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1. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink, with graphite; touched engraver's proof (d) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 7/8 × 14 inches (27.6 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Drawing of the Clyde

The Drawing of the Clyde
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1809
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 1/8 inches (26.7 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3. Rocky Valley of Mosta, Malta, 2:15 p.m. (April 3, 1866)

Rocky Valley of Mosta, Malta, 2:15 p.m. (April 3, 1866)
Creator:
Edward Lear, 1812–1888
Date:
1866
Materials & Techniques:
Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 x 14 1/4 inches (24.4 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968

4. The Essex Chantry, Watford Church

The Essex Chantry, Watford Church
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1820
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 3/16 × 14 1/4 inches (46.2 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Design for a Monument to the Duke of Wellington

Design for a Monument to the Duke of Wellington
Creator:
Charles Heathcote Tatham, 1772–1842
Date:
undated
Materials & Techniques:
Pen and brown ink and watercolor on slightly textured, medium, white wove paper and slightly textured, medium, brown laid paper
Dimensions:
Sheet: 5 1/2 × 12 3/4 inches (14 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Moses and the Brazen Serpent - Design for the chapel at Dunster Castle

Moses and the Brazen Serpent - Design for the chapel at Dunster Castle
Creator:
Sir James Thornhill, 1675–1734
Date:
ca. 1723
Materials & Techniques:
Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 x 14 1/8 inches (22.9 x 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Argyll Concert Rooms, Regent Street, London: Elevation

Argyll Concert Rooms, Regent Street, London: Elevation
Creator:
George Stanley Repton, 1786–1858
Date:
ca. 1819
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 x 14in. (22.2 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Stables at Hinton St. George, Somerset: Plan

Stables at Hinton St. George, Somerset: Plan
Creator:
James Wyatt, 1746–1813
Date:
undated
Materials & Techniques:
Pink wash on graphite, pen and brown and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 22 3/8 × 14 1/4 inches (56.8 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Hinton St. George, Somerset: Plan of the Principal Story

Hinton St. George, Somerset: Plan of the Principal Story
Creator:
James Wyatt, 1746–1813
Date:
undated
Materials & Techniques:
Pink wash, graphite, pen and black and brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 22 3/4 x 14 inches (57.8 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Female Dancers

Female Dancers
Creator:
Robert Mabon, died 1798
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and black ink, and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 14 inches (24.8 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Studies for Shylock

Studies for Shylock
Creator:
Richard Parkes Bonington, 1802–1828
Date:
1825
Materials & Techniques:
Pen and brown ink on thin, slightly textured, cream laid paper joined to thin, slightly textured, cream laid paper, mounted on card
Dimensions:
Mount: 15 × 18 7/8 inches (38.1 × 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Cobham Hall, Kent: Section of the Audit Room at Earl Darnley's

Cobham Hall, Kent: Section of the Audit Room at Earl Darnley's
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, blue and gray wash, pen and brown and black ink on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 19 3/4 x 14 1/4 inches (50.2 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Study for The Wedding Feast of Sir Degrevaunt

Study for The Wedding Feast of Sir Degrevaunt
Creator:
Edward Burne-Jones, 1833–1898
Date:
undated
Materials & Techniques:
Pen and brown ink and graphite on thick, moderately textured, cream wove paper
Dimensions:
Mount: 15 1/4 × 17 7/8 inches (38.7 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

14. Mausolio d'Haliatte in Faccia a Sardes

Mausolio d'Haliatte in Faccia a Sardes
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 1/16 x 21 7/16 inches (38.3 x 54.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. View of Artaki (now Erduk)

View of Artaki (now Erduk)
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 1/16 x 21 15/16 inches (38.2 x 55.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Temple of Minerva Medica, Rome

Temple of Minerva Medica, Rome
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and brown ink and brown wash on medium, moderately textured cream laid paper mounted on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 6 1/2 × 10 inches (16.5 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

17. Wooded Upland Landscape with Riders and Packhorse

Wooded Upland Landscape with Riders and Packhorse
Creator:
Print made by Thomas Gainsborough, 1727–1788
Date:
1797
Materials & Techniques:
Mezzotint and drypoint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 18 3/8 inches (35.9 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Some Have Greatness Thrust Upon Them

Some Have Greatness Thrust Upon Them
Creator:
George Denholm Armour, 1864–1949
Date:
undated
Materials & Techniques:
Watercolor, graphite, and gouache, with pen and brown ink on linen
Dimensions:
Sheet: 19 5/8 × 14 1/8 inches (49.8 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The 'Royal' Coach Outside the White Lion Inn

