An Illustration of H. Bunbury ('Geoffrey Gambado'), "An Academy for Grown Horsemen: 'A Bit of Blood'
undated
2704
Harold Hitchcock, born 1914
Thundersley
1977
2705
Edward Duncan, 1803–1882
Wild Duck Shooting
1825
2706
attributed to Peter DeWint, 1784–1849
Three Cart-Horses in Traces
undated
2707
Edward Duncan, 1803–1882
Pheasant Shooting
1825
2708
Sawrey Gilpin, 1733–1807
Two Riders Conversing
undated
2709
George Jones, 1786–1869
Figures on an Elephant and Other Elephant Studies
undated
2710
Attributed to Inigo Jones, 1573–1652
A Plumed Saddle-Horse
ca. 1640
2711
Sir Edwin Henry Landseer, 1802–1873
The Deer-Stalker, Oct. 15, 1852
1852
2712
Sir Edwin Henry Landseer, 1802–1873
Sportsman and Two Dogs
undated
2713
John Linnell, 1792–1882
Studies of Horses, Men and Carriages
1811
2714
Thomas Rowlandson, 1756–1827
A Crowded Race Meeting
between 1805 and 1810
2715
Thomas Rowlandson, 1756–1827
Evading the Toll
between 1805 and 1810
2716
Thomas Rowlandson, 1756–1827
The Military Adventures of Johnny Newcome
undated
2717
Thomas Rowlandson, 1756–1827
The Annual Sculling Race for Doggett's Coat and Badge
between 1805 and 1810
2718
Thomas Ross, active from 1753
Figures, Horses and Cows
undated
2719
Thomas Rowlandson, 1756–1827
An English Postilion
ca. 1785
2720
John Michael Rysbrack, 1694–1770
Two Horses' Heads
undated
2721
James Seymour, 1702–1752
A Hare Running, with Ears Pricked
undated
2722
James Seymour, 1702–1752
A Hare Running, with Ears Laid Back
undated
2723
James Seymour, 1702–1752
A Racehorse, Bridled and Saddled
undated
2724
James Seymour, 1702–1752
'The Danish Horse' in Training: Standing, with Trainer Holding a Whip
undated
2725
James Seymour, 1702–1752
Rider in Armour
undated
2726
James Seymour, 1702–1752
Sir Sidney Meadows Schooling a Horse
undated
2727
James Seymour, 1702–1752
Two Horses Trotting in Harness
undated
2728
James Seymour, 1702–1752
Riders and Hounds in an Open Landscape
undated
2729
Sir Edwin Henry Landseer, 1802–1873
A Hunting Accident
1836
2730
James Seymour, 1702–1752
Sketches of a Gelding
undated
2731
James Seymour, 1702–1752
A Boar Hunt
undated
2732
James Seymour, 1702–1752
Rider on a Horse, Rearing to Left
undated
2733
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
2734
James Seymour, 1702–1752
Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left
undated
2735
James Seymour, 1702–1752
Kindly, with Jockey Up
undated
2736
James Seymour, 1702–1752
Foxhunter, with Jockey Up
undated
2737
James Seymour, 1702–1752
Coursing - After the Kill
undated
2738
James Seymour, 1702–1752
Woman Wearing a Tricorne Hat, Riding to Right
undated
2739
James Seymour, 1702–1752
Conqueror Going to Start
undated
2740
James Seymour, 1702–1752
Saddled Horse, with a Crest Branded on His Flank, Walking to Right
undated
2741
James Seymour, 1702–1752
Hind Legs and Tail of a Horse
undated
2742
Sir David Wilkie, 1785–1841
Two Riders Seen from Behind, Oct. 10, 1822
1822
2743
Possibly Henry Thomas Alken, 1785–1851
H. Grant on Horseback
undated
2744
Henry Thomas Alken, 1785–1851
Wild Duck Shooting
undated
2745
Henry William Bunbury, 1750–1811
A Travelling Coach and Pair
undated
2746
William Byron, fourth Baron Byron, 1669–1736
View of a Park with Deer
undated
2747
Thomas Daniell, 1749–1840
Preparing for a Hunt at Selhurst Park, Nov. 14, 1796
1796
2748
Henry Thomas Alken, 1785–1851
Jumping a Double Oxer - A Rider in Difficulties
undated
2749
Henry Thomas Alken, 1785–1851
Jumping a Wooden Fence
undated
2750
unknown artist
Eagle on a Perch
ca. 1800
2751
unknown artist
Tattersall's Training School
1771
2752
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'
undated
2753
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'
undated
2754
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'
undated
2755
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
undated
2756
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'
undated
2757
Henry Thomas Alken, 1785–1851
Foxhunting: Drawing a Cover
undated
2758
Henry Thomas Alken, 1785–1851
Foxhunting: Gone Away
undated
2759
Henry Thomas Alken, 1785–1851
Foxhunting: The Death
undated
2760
Henry Thomas Alken, 1785–1851
Foxhunting: The Refreshment
undated
2761
Samuel Alken, 1756–1815
Stag Hunting - The Meet: a Hind Released From a Van.
