51
Print made by James McNeill Whistler, 1834–1903
Chelsea
ca. 1882
52
Samuel Hieronymus Grimm, 1733–1794
A View of the Fire in Covent Garden
1769
53
George C. Finden, 1811–1885
A Mythological Battle
1853
54
Print made by Austin, Robert, 1895-1973, 1895–1973
The Blind Beggar of Tivoli
1923
55
Sir Francis Seymour Haden, 1818–1910
Wareham Bridge
1877
56
Sir Francis Seymour Haden, 1818–1910
Wareham Bridge
1877
57
Print made by Edmund Blampied, 1886–1966
A Jersey Vraic Cart
1939
58
Print made by Sir Muirhead Bone, 1876–1953
Ayr Prison
1905
59
Frederick James Havell, 1801–1840
The Stone Bow, Lincoln
1836
60
Print made by William Angus, 1752–1821
Witley Court in Worcestershire, the Seat of Lord Foley
1810
61
James Gillray, 1756–1815
A Morning Ride
1804
62
Print made by Albany E. Howarth, 1872–1936
Dowham, Sussex
Between 1887 and 1936
63
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
64
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
65
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
66
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
67
James McNeill Whistler, 1834–1903
Chelsea
undated
68
Print made by George Cruikshank, 1792–1878
Peg Todd, as Head Nurse
undated
69
Print made by Matthew Dubourg, active 1786–1838
Grouse Shooting
1822
70
Print made by Austin, Robert, 1895-1973, 1895–1973
Italian Fair
1923
71
Print made by Sir Muirhead Bone, 1876–1953
A Manhattan Excavation
1923
72
Charles Heath, 1785–1848
Tower Hill
1825
73
John J. Hinchliff, 1805–1875
Lough Foyle, Londonerry
undated
74
William Birch, 1755–1834
A View in Kew Gardens
1789
75
Print made by Thomas Barber, ca. 1768–1843
Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
1829
76
Print made by George Bickham the Elder, 1683/4–1758
A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
77
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1822
78
Edward Francis Finden, 1791–1857
Yarmouth, Norfolk
1837
79
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
80
James Fittler, 1758–1835
Mail Coach
ca. 1787
81
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
82
Print made by George Cruikshank, 1792–1878
Jack Sheppard's Escape from the Cage at Willesden
1839
83
William Hincks, 1752–1797
Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
1791
84
Print made by Joseph Samuel Alpenny, 1787–1858
Two Travellers Watering Three Horses
undated
85
Print made by William John Cooke, 1797–1865
Worcester
undated
86
Print made by S. T. Davies, active ca. 1835
Lincoln from the River Witham
undated
87
Print made by Ernest Herbert Whydale, 1886–1954
Eventide
undated
88
Print made by Robert Spence, 1871–1964
George Fox and Captain Keat
between 1890 and 1911
89
Print made by Stanley Anderson, 1884–1966
Smithfield
undated
90
Print made by Austin, Robert, 1895-1973, 1895–1973
The Plough
1922
91
Print made by Austin, Robert, 1895-1973, 1895–1973
The Angelus
1922
92
Print made by Austin, Robert, 1895-1973, 1895–1973
The Pack Bridge
1926
93
Print made by Joseph Collyer, 1748–1827
The Volunteers of the City and County of Dublin
1784
94
Print made by Robert Isaac Cruikshank, 1789–1856
A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
after 1820
95
Print made by George Bickham the Younger, ca. 1706–1771
Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing.
1751
96
Engraved by Robert Pollard, 1755–1838
View of Queen Square
1789
97
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
98
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'