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Collection
Frames
3
Creator
Adam, Robert, 1728–1792
1
Allwood, Thomas, ca. 1750–ca.1800
1
Unknown framemaker
1
Date
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Current results range from
1750
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1775
Image Use
Free to Use
3
Image Available
Available
3
Classification
Frames
3
Creator Gender
male
2
Period
18th century
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3
Materials & Techniques
burnishing (polishing)
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3
gold leaf
3
water gilding
3
wood
3
original gilding
2
oil gilding
1
toning (painting)
1
Work Type
frame
3
Subject Terms
frame feature: Exceptional quality carving
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3
frame alteration: no alteration
2
frame feature: Exceptionally well-preserved gilding
2
frame status: Original
2
frame alteration: yes
1
frame cross-section: Architrave with oval inlay
1
frame cross-section: Concave with applied ogee
1
frame cross-section: Concave with ogee
1
frame feature: Alteration evidence
1
frame feature: Emblematic ornament
1
frame feature: Frame associated with artist
1
frame feature: One of a pair
1
frame feature: Oval inlay
1
frame feature: Rare pattern
1
frame ornament: Beading; fluted frieze; paterae; beading; spandrels with ribbon-tied foliate garlands of myrtle and ivy
1
frame ornament: Egg-&-leaf bud on back edge; running leaf bud; acanthus leaf-&-shield at sight edge
1
frame ornament: Egg-&-leaf; gadrooning enriched with leaves & bellflowers; centred ribbon-&-stave; acanthus-&-shell applied ogee; ovolo chain near sight edge
1
frame status: Out of period
1
frame style: 'Carlo Maratta' frame
1
frame style: 'Salvator Rosa' frame
1
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Yale Center for British Art
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Materials & Techniques
burnishing (polishing)
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Period
18th century
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Subject Terms
frame feature: Exceptional quality carving
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1
attributed to Thomas Allwood, ca. 1750–ca.1800
British, 'Carlo Maratta' frame
4th quarter of 18th century
2
unknown framemaker
Italian 'Salvator Rosa' frame
2nd half of 18th century
3
workshop of Robert Adam, 1728–1792
British, Neoclassical frame
4th quarter of 18th century