Materials & Techniques: chine collé / On-site Access: Accessible by appointment in the Study Room / Width [cm]: 27

Charles Turner, 1774–1857

Sir Harry Burrard-Neale, 2nd Baronet

1812

Print made by John Landseer, 1769–1852

High Force or Fall of Tees

1821

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1823

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

Print made by Edward Francis Finden, 1791–1857

Negropont

1832-1834

Print made by Samuel William Reynolds, 1773–1835

Miss Emma Hart (afterwards Lady Hamilton) as a Bacchante

undated

Print made by Samuel Cousins, 1801–1887

Mrs. Lister

1834

Print made by Richard Parkes Bonington, 1802–1828

L'Eglise de St. Gervais et St. Protais

1824

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Print engraved by John Pye, 1782–1874

Hardraw Fall

1818

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Print made by John Landseer, 1769–1852

High Force or Fall of Tees

1821

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by Samuel Middiman, ca. 1750–1831

Weathercote Cave when Half Filled with Water

1821

Etched by Samuel Middiman, ca. 1750–1831

Hardraw Fall

1818

Print made by William Radclyffe, 1780–1855

Hornby Castle from Tatham Church

1822

Print made by Samuel Cousins, 1801–1887

Elizabeth, Countess Grosvenor

1883

Print made by John Bell, 1811–1895

Charon's Boat

between 1838 and 1850

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by John Pye, 1782–1874

Junction of the Greta and Tees at Rokeby

1819

Print made by Samuel Rawle, 1771–1860

Brignall Church

1821

Print made by Samuel Rawle, 1771–1860

Brignall Church

1818-1823

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1818-1823

Print made by Henry Le Keux, 1787–1868

Simmer Lake, near Askrig

1818-1823

Print made by John Cousen, 1804–1880

The Acropolis of Athens

1832-1834

Print made by George Cooke, 1781–1834

Antiquities at Pola, Frontispiece

1818

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1818-1823

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

Print made by W. R. Smith, active 1819–1851

Heysham and Cumberland Mountains

1818-1823

Print made by Samuel Middiman, ca. 1750–1831

Weathercote Cave when Half Filled with Water

1821

Print made by Samuel Middiman, ca. 1750–1831

Weathercote Cave when Half Filled with Water

1821

Print made by John Landseer, 1769–1852

High Force or Fall of Tees

1818-1823

James Redway, active 1827–1838

Althorp Castle, Northamptonshire

undated

Print made by Richard Parkes Bonington, 1802–1828

Croix de Moulin les Planches

1827

Print made by Richard Parkes Bonington, 1802–1828

Le Silence Favorable

1826

Print made by George Cooke, 1781–1834

Gledhow

1816

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1812

Print made by George Cooke, 1781–1834

Gledhow

1816

Frederick Christian Lewis the Elder, 1779–1856

James Northcote

1824

Print made by John Cousen, 1804–1880

The Acropolis of Athens

1832-1834

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Materials & Techniques chine collé

On-site Access Accessible by appointment in the Study Room

Width [cm] 27

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Materials & Techniques chine collé

On-site Access Accessible by appointment in the Study Room

Width [cm] 27

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