The 'Royal' Coach Outside the White Lion Inn
Creator:
William Evans of Bristol, 1809–1858
Date:
ca. 1845
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Mount: 13 1/16 × 17 3/8 inches (33.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. A Hay Wagon Drawn by Four Horses

A Hay Wagon Drawn by Four Horses
Creator:
Charles Cooper Henderson, 1803–1877
Date:
undated
Materials & Techniques:
Watercolor, with pen, in brown ink, over graphite with traces of, white gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Mount: 9 7/8 × 14 inches (25.1 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Earthquake Scare in Piccadilly

The Earthquake Scare in Piccadilly
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
1750
Materials & Techniques:
Pen and brown ink, graphite, and brown wash on medium, moderately textured, cream laid paper
Dimensions:
Mount: 10 5/8 × 16 1/2 inches (27 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. A Horseman and Other Figures at a Race-Course

A Horseman and Other Figures at a Race-Course
Creator:
Raphael Lamar West, 1769–1850
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 13 5/8 × 16 15/16 inches (34.6 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. A Race on the Knavesmire at York

A Race on the Knavesmire at York
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and gray ink on thick, slightly textured, brown wove paper
Dimensions:
Sheet: 8 1/2 x 14 inches (21.6 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Near Hackney

Near Hackney
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 17 7/8 x 14 1/8 inches (45.4 x 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Temple of Jupiter in the Island of Aegina

The Temple of Jupiter in the Island of Aegina
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1920
Materials & Techniques:
Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 14 inches (27 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Crowhurst, Sussex

Crowhurst, Sussex
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1902
Materials & Techniques:
Etching, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/2 × 14 1/4 inches (26.7 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof

Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black and brown ink and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/4 x 14 inches (54 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Cobham Hall, Kent: Unidentified Plan

Cobham Hall, Kent: Unidentified Plan
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, gray wash, pen and black and brown ink on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 16 1/4 × 14 inches (41.3 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Boschbeek & Gorenendaal: View from Turret towards fin du Haarlemmesmeer, Leiden, Bennenbrock, and Hillegom

Boschbeek & Gorenendaal: View from Turret towards fin du Haarlemmesmeer, Leiden, Bennenbrock, and Hillegom
Creator:
Gerrit Jan Schouten, Born 1815
Date:
undated
Materials & Techniques:
Graphite, pen and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 5 5/8 × 14 1/8 inches (14.3 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Three Figure Studies

Three Figure Studies
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, brown wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Image: 9 1/8 × 14 inches (23.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Capriccio of a Venetian Courtyard

Capriccio of a Venetian Courtyard
Creator:
Follower of Canaletto, 1697–1768
Date:
undated
Materials & Techniques:
Pen and brown ink, gray wash and graphite on thick, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 10 x 14 1/4 inches (25.4 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. The Chapel at Wakefield Bridge, Yorkshire

The Chapel at Wakefield Bridge, Yorkshire
Creator:
Richard Thomas Underwood, 1772–1835
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 14 inches (25.4 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Margate

Margate
Creator:
William Callow, 1812–1908
Date:
1849
Materials & Techniques:
Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 1/4 x 14 3/16 inches (26 x 36 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. The Vale of Llangollen

The Vale of Llangollen
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Pen and brown ink with graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 1/2 x 14 1/4 inches (19.1 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. The Funeral of the Duke of Wellington

The Funeral of the Duke of Wellington
Creator:
Sir John Everett Millais, 1829–1896
Date:
1852
Materials & Techniques:
Pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 14 inches (25.4 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. The Blind Man

The Blind Man
Creator:
Sir John Everett Millais, 1829–1896
Date:
1853
Materials & Techniques:
Pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 14 inches (25.4 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

37. Portrait of the Artist's Dromedary

Portrait of the Artist's Dromedary
Creator:
Elijah Walton, 1832–1880
Date:
1862
Materials & Techniques:
Watercolor, graphite, and pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 14 inches (25.4 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. A British Encampment

A British Encampment
Creator:
Dirk Langendyck, 1748–1805
Date:
1799 to 1801
Materials & Techniques:
Watercolor, pen and brown ink, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 9/16 x 14 5/16in. (24.3 x 36.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Cavalrymen Passing Through a Stream, Being Mustered by a Trumpeter

Cavalrymen Passing Through a Stream, Being Mustered by a Trumpeter
Creator:
John Augustus Atkinson, 1775–1831
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 14 1/4 inches (22.5 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Views in the Levant: View of a Harbour and Town From the Sea, Turkey