undated
2762
Samuel Alken, 1756–1815
Stag Hunting - The Hind at Bay: In a Mill-Stream Below a Water-Mill, Right..
undated
2763
Samuel Alken, 1756–1815
Stag Hunting - Full Cry: the Stag Hounds Tear Down a Slop at Right..
undated
2764
Sawrey Gilpin, 1733–1807
A Group of Five Horses Fighting
undated
2765
Sawrey Gilpin, 1733–1807
Hunting: The Meet
undated
2766
Sawrey Gilpin, 1733–1807
Frightened Horse Tied to a Post
undated
2767
Samuel Henry Gordon Alken, 1810–1894
Riders Taking a Fence
undated
2768
Sir Francis Grant, 1803–1878
Self-Portrait, Hunting: in a Scarlet Coat and Tall Hat
ca. 1821
2769
Sawrey Gilpin, 1733–1807
Hounds Followed by Three Riders
undated
2770
Sir Francis Grant, 1803–1878
Back View of Stout Rider on a Chestnut Horse
undated
2771
Samuel Howitt, 1756–1822
Rider Leading a Second Horse, Leaving the Grounds of a Country House
undated
2772
James Smetham, 1821–1889
Cutting Reviews
undated
2773
James Ward, 1769–1859
Lea Castle from above the Woods
1814
2774
Francis Towne, 1740–1816
Modern Bridge at Narni
1795
2775
Walter Richard Sickert, 1860–1942
Auberville
undated
2776
Francis Towne, 1740–1816
Windermere at Sunset
1786
2777
Francis Towne, 1740–1816
Lake Windermere
1786
2778
Francis Towne, 1740–1816
On the Side of the Rhine near the Source, Light Coming from the Right
undated
2779
Print made by John Doyle ('H.B.'), 1797–1868
Alarming Case of Indigestion: The Doctor Called In
1847
2780
Print made by John Doyle ('H.B.'), 1797–1868
A Fancy Ball, Winding up with Sir Roger de Coverley, in Appropriate Costume
1846
2781
Print made by John Doyle ('H.B.'), 1797–1868
Unhappy Ghosts Wandering on the Banks of Styx, while Charon in his Boat Ferries over the Elect to the Elysian Fields
1847
2782
Print made by John Doyle ('H.B.'), 1797–1868
A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"
1847
2783
Print made by John Doyle ('H.B.'), 1797–1868
Rowing in the Same Boat: Something Wrong at the Bottom... Weather Rather Squally
1848
2784
Print made by John Doyle ('H.B.'), 1797–1868
A Brummagem Don Quixote, Meditating his Grand Attack Upon the Leading Giant
1847
2785
Print made by John Doyle ('H.B.'), 1797–1868
The State Wagon in Difficulties
1847
2786
Print made by John Doyle ('H.B.'), 1797–1868
The Old Donkey Turned Restive at Last
1848
2787
Print made by John Doyle ('H.B.'), 1797–1868
An Old Coast Guard, Looking Out... A Strange Sail on the Horizon
1848
2788
Print made by John Doyle ('H.B.'), 1797–1868
Another Saint Sebastian, Shot at by Cruel Archers
1847
2789
Print made by John Doyle ('H.B.'), 1797–1868
Common Sense Versus Precedent
1848
2790
Print made by John Doyle ('H.B.'), 1797–1868
Materials for a Strong and Adhesive Government: A peep into the Lobby, on the Occasion of a Late Division
1848
2791
Print made by John Doyle ('H.B.'), 1797–1868
The Harpies Attacking the Daughters of Pandarus
1848
2792
Print made by John Doyle ('H.B.'), 1797–1868
The (Modern) Deluge
1848
2793
Print made by John Doyle ('H.B.'), 1797–1868
The Rivals: Extremes Meet
1848
2794
Print made by John Doyle ('H.B.'), 1797–1868
A Scene From the Farce of "The Critic," a Little Altered
1848
2795
Print made by John Doyle ('H.B.'), 1797–1868
A Strong Case for Shortening the Hours of Labour
1848
2796
Print made by John Doyle ('H.B.'), 1797–1868
A Parliamentary "Souvenir"
1848
2797
Print made by John Doyle ('H.B.'), 1797–1868
The Sibyl Presenting the Mysterious Writings to Tarquin, Who "With Gay Audacity" Rejects the Proferred Treasure
1849
2798
Print made by John Doyle ('H.B.'), 1797–1868
"Concert Monstre" of "Musical Congress" Extraordinary!
1849
2799
Print made by John Doyle ('H.B.'), 1797–1868
The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success
1847
2800
Print made by John Doyle ('H.B.'), 1797–1868
Breaking Cover, Desperate Struggle for the Lead, Consequences of Leaping Short