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Materials & Techniques brown ink
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1
- Ivy Cottage, Shoreham
- undated
2
- A Shepherd and his Flock under the Moon and Stars
- ca. 1827
3
- A Recollection of the New R.A
- 1837
4
- Grotesque Male Head
- undated
5
- Young Anglers
- 1811
6
- The Straw Yard
- 1808
7
- High Street, Edinburgh
- ca. 1818
8
- Colósaneh, 5:45 - 6:00 p.m., January 3, 1867 (62)
- 1867
9
- Howatke
- 1867
10
- El Areesh
- 1867
11
- Pettenasco, Lago d'Orta
- 1867
12
- Boats
- 1867
13
- Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)
- 1867
14
- Pettenasco, Lago d'Orta
- 1867
15
- Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)
- 1867
16
- Greek Woodcutter, June 13 /56
- 1856
17
- Near Suez, evening, 15 January 1849 (43)
- 1849
18
- Near Suez, 1 pm, 16 January 1849 (48)
- 1849
19
- Outside the Walls of Suez, 8:30 a.m., 17 January 1849 (54)
- 1849
20
- Opposite Beni Hassan
- 1867
21
- Gebel Sheikh Eredi
- 1867
22
- Qaw el Kebir
- 1867
23
- A Dry Halfeh Grass
- 1867
24
- Near Korosko
- 1867
25
- Wady Halfeh
- 1867
26
- Boats on the Nile
- 1867
27
- Near Dishna
- 1867
28
- Boats on the Nile
- 1867
29
- Near Bajoura
- 1867
30
- Shelaal
- 1867
31
- Studies of Camels
- January to April 1867
32
- Sketch studies of camels
- January to April 1867
33
- Study of an Egyptian Man on a Camel
- 1867
34
- Zereeba, near Belbeis
- 1867
35
- Belbeis
- 1867
36
- Salahiyeh
- 1867
37
- Kurayim
- 1867
38
- Between Bir El Abt
- 1867
39
- Avenue of Trees
- 1867
40
- Studies of Camels and Egyptian Men
- 1867
41
- Egpytian Man on Camel
- 1867
42
- Study of figures and a camel
- 1867
43
- Opposite Kom Ombos Abu Jer
- 1867
44
- Near Belbeis
- 1867
45
- El Ousta
- 1854
46
- Sheikh El Wachshee, El Luxor
- 1867
47
- Below Rabat, Malta
- 1866
48
- Harb. Gozo
- 1866
49
- Two Standing Figures
- undated
50
- Study of the Head of a Young Man
- undated
51
- Figure Composition Study 18
- undated
52
- Figure Study 8
- undated
53
- Figure Composition Study 25
- undated
54
- Study of Two Figures and a Face
- undated
55
- Figure Study 10
- undated
56
- Seated Woman
- undated
57
- Seated Woman: Possibly Mrs. Harris
- undated
58
- Seated Woman
- undated
59
- Shepherdess Cutting an Inscription on a Tree
- undated
60
- Crowd before a Prophetess
- undated
61
- Sketches for Languid and Prostrate Figures
- undated
62
- Seated Woman
- undated
63
- Reclining Figures
- undated
64
- Prison Scene
- undated
65
- Classical Male Nude with a Rearing Horse
- undated
66
- Seated Woman, Possibly Mrs. Hayley
- undated
67
- Horseman of Montecavallo
- between 1773 and 1774
68
- Seated Man and Seated Woman
- undated
69
- Seated Woman: Three Poses
- undated
70
- Seated Woman
- undated
71
- Seated Woman: Three Studies
- undated
72
- Seated Woman: Three Poses
- undated
73
- Seated Woman, Two Studies
- undated
74
- Seated and Half-Kneeling Woman
- undated
75
- Studies for Portraits of a Man and of a Woman
- undated
76
- Seated and Standing Figures
- undated
77
- Women Dancing
- undated
78
- Seated Woman, Lightly Draped
- undated
79
- Seated Woman, Possibly Mrs. Harris
- undated
80
- Seated Woman, Possibly Mrs. Harris
- undated
81
- Seated Woman
- undated
82
- Mother and Child
- undated
83
- Prison Scene
- undated
84
- Prison Scene
- undated
85
- A Man with a Horse, Possibly Ward Thomas
- undated
86
- Mrs. Shelley (So-called)
- undated
87
- Prison Scene
- undated
88
- The Two Friends
- undated
89
- Woman at a Column
- undated
90
- Tom Hayley and William Meyer
- between 1749 and 1802
91
- Two Nude Children
- undated
92
- Prison Scene
- undated
93
- Sketch for the Portrait of a Lady
- undated
94
- Couple Examining a Book
- undated
95
- Humorous Family Scene
- undated
96
- Classical Composition
- undated
97
- Classical Composition
- undated
98
- Figures Harvesting
- undated
99
- Evening with a Procession of Choir Boys Walking Towards Westminster Abbey
- undated
100
- Gate Toward Bursit, Aix-la-Chappelle
- 1785