Views in the Levant: View of a Harbour and Town From the Sea, Turkey
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 14 1/8 inches (19.1 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Domestic Interior

Domestic Interior
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and brown ink and gray wash over graphite on medium, slightly textured, cream laid paper mounted on thick, rough, beige wove paper
Dimensions:
Mount: 10 1/2 × 14 inches (26.7 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

42. A Strong Case for Shortening the Hours of Labour

A Strong Case for Shortening the Hours of Labour
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 15/16 x 18 1/8 inches (30.4 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. The (Modern) Deluge

The (Modern) Deluge
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 18 1/16 inches (30.5 x 45.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. A Bridge Between Florence and Bologna

A Bridge Between Florence and Bologna
Creator:
Francis Towne, 1740–1816
Date:
1781
Materials & Techniques:
Watercolor and black and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 x 8 3/8 inches (15.6 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Embarkation at Southampton, June 20th 1794

Embarkation at Southampton, June 20th 1794
Creator:
Thomas Rowlandson, 1756–1827
Date:
1794
Materials & Techniques:
Watercolor and pen and brown, gray, and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 6 9/16 x 14 inches (16.7 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. The Paris Diligence

The Paris Diligence
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black, gray and red-brown ink over graphite; verso: graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/16 x 14 1/8 inches (23.3 x 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Figure Study

Figure Study
Creator:
Augustus Edwin John, 1878–1961
Date:
undated
Materials & Techniques:
Pen and brown ink and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 14 inches (25.4 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Estate of Brian Sewell

48. Banqueting House, Whitehall: Front Elevation

Banqueting House, Whitehall: Front Elevation
Creator:
Thomas Forster, ca. 1677–after 1712
Date:
undated
Materials & Techniques:
Graphite, pen and brown ink, and gray wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 10 3/8 x 14 inches (26.4 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. View of Antwerp Cathedral

View of Antwerp Cathedral
Creator:
Thomas Sidney Cooper, 1803–1902
Date:
undated
Materials & Techniques:
Graphite, brown wash, pen and brown ink on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 20 3/8 × 14 1/4 inches (51.8 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

50. Ross Castle

Ross Castle
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. On the Killarney Road Leading to Ross Castle, 4 September 1841

On the Killarney Road Leading to Ross Castle, 4 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. On the Killarney Road Leading to Ross Castle, 4 September 1841

On the Killarney Road Leading to Ross Castle, 4 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Innisfallen Island, 4 September 1841

Innisfallen Island, 4 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. O'Donoghue's Prison, 4 September 1841

O'Donoghue's Prison, 4 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Lower Lake Killarney, from Lord Kenmare's Grounds, September 1841

Lower Lake Killarney, from Lord Kenmare's Grounds, September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Ross Castle, Mouse Island, 4 September 1841

Ross Castle, Mouse Island, 4 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Eagles' Nest, Killarney

Eagles' Nest, Killarney
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. The Rapids between the Upper and Lower Lakes of Killarney, September 1841

The Rapids between the Upper and Lower Lakes of Killarney, September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Eagles' Nest Mountain

Eagles' Nest Mountain
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Commencement of the Rapids Taken from the Bridge, September 1841

Commencement of the Rapids Taken from the Bridge, September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Man of War Rock, Upper Lake Killarney, 4 September 1841

Man of War Rock, Upper Lake Killarney, 4 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. The Lower Lake from Lord Kenmare's Ground, Killarney, 4 September 1841

The Lower Lake from Lord Kenmare's Ground, Killarney, 4 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Kenmare Road Tunnel, Killarney

Kenmare Road Tunnel, Killarney
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. From Above the Tunnel on the Kenmare Road, 4 September 1841

From Above the Tunnel on the Kenmare Road, 4 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Part of the Killarney Lake between the Upper and Lower Lakes

Part of the Killarney Lake between the Upper and Lower Lakes
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. River Laune from the High Road from Killarney & Aghadoe, 6 September 1841

River Laune from the High Road from Killarney & Aghadoe, 6 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Black Stream Bridge, 6 September 1841

Black Stream Bridge, 6 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Gowland's Cascade, Gap of Dunloh, 6 September 1841

Gowland's Cascade, Gap of Dunloh, 6 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Bull Mountain and the Hare's Bridge

Bull Mountain and the Hare's Bridge
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Innisfallen Abbey, 4 September 1841

Innisfallen Abbey, 4 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. The Lower Lake from Lord Kenmare's, Killarney, September 1841

