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The Bayswater Turnpike
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor, pen and black and gray ink on medium, slightly textured, wove paper mounted on card
Dimensions:
Mount: 9 1/2 x 11 1/2 inches (24.1 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Great Exhibition: Exterior View from the Southwest
Creator:
Print made by George Baxter, 1804–1867
Date:
1851
Materials & Techniques:
Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:
Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study for Fishermen and Bathers
Creator:
Keith Vaughan, 1912–1977
Date:
ca. 1951
Materials & Techniques:
Gouache, watercolor and black ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:
Sheet: 6 1/4 x 7 9/16 inches (15.9 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942
West Cowes, Isle of Wight
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Brown and gray wash and pen brown ink on medium, smooth, cream wove paper mounted on card
Dimensions:
Sheet: 5 5/8 x 9 1/4 inches (14.3 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Miss Elizabeth Manwaring
A Rowing Boat
Creator:
Hugh William "Grecian" Williams, 1773–1829
Date:
undated
Materials & Techniques:
Graphite and watercolor with gouache on moderately thick, moderately textured, beige wove paper, pasted on thick, slightly textured, cream card
Dimensions:
Mount: 7 7/8 x 10 3/8 inches (20 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mr. Kemble, of the Theatre Royal, Drury Lane
Creator:
Print made by William Nelson Gardiner, 1766–1814
Date:
1797
Materials & Techniques:
Stipple engraving and etching, with watercolor on moderately thick, slightly textured, beige card
Dimensions:
Sheet: 8 9/16 × 5 1/2 inches (21.8 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Sentinel
Creator:
Print made by Richard Ansdell, 1815–1885
Date:
1857
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper, pasted on thick, slightly textured, cream card
Dimensions:
Sheet: 5 7/16 × 8 inches (13.8 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On the Seine
Creator:
Thomas Shotter Boys, 1803–1874
Date:
1831
Materials & Techniques:
Watercolor with pen and brown ink over graphite with gum arabic on moderately thick, slightly textured, cream wove paper, mounted to thick, slightly textured, cream wove paper, mounted to thick, slightly textured, beige card
Dimensions:
Mount: 5 3/4 x 8 3/4 inches (14.6 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Sailing Ship near Shore
Creator:
Hercules Brabazon Brabazon, 1821–1906
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on moderately thick, slightly textured, cream wove paper mounted on thick, smooth, beige card
Dimensions:
Mount: 5 5/8 × 7 5/8 inches (14.3 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
Morning Prayer
Creator:
Print made by Charles West Cope, 1811–1890
Date:
1844
Materials & Techniques:
Etching with chine collé on thick, slightly textured, cream card
Dimensions:
Sheet: 6 1/16 x 4 3/4 inches (15.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Girl Writing
Creator:
Print made by Robert Barnes, 1840–1895
Date:
undated
Materials & Techniques:
Wood-engraving with watercolor on moderately thick, slightly textured, cream card mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 7 15/16 x 6 15/16 inches (20.2 x 17.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Two Girls Under an Umbrella
Creator:
Print made by Robert Barnes, 1840–1895
Date:
undated
Materials & Techniques:
Wood-engraving with watercolor on moderately thick, slightly textured, cream card mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 8 9/16 x 7 5/16 inches (21.8 x 18.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
French Fishing Boat off the Shears
Creator:
Print made by Miles Edmund Cotman, 1810–1858
Date:
1846
Materials & Techniques:
Etching with chine collé on thick, slightly textured, cream card
Dimensions:
Sheet: 5 9/16 x 6 3/8 inches (14.2 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Miraculous Draught of Fishes
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Etching and stipple engraving with aquatint on cream card
Dimensions:
Image: 5 5/16 x 6 3/4 inches (13.5 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Conversion of the Proconsul
Creator:
Print made by George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 11/16 x 7 1/4 inches (14.4 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Miraculous Draught of Fishes
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching and stipple engraving with color woodcut on cream card mounted on contemporary cream card
Dimensions:
Mount: 7 3/4 x 8 9/16 inches (19.7 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Waltham Abbey, Essex
Creator:
Edward Dayes, 1763–1804
Date:
1783
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, card
Dimensions:
Sheet: 5 3/8 × 8 3/8 inches (13.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
John Smart: Two Portrait Studies, Profile Facing Right and Three-Quarter Profile Facing Left
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream card
Dimensions:
Sheet: 5 1/2 x 3 3/8 inches (14 x 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Carriage Design: A Square Landau
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink, watercolor and collage on thick, smooth, white card
Dimensions:
Sheet: 5 1/2 × 10 1/4 inches (14 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Coast Scene
Creator:
John Wilson Ewbank, 1779–1847
Date:
undated
Materials & Techniques:
Graphite and white gouache on medium, smooth cream card
Dimensions:
Sheet: 5 1/2 × 8 3/4 inches (14 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Hill Morgan
The Watermill Above the Bridge at Charenton
Creator:
François Louis Thomas Francia, 1772–1839
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, moderately textured, beige wove paper, pasted on thick, smooth, cream card
Dimensions:
Sheet: 5 1/2 x 12 7/16 inches (14 x 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor and varnish on moderately thick, moderately textured, beige card
Dimensions:
Image:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund