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Materials & Techniques chine collé

Remove constraint Materials & Techniques: chine collé

Creator Byrne, William, 1743–1805

Remove constraint Creator: Byrne, William, 1743–1805

Width [cm] 22

Remove constraint Width [cm]: 22

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Wickham from the Marlow Road
Creator:
Print made by William Byrne, 1743–1805
Date:
1803
Materials & Techniques:
Line engraving, published state (India) on medium, slightly textured, beige wove paper with cream chine-collé
Dimensions:
Sheet: 11 5/8 × 15 5/8 inches (29.5 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Abingdon, from the Thames Navigation
Creator:
Print made by William Byrne, 1743–1805
Date:
1805
Materials & Techniques:
Line engraving, published state (India) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 3/4 × 15 3/4 inches (29.8 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Eton, from the Slough Road
Creator:
Print made by William Byrne, 1743–1805
Date:
1803
Materials & Techniques:
Line engraving, published state (India) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 3/4 × 15 3/4 inches (29.8 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Donnington Castle
Creator:
Print made by William Byrne, 1743–1805
Date:
1805
Materials & Techniques:
Line engraving, published state (India) on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 3/4 × 17 7/8 inches (29.8 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Newbury from Speen Hill
Creator:
Print made by William Byrne, 1743–1805
Date:
1805
Materials & Techniques:
Line engraving, published state (India) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 5/8 × 15 7/8 inches (29.5 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection