A Procession of the Damned: Study for the Damned in Dante's "Inferno"
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36
George Romney, 1734–1802
Lord Salisbury, Standing by a Pillar
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37
George Romney, 1734–1802
Mother and Son
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38
George Romney, 1734–1802
Two Lovers (Man Awakening from a Dream)
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39
George Romney, 1734–1802
Pamela
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40
George Romney, 1734–1802
Landscape with a Leaning Tree
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41
George Romney, 1734–1802
[Small Sketchbook]
1784
42
George Romney, 1734–1802
[Small Sketchbook]
1784
43
George Romney, 1734–1802
[Small Sketchbook]
1784
44
George Romney, 1734–1802
Seated Woman
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45
George Romney, 1734–1802
Shepherdess Cutting an Inscription on a Tree
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46
George Romney, 1734–1802
Initiation of a Rustic Nymph
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47
George Romney, 1734–1802
[Small Sketchbook]
1784
48
George Romney, 1734–1802
[Small Sketchbook]
1784
49
George Romney, 1734–1802
[Small Sketchbook]
1784
50
George Romney, 1734–1802
[Small Sketchbook]
1784
51
George Romney, 1734–1802
[Small Sketchbook]
1784
52
George Romney, 1734–1802
[Small Sketchbook]
1784
53
George Romney, 1734–1802
[Small Sketchbook]
1784
54
George Romney, 1734–1802
[Small Sketchbook]
1784
55
George Romney, 1734–1802
[Small Sketchbook]
1784
56
George Romney, 1734–1802
[Small Sketchbook]
1784
57
George Romney, 1734–1802
[Small Sketchbook]
1784
58
George Romney, 1734–1802
[Small Sketchbook]
1784
59
George Romney, 1734–1802
[Small Sketchbook]
1784
60
George Romney, 1734–1802
[Small Sketchbook]
1784
61
George Romney, 1734–1802
[Small Sketchbook]
1784
62
George Romney, 1734–1802
Lady Leaning on a Column: (Possibly a Sketch for "Miss Woodley")
undated
63
George Romney, 1734–1802
Samson Overpowered
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64
George Romney, 1734–1802
Prison Scene
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65
George Romney, 1734–1802
Muscious Scaevola
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66
George Romney, 1734–1802
Noah's Children Rejoicing
undated
67
George Romney, 1734–1802
Satan Presiding over Hell
undated
68
George Romney, 1734–1802
Demonic Attack for the Temptation of Christ
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69
George Romney, 1734–1802
Slight Group of Figures
undated
70
George Romney, 1734–1802
Standing Male Figure
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71
George Romney, 1734–1802
Mythological Group of Women and Children
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72
George Romney, 1734–1802
Studies of a Seated Woman
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73
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
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74
George Romney, 1734–1802
Studies for the Head of a Lady (Studies of a Woman's Head)
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75
George Romney, 1734–1802
Howard Visiting a Prison
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76
George Romney, 1734–1802
Female Figures
undated
77
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
78
Richard Morris, active 1830
Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
ca. 1831
79
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
80
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
81
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
82
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
83
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
84
Henry William Burgess, active 1809–1860
Interior of a Coppersmith's, Shoe Lane
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85
Dante Gabriel Rossetti, 1828–1882
Miss Elizabeth Siddal
between 1854 and 1855
86
Paul Sandby, 1731–1809
Portrait of a Lady at a Drawing Table
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87
Paul Sandby, 1731–1809
The Misses Sandby of Norwich
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88
Cornelius Varley, 1781–1873
A Horse pulling a Drag
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89
Cornelius Varley, 1781–1873
Landscape with Castle
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90
John Varley, 1778–1842
Trees Overhanging a River
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91
John Varley, 1778–1842
The Fisherman
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92
John Varley, 1778–1842
A Romantic Landscape
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93
James Ward, 1769–1859
An Outhouse Wall
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94
James Ward, 1769–1859
Studies after Anthony van Dyck's Portrait of Arthur Goodwin
1825
95
James Ward, 1769–1859
Sky Study
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96
Joseph Wilton, 1722–1803
A Study of Agostino Cornacchini's Statue of Charlemagne, St. Peter's Basilica, Rome