The Lower Lake from Lord Kenmare's, Killarney, September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Near the Tunnel on the Kenmare Road, Killarney, 4 September 1841

Near the Tunnel on the Kenmare Road, Killarney, 4 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. On the Road Between Aghadoe and Dunloh, Killarney, September 1841

On the Road Between Aghadoe and Dunloh, Killarney, September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Ross Castle, Killarney, September 1841

Ross Castle, Killarney, September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. The Lower Lake from the High Road Between Aghadoe & the Gap of Dunloh, 6 September 1841

The Lower Lake from the High Road Between Aghadoe & the Gap of Dunloh, 6 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Taken From the Dunloh Road, 6 September 1841

Taken From the Dunloh Road, 6 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Entrance to the Gap of Dunloh, Killarney, 6 September 1841

Entrance to the Gap of Dunloh, Killarney, 6 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Black Stream Bridge, Gap of Dunlow, 6 September 1841

Black Stream Bridge, Gap of Dunlow, 6 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. First View of Gowlan Cascade in Ye Gap of Dunloh, 6 September 1841

First View of Gowlan Cascade in Ye Gap of Dunloh, 6 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Lown Bridge Leading to the Gap of Dunloh

Lown Bridge Leading to the Gap of Dunloh
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. The Purple Mountains, 6 September 1841

The Purple Mountains, 6 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Looking South From the Black Stream Bridge, 6 September 1841

Looking South From the Black Stream Bridge, 6 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Looking North from Black Stream Bridge, 6 September 1841

Looking North from Black Stream Bridge, 6 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Ash Valley Lake in the Gap of Dunloh, September 1841

Ash Valley Lake in the Gap of Dunloh, September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Augur's Lake, Gap of Dunloh, 6 September 1841

Augur's Lake, Gap of Dunloh, 6 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Bull Mountain and Ash Valley Lake in the Gap of Dunloh, September 1841

Bull Mountain and Ash Valley Lake in the Gap of Dunloh, September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. The Turnpike, 6 September 1841

The Turnpike, 6 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite; verso: graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Augur's Lake, Gap of Dunloh

Augur's Lake, Gap of Dunloh
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Augur's Lake, September 1841

Augur's Lake, September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Longleat from Park Hill

Longleat from Park Hill
Creator:
Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:
undated
Materials & Techniques:
Gray wash, pen and gray ink, brown ink, black ink, graphite, gouache, and scratching out on moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 13 5/8 × 17 1/8 inches (34.6 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. The Three Sisters

The Three Sisters
Creator:
Benjamin West, 1738–1820
Date:
1783
Materials & Techniques:
Watercolor with pen and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 3/16 x 11 inches (36 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Peter Arms Wick

92. Study for Dinner in Mote Park, Maidstone after the Royal Review of the Kentish Volunteers on 1st August 1799

Study for Dinner in Mote Park, Maidstone after the Royal Review of the Kentish Volunteers on 1st August 1799
Creator:
William Alexander, 1767–1816
Date:
undated
Materials & Techniques:
Brown ink over graphite on thick, smooth, beige wove paper
Dimensions:
Sheet: 8 1/2 x 14 inches (21.6 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

93. Sketch of the Deposition

Sketch of the Deposition
Creator:
Augustus Edwin John, 1878–1961
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 10 1/8 × 14 1/8 inches (25.7 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948

94. Bellinzona from the Road to Locarno

No cover image available
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896-1897
Materials & Techniques:
Aquatint printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 14 inches (25.1 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. St. Mary Redcliffe, Bristol

No cover image available
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1888
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 14 1/8 inches (25.4 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Sketches in Syria, Euphrates Expedition: Title Page

No cover image available
Creator:
Robert Cockburn, 1812–1836
Date:
1835-1836
Materials & Techniques:
Pen and brown ink on thick, slightly textured, cream paperboard with gilded edges
Dimensions:
Sheet: 18 × 14 inches (45.7 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Design for a Doorway

No cover image available
Creator:
John Yenn, 1750–1821
Date:
1781
Materials & Techniques:
Pen and black and brown ink and watercolor on slightly textured, moderately thick, cream laid paper
Dimensions:
Sheet: 21 × 14 1/4 inches (53.3 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Pastoral Scene

No cover image available
Creator:
Antonio Zucchi, 1725–1795
Date:
undated
Materials & Techniques:
Pen and brown ink and brown wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 3/8 × 14 1/4 inches (26.4 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Hinton St. George, Somerset: Plan of the Garden

No cover image available
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and brown ink on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 20 11/16 × 14 inches (52.5 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection