Materials & Techniques: chine collé / On-site Access: Accessible by appointment in the Study Room / Exhibition History: Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)

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Materials & Techniques chine collé

On-site Access Accessible by appointment in the Study Room

Exhibition History Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)

Etched by Joseph Mallord William Turner, 1775–1851

Hind Head Hill

1811

Print made by W. R. Smith, active 1819–1851

Entrance to Fowey Harbour, Cornwall

1829

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

Print made by W. R. Smith, active 1819–1851

Longships Lighthouse, Lands End

1836

Print made by Daniel Wilson, 1816–1892

Ancient Carthage - The Embarcation of Regulus

1840

Etched by Samuel Middiman, ca. 1750–1831

Hardraw Fall

1818

Print made by John Landseer, 1769–1852

High Force or Fall of Tees

1821

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

Print made by William Radclyffe, 1780–1855

Salisbury, Wiltshire

1830

Print made by S. Fisher, active 1831–1844

Coventry, Warwickshire

1833

Print made by James Tibbits Willmore, 1800–1863

Penmaen Mawr, Caernarvonshire

1832

Print made by James Tibbits Willmore, 1800–1863

Ullswater, Cumberland

1835

Print made by Thomas Oldham Barlow, 1824–1889

The Wreck of the Minotaur

1856

Print made by Robert Wallis, 1794–1878

Lake of Lucerne

1854

Print made by Thomas Abiel Prior, 1809–1886

Zurich

1854

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