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Materials & Techniques brown ink

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George Arnald Meuse and Sambre, from the Gate of the Sambre
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
Richard Earlom View of a Sea Port
Print made by Richard Earlom, 1743–1822
View of a Sea Port
1774
Richard Earlom Scene of a Storm, with a Vessel Wrecked
Print made by Richard Earlom, 1743–1822
Scene of a Storm, with a Vessel Wrecked
1774
Richard Earlom Vulcan's Forge
Print made by Richard Earlom, 1743–1822
Vulcan's Forge
1802
Richard Earlom View with several Vessels lying close to the Shore
Print made by Richard Earlom, 1743–1822
View with several Vessels lying close to the Shore
1774
George Arnald Left Bank, Meuse
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
George Arnald Choquer
Print made by George Arnald, 1763–1841
Choquer
1821
John Doyle ('H.B.') A Strong Case for Shortening the Hours of Labour
Print made by John Doyle ('H.B.'), 1797–1868
A Strong Case for Shortening the Hours of Labour
1848
John Doyle ('H.B.') Supposed Colloquy between a Top Sawyer and his Brother Labourer
Print made by John Doyle ('H.B.'), 1797–1868
Supposed Colloquy between a Top Sawyer and his Brother Labourer
1843