Materials & Techniques: chine collé / Date: 1826 / Classification: Prints

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Materials & Techniques chine collé

Date 1826

Classification Prints

Print made by Richard Parkes Bonington, 1802–1828

Le Silence Favorable

1826

Print made by Edward Goodall, 1795–1870

Richmond Hill

1826-1832

Print made by Edward Francis Finden, 1791–1857

Bolton Abbey, Wharfdale

1826

Print made by Edward Goodall, 1795–1870

Richmond Hill

1826

Print made by William Miller, 1796–1882

Palace of La Belle Gabrielle

1826-1837

Print made by Henry Griffiths, 1835–1849

The Wreck

1826-1837

Print made by George Cooke, 1781–1834

Edinburgh Castle

1826

Print made by George Cooke, 1781–1834

Edinburgh Castle

1826

Print made by Robert Wallis, 1794–1878

Edinburgh from Leith Harbour

1826

Print made by William Miller, 1796–1882

Bass Rock

1826

Print made by William Miller, 1796–1882

Bass Rock

1826

Print made by John Bell, 1811–1895

The Web

undated

Print made by Rose Joseph Lemercier, 1803–1887

La Conversation

1826

Print made by James Tibbits Willmore, 1800–1863

Nantes

1826-1837

Print made by William Miller, 1796–1882

Palace of La Belle Gabrielle

1826-1837

Print made by John Bell, 1811–1895

The City of the Pestilence

between 1826 and 1852

Print made by Edward Francis Finden, 1791–1857

Bolton Abbey, Wharfdale

1826

Print made by Edward Goodall, 1795–1870

Richmond Hill

1826

Print made by Robert Wallis, 1794–1878

Virginia Water, No. 2

1826-1837

Print made by Edward Goodall, 1795–1870

Florence, from the Chiesa al Monte

1826-1837

Print made by Robert Graves, 1798–1873

William Esdaile

1826

Louis Haghe, 1806–1885

View of the City of Bristol

ca. 1831

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