Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
20
Edward Lear, 1812–1888
Turin, Italy
after 1872
21
Edward Lear, 1812–1888
Memphis
1867
22
Edward Lear, 1812–1888
Reggio, 26 July 1847
1847
23
Edward Lear, 1812–1888
S. Pietro Degli Agostiniani. Leonessa
1844
24
Edward Lear, 1812–1888
Albania
between 1848 and 1849
25
Edward Lear, 1812–1888
The Pontine Marshes above Terracina
ca. 1880
26
Edward Lear, 1812–1888
Bavella, Corsica
ca. 1868
27
Edward Lear, 1812–1888
A Country House
ca. 1834
28
Edward Lear, 1812–1888
Manor (Knowsley Lane?)
undated
29
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
30
George Romney, 1734–1802
[Small Sketchbook]
1784
31
George Romney, 1734–1802
[Small Sketchbook]
1784
32
George Romney, 1734–1802
[Small Sketchbook]
1784
33
George Romney, 1734–1802
[Small Sketchbook]
1784
34
George Romney, 1734–1802
[Small Sketchbook]
1784
35
George Romney, 1734–1802
[Small Sketchbook]
1784
36
George Romney, 1734–1802
[Small Sketchbook]
1784
37
George Romney, 1734–1802
[Small Sketchbook]
1784
38
George Romney, 1734–1802
[Small Sketchbook]
1784
39
George Romney, 1734–1802
[Small Sketchbook]
1784
40
George Romney, 1734–1802
[Small Sketchbook]
1784
41
George Romney, 1734–1802
Prostrate Woman
undated
42
George Romney, 1734–1802
Landscape with a Leaning Tree
undated
43
George Romney, 1734–1802
[Small Sketchbook]
1784
44
George Romney, 1734–1802
[Small Sketchbook]
1784
45
George Romney, 1734–1802
[Small Sketchbook]
1784
46
George Romney, 1734–1802
[Small Sketchbook]
1784
47
George Romney, 1734–1802
[Small Sketchbook]
1784
48
George Romney, 1734–1802
[Small Sketchbook]
1784
49
George Romney, 1734–1802
[Small Sketchbook]
1784
50
George Romney, 1734–1802
Seated Woman
undated
51
George Romney, 1734–1802
Female Figures
undated
52
George Romney, 1734–1802
Slight Group of Figures
undated
53
George Romney, 1734–1802
Initiation of a Rustic Nymph
undated
54
George Romney, 1734–1802
Muscious Scaevola
undated
55
George Romney, 1734–1802
Satan Presiding over Hell
undated
56
George Romney, 1734–1802
Demonic Attack for the Temptation of Christ
undated
57
George Romney, 1734–1802
Noah's Children Rejoicing
undated
58
George Romney, 1734–1802
Samson Overpowered
undated
59
George Romney, 1734–1802
Pamela
undated
60
George Romney, 1734–1802
Lady Leaning on a Column: (Possibly a Sketch for "Miss Woodley")
undated
61
George Romney, 1734–1802
Shepherdess Cutting an Inscription on a Tree
undated
62
George Romney, 1734–1802
David before Saul
undated
63
George Romney, 1734–1802
Lord Salisbury, Standing by a Pillar
undated
64
George Romney, 1734–1802
Standing Male Figure
undated
65
George Romney, 1734–1802
Possibly a Fight Scene
undated
66
George Romney, 1734–1802
Prison Scene
undated
67
George Romney, 1734–1802
Howard Visiting a Prison
undated
68
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
69
George Romney, 1734–1802
Mythological Group of Women and Children
undated
70
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
71
George Romney, 1734–1802
Sketches of a Prostrate Woman
undated
72
George Romney, 1734–1802
Two Children Embracing
undated
73
George Romney, 1734–1802
Mother and Son
undated
74
George Romney, 1734–1802
Two Lovers (Man Awakening from a Dream)
undated
75
George Romney, 1734–1802
David Playing the Harp
undated
76
George Romney, 1734–1802
Studies of a Seated Woman
undated
77
George Romney, 1734–1802
Three Young Witches
undated
78
George Romney, 1734–1802
Studies for the Head of a Lady (Studies of a Woman's Head)
undated
79
Studio of Sir Jeffry Wyatville, 1766–1840
A Design for a Prison
ca. 1830
80
Maria Leycester, 1798–1870
Switzerland
1818
81
Maria Leycester, 1798–1870
Switzerland
1818
82
Thomas Stothard, 1755–1834
Sketch of Izaak Walton's Cottage for the "Complete Angler," London, 1836
1836
83
unknown artist
Views in the Levant: Landscape with Travellers Resting under Tree, Temple of Minerva, Medici, Rome
ca. 1740
84
unknown artist
Views in the Levant: Landscape with Fields in Foreground, Town and Volcanic Mountains
ca. 1750
85
Sir Robert Ker Porter, 1777–1842
Caernarvon Castle
undated
86
John Varley, 1778–1842
Ships on a River with Buildings in the Distance
ca. 1830
87
John Varley, 1778–1842
Trees and Cottages at the Bend of a River
undated
88
John Varley, 1778–1842
Trees on a Knoll by a Stream
ca. 1830
89
William Henry Bartlett, 1809–1854
Chatsworth House, Derbyshire
between 1823 and 1830
90
unknown artist
Venus and Cupid
undated
91
Jean B. C. Chatelain, 1710–1771
Landscape Composition
undated
92
George Birch, 1842–1904
View of Guy Fawkes' Tower
1827
93
Robert Smirke, 1752–1845
Olivia and Maria
1822
94
Sir Richard Colt Hoare, 1758–1838
One from a volume of 66 in "Views Drawn from Nature in the Neighborhood of Rome and Abruzzo etc. by Sir Richard Colt Hoare Bart. In the Years 1786 to 1790"
between 1773 and 1838
95
Thomas Rowlandson, 1756–1827
A Stage Coach Outside of the Entrance of an Inn
undated
96
Sir David Wilkie, 1785–1841
Johnny and His Pony
1836
97
Alphonse Legros, 1837–1911
Group de Fermiers
undated
98
Henry William Bunbury, 1750–1811
An Illustration of H. Bunbury ('Geoffrey Gambado'), "An Academy for Grown Horsemen: 'A Bit of Blood'