Materials & Techniques: chine collé / Height [cm]: 22 - YCBA Collections Search Search Results

1. The Vine

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1852
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 12 13/16 x 9 1/4 inches (32.5 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

2. The Wreck

Creator:: Print made by Henry Griffiths, 1835–1849
Date:: 1828-1837
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Canal of the Loire and Cher, near Tours

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1833
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 5/8 × 12 1/2 inches (21.9 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Ruines de Château d'Arlay

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with gray chine collé
Dimensions:: Sheet: 13 5/16 x 18 1/8 inches (33.8 x 46.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Interior of York Minster from the Nave Shewing the Screen of the Choir in its Present Situation

Creator:: Print made by Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Lithograph on thin, smooth, cream wove paper with cream chine-collé
Dimensions:: Image: 8 1/2 × 7 inches (21.6 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Croix de Moulin les Planches

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with cream chine collé
Dimensions:: Sheet: 13 1/8 x 10 1/2 inches (33.3 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Front of the New Mills

Creator:: Print made by John Crome, 1768–1821
Date:: 1813
Materials & Techniques:: Etching on thick, slightly textured, cream wove paper with beige chine collé
Dimensions:: Sheet: 12 1/2 x 17 3/8 inches (31.8 x 44.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Loch Lomond

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving; early engraver's proof on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 8 5/8 × 6 3/4 inches (21.9 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Lake of Nemi

Creator:: Etched by Samuel Middiman, ca. 1750–1831
Date:: 1819
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 5/8 × 14 5/8 inches (29.5 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Florence, from Fiesoli

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1820
Materials & Techniques:: Etching; open etched state on medium, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 × 14 3/8 inches (25.4 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Isola Bella, on the Lago Maggiore

Creator:: Print made by James Fittler, 1758–1835
Date:: 1818-1820
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 15/16 × 12 5/8 inches (25.2 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Turin, from the Portico of the Superga Church

Creator:: Print made by James Mitan, 1776–1822
Date:: 1820
Materials & Techniques:: Etching on medium, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 × 14 3/8 inches (25.4 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Isola Bella, on the Lago Maggiore

Creator:: Print made by James Fittler, 1758–1835
Date:: 1818-1820
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 9/16 × 15 inches (26.8 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Borthwick Castle

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1819
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 1/8 × 20 1/8 inches (33.3 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Acropolis of Athens

Creator:: Print made by John Cousen, 1804–1880
Date:: 1832-1834
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; engraver's proof (a) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 9/16 × 14 5/16 inches (26.8 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Whitby

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 14 3/8 × 20 1/2 inches (36.5 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Ullswater, Cumberland

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching and line engraving; 1st published state on moderately thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/8 × 16 3/8 inches (35.9 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and line engraving; engraver's proof (d) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/16 × 18 1/8 inches (28.4 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Orfordness

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and line engraving; engraver's proof on thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/8 × 20 9/16 inches (35.9 × 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching; early engraver's proof on moderately thick, slightly textured, beige wove paper, with beige chine collé
Dimensions:: Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. St. Germain-en-Laye

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1837
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; touched engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 8 3/4 × 11 1/16 inches (22.2 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and engraving; engraver's proof (a) on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Dunwich

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving, engraver's proof (late) on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/4 × 20 5/8 inches (38.7 × 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Destruction of Both Houses of Parliament

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Fire at Sea

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Fire at Sea

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 5/16 × 11 7/8 inches (44 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Destruction of Both Houses of Parliament

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching and line engraving; engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 16 1/8 × 11 1/2 inches (41 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Sea! The Sea!

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 5/16 × 11 13/16 inches (44 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Sea! The Sea!

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1836
Materials & Techniques:: Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 × 11 5/16 inches (43.2 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Custom House

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1827
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 5/16 inches (30.2 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Plymouth from Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and engraving; touched engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 7/16 × 14 5/8 inches (26.5 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Tintagel Castle, Cornwall

Creator:: Print made by George Cooke, 1781–1834
Date:: 1818
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 7/16 inches (30.2 × 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Rome, Bridge, and Castle of St. Angelo, on the Tyber

Creator:: Print made by George Hollis, 1792–1842
Date:: 1818
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper, with cream chine colle
Dimensions:: Sheet: 9 9/16 × 12 3/4 inches (24.3 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Rome from Monte Testaccio

