<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Materials & Techniques compo

Remove constraint Materials & Techniques: compo

Credit Line Yale Center for British Art

Remove constraint Credit Line: Yale Center for British Art

Subject Terms frame feature: Original corner ornament convergence

Remove constraint Subject Terms: frame feature: Original corner ornament convergence

Search Results

British, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood and compo, later oil gilding and over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood and compo, later oil gilding and over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood and compo, regilded over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
late 18th century
Materials & Techniques:
Carved wood and compo, later oil and water gilding over original gilding
Dimensions:
Frame: 39 1/2 × 35 inches (100.3 × 88.9 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Artist's frame
Creator:
unknown framemaker
Date:
4th quarter of 19th century
Materials & Techniques:
Wood and compo, oak frieze, original oil and water gilding
Dimensions:
Frame: 50 1/2 × 42 1/2 × 3 inches (128.3 × 108 × 7.6 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood and compo, later oil gilding and re-sanded frieze over original oil gilding
Collection:
Frames
Credit Line:
Yale Center for British Art