Creator:: Print made by John Byrne, 1786–1847
Date:: 1818-1820
Materials & Techniques:: Etching; open etched state on medium, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Tomb of Cecilia Metella

Creator:: Print made by John Byrne, 1786–1847
Date:: 1818-1820
Materials & Techniques:: Etching; open etched state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 9/16 × 13 5/8 inches (26.8 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Florence, from the Ponte alla Carraia

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1818-1820
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 7/8 × 14 3/8 inches (25.1 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Florence, from the Ponte alla Carraia

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1818-1820
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Tomb of Cecilia Metella

Creator:: Print made by John Byrne, 1786–1847
Date:: 1818-1820
Materials & Techniques:: Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 7/8 × 15 inches (27.6 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Negropont

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Etching and line engraving; engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/16 × 17 3/8 inches (31 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Poole, Dorsetshire

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814
Materials & Techniques:: Etching and line engraving; second published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 14 9/16 inches (28.9 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Weymouth, Dorsetshire

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1813
Materials & Techniques:: Etching and engraving; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 7/8 × 19 5/16 inches (37.8 × 49.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Lulworth Cove, Dorset

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814
Materials & Techniques:: Etching and line engraving; first published state on thick, smooth, beige wove paper, with cream chine collé
Dimensions:: Sheet: 13 1/2 × 17 5/8 inches (34.3 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1820
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 11/16 × 15 inches (27.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Rome, Bridge, and Castle of St. Angelo, on the Tyber

Creator:: Print made by George Hollis, 1792–1842
Date:: 1818
Materials & Techniques:: Etching and line engraving; first published state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Forum Romanum

Creator:: Engraved by George Hollis, 1792–1842
Date:: 1818-1820
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 × 15 1/4 inches (27.9 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Rome from Monte Testaccio

Creator:: Print made by John Byrne, 1786–1847
Date:: 1818-1820
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Bell Rock Lighthouse

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1824
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 5/8 × 12 7/8 inches (24.4 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Château of Amboise

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1833
Materials & Techniques:: Etching and line engraving; touched engraver's proof (b) on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 9/16 × 11 11/16 inches (21.7 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Custom House

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1827
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 5/8 inches (30.2 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Fire at Sea

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching and line engraving; 1st state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 16 1/16 × 11 1/16 inches (40.8 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Jack Sheppard Exhibits a Vindictive Character

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1835
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 8 9/16 x 7 1/16 inches (21.7 x 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

52. Audacity of Jack Sheppard

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 8 3/4 x 6 15/16 inches (22.2 x 17.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

53. Jack Sheppard Committing the Robbery in Willesden Church

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 8 9/16 x 7 3/16 inches (21.8 x 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

54. The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 8 9/16 x 7 inches (21.8 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

55. "May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 8 1/2 x 7 1/8 inches (21.6 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

56. Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 8 7/16 x 7 5/16 inches (21.5 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

57. The Acropolis of Athens

Creator:: Print made by John Cousen, 1804–1880
Date:: 1832-1834
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/16 × 16 1/16 inches (28.4 × 40.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Parnassus and Castalian Spring

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Etching and engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 13/16 × 7 7/16 inches (24.9 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Scio (Fontana de Melek, Mehmet Pasha)

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Etching and engraving; third state on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 8 3/4 inches (28.9 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Field of Waterloo from Hougoumont

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Etching and engraving; third state on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 8 5/8 inches (28.9 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Blois

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 8 3/4 × 11 inches (22.2 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Bernese Alps

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Etching and engraving; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 16 1/2 × 11 inches (41.9 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. An Old Manor House

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 1/2 × 5 15/16 inches (21.6 × 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Sir Charles Eastlake, R. A.

Creator:: Print made by George T Doo, 1800–1886
Date:: 1873
Materials & Techniques:: Line engraving and etching on thick, slightly textured, cream card with cream chine collé
Dimensions:: Sheet: 13 5/8 x 10 3/8 inches (34.6 x 26.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Jack Sheppard's Escape from the Cage at Willesden

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 8 5/8 x 7 3/16 inches (21.9 x 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

66. Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 8 9/16 x 7 3/16 inches (21.7 x 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

67. Mr. Wood Offers to Adopt Little Jack Sheppard

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1835
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 8 11/16 x 7 7/16 inches (22 x 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

68. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1819-1826
Materials & Techniques:: Etching and line engraving; engraver's proof on thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 13/16 × 13 3/4 inches (27.5 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Benjamin West, Esq., President of the Royal Academy of London

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1818
Materials & Techniques:: Line engraving and stipple engraving on thick, slightly textured, cream laid paper with beige chine collé
Dimensions:: Sheet: 19 11/16 x 13 3/8 inches (49.9 x 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Fire at Sea

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching and line engraving; 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 1/4 × 6 9/16 inches (23.5 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Gate of Theseus, Athens

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832
Materials & Techniques:: Etching and engraving; third state on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 8 5/8 inches (29.8 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Bacharach on the Rhine

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832
Materials & Techniques:: Etching and line engraving; 3rd state on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 8 5/8 inches (28.9 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Castellated Rhine

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 12 11/16 × 9 3/8 inches (32.2 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Jack Sheppard and Blueskin in Mr. Woods Bedroom

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 8 9/16 x 7 3/8 inches (21.8 x 18.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

75. Stonehenge at Daybreak

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1897
Materials & Techniques:: Mezzotint printed in brown ink on medium, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The Penitent

Creator:: Print made by Frederick Bacon, 1803–1887
Date:: between 1842 and 1887
Materials & Techniques:: Stipple engraving and etching on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 19 15/16 x 13 1/2 inches (50.6 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Mousehold Heath, Norwich

Creator:: Print made by John Crome, 1768–1821
Date:: between 1810 and 1811
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 9 1/8 x 11 15/16 inches (23.1 x 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques chine collé

Height [cm] 22

Search Results

1. The Vine

2. The Wreck

3. Canal of the Loire and Cher, near Tours

4. Ruines de Château d'Arlay

5. Interior of York Minster from the Nave Shewing the Screen of the Choir in its Present Situation

6. Croix de Moulin les Planches

7. Front of the New Mills

8. Loch Lomond

9. Lake of Nemi

10. Florence, from Fiesoli

11. Isola Bella, on the Lago Maggiore

12. Turin, from the Portico of the Superga Church

13. Isola Bella, on the Lago Maggiore

14. Borthwick Castle

15. The Acropolis of Athens

16. Whitby

17. Ullswater, Cumberland

18. Aldborough

19. Orfordness

20. Aldborough

21. St. Germain-en-Laye

22. Aldborough

23. Dunwich

24. Destruction of Both Houses of Parliament

25. Fire at Sea

26. Fire at Sea

27. Destruction of Both Houses of Parliament

28. The Sea! The Sea!

29. The Sea! The Sea!

30. The Custom House

31. Plymouth from Mount Batten

32. Tintagel Castle, Cornwall

33. Rome, Bridge, and Castle of St. Angelo, on the Tyber

34. Rome from Monte Testaccio

35. Tomb of Cecilia Metella

36. Florence, from the Ponte alla Carraia

37. Florence, from the Ponte alla Carraia

38. Tomb of Cecilia Metella

39. Negropont

40. Poole, Dorsetshire

41. Weymouth, Dorsetshire

42. Lulworth Cove, Dorset

43. The Rialto, Venice

44. Rome, Bridge, and Castle of St. Angelo, on the Tyber

45. The Forum Romanum

46. Rome from Monte Testaccio

47. Bell Rock Lighthouse

48. Château of Amboise

49. The Custom House

50. Fire at Sea

51. Jack Sheppard Exhibits a Vindictive Character

52. Audacity of Jack Sheppard

53. Jack Sheppard Committing the Robbery in Willesden Church

54. The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

55. "May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"

56. Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

57. The Acropolis of Athens

58. Parnassus and Castalian Spring

59. Scio (Fontana de Melek, Mehmet Pasha)

60. The Field of Waterloo from Hougoumont

61. Blois

62. The Bernese Alps

63. An Old Manor House

64. Sir Charles Eastlake, R. A.

65. Jack Sheppard's Escape from the Cage at Willesden

66. Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate

67. Mr. Wood Offers to Adopt Little Jack Sheppard

68. Aldborough

69. Benjamin West, Esq., President of the Royal Academy of London

70. Fire at Sea

71. Gate of Theseus, Athens

72. Bacharach on the Rhine

73. The Castellated Rhine

74. Jack Sheppard and Blueskin in Mr. Woods Bedroom