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Materials & Techniques brown ink
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1
- Dawn
- between 1831 and 1832
2
- El Areesh
- 1867
3
- Desenzano
- 1867
4
- Seated Woman, Possibly Mrs. Harris
- undated
5
- A Pensive Lady
- undated
6
- A Man with a Horse, Possibly Ward Thomas
- undated
7
- Standing Female Figure
- undated
8
- Standing Figure with Arm Upraised and Seated Figure
- undated
9
- Head in Profile
- undated
10
- Manuscript Notes
- 1773
11
- Manuscript Notes
- 1773
12
- Manuscript Notes
- 1773
13
- Manuscript Notes
- 1773
14
- Manuscript Notes
- 1773
15
- Manuscript Notes
- 1773
16
- Manuscript Notes
- 1773
17
- Manuscript Notes
- 1773
18
- Manuscript Notes
- 1773
19
- Manuscript Notes
- 1773
20
- Manuscript Notes
- 1773
21
- Ancient Greek Inscriptions, Found on the Road Between Mystras and Leontari
- 1803
22
- Figure Study of a Woman
- undated
23
- Study of a Military Scene
- undated
24
- Landscape, with Watermill and River
- undated
25
- Study of a Veiled Woman
- undated
26
- Study of a Woman Wearing a Headdress
- undated
27
- Head Studies
- undated
28
- Head Study
- undated
29
- One of Four Sketches, of Ceilings, in the Vatican Gallery
- 1777 to 1778
30
- One of Four Sketches, of Ceilings, in the Vatican Gallery
- 1777 to 1778
31
- Illustration for The New Doll: How Pretty it Is
- undated
32
- Ilustration for The New Doll: Untitled
- 1825
33
- Study of Two Figures and Two Legs
- undated
34
- Old Tower, Leith
- undated
35
- Narbonne, France
- undated
36
- Scene of a Bacchanalia
- undated
37
- Feste, as Sir Topas, addressing Malvolio
- 1822
38
- Christopher Sly and the Page, as His Wife
- 1821
39
- Capulet Railing at his Daughter, Juliet
- 1825
40
- Ford in a Rage After Seeing Falstaff
- 1821
41
- Ferdinand Reunited with his Father
- 1821
42
- Master William Page and Sir Hugh Evans
- 1821
43
- Falstaff at Herne's Oak
- 1821
44
- Viola and Olivia
- 1822
45
- Malvolio abusing Maria, Fabian and Sir Toby
- 1822
46
- Katherina and Grumio
- 1821
47
- Lady Mortimer's Welsh Song
- 1825
48
- Study of a Woman, being Taken Away by a Winged Being
- undated
49
- Falstaff with Mistress Quickly and Bardolph
- 1825
50
- A Young Woman in a Pink Dress
- undated
51
- The Pursuit (Probably a Design for The Tyburn Chronicle)
- undated
52
- Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
- 1821
53
- Composition Study
- undated
54
- The Manse, Cults, Fife: The Artist's Old Home
- undated
55
- Two Girls Carrying a Basket
- undated
56
- Study of the Artist's Mother Sewing
- ca. 1776
57
- Young Girl Standing Barefoot
- ca. 1820
58
- Studies of Edith Holman Hunt
- undated
59
- Sioux Chieftain
- undated
60
- Portrait of Samuel Palmer, Head and Shoulders
- 1830
61
- Sara Hough, Mrs. T. P. Sandby's Nursery Maid
- ca. 1805
62
- Knight 'Titian'
- undated
63
- Landscape with Trees in Foreground
- between 1762 and 1783
64
- Plan of St. James's Market
- undated
65
- Studies from the Bust of Samuel Johnson
- undated
66
- Classical Study of Three Figures
- undated
67
- Two Prize Fighters
- ca. 1742
68
- Wentworth, Earl of Strafford
- undated
69
- Simon Eady of Northhampton, Opener of the Gospel
- undated
70
- Anne Page and Slender
- 1821
71
- Lysander Awakening to See Helena
- 1825
72
- Poulterer's Shop
- undated
73
- The Island of Portland
- undated
74
- Sketches of a Gelding
- undated
75
- Portrait of a Lady
- 1842 to 1843
76
- Study of a Male Nude
- undated
77
- Grotesque Maiden with Dog
- undated
78
- Illustration for- The New Doll: Untitled
- 1826
79
- Illustration for The New Doll: Sewing Clothes for the Doll
- 1825
80
- Study of a Male Nude
- undated
81
- Anatomical Study of a Horse
- undated
82
- A Dangerous Leap
- ca. 1850
83
- The Deer-Stalker, Oct. 15, 1852
- 1852
84
- Awful Protection Against Midges
- 1853
![Thomas Stothard February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)](https://media.collections.yale.edu/thumbnail/ycba/48b1ec09-041e-4bcd-b9e2-3707f3363a7e)
85
- February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
- undated
![Thomas Stothard August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)](https://media.collections.yale.edu/thumbnail/ycba/62eb7eb2-0cc1-44eb-b049-334872524376)
86
- August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
- undated
![Thomas Stothard April 1st: It is I your Host (Vol. 1, p. 199) April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)](https://media.collections.yale.edu/thumbnail/ycba/f8db807a-6d7f-48bc-910a-9b7ddb6f96f0)
87
- April 1st: It is I your Host (Vol. 1, p. 199) April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)
- undated
88
- December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343) December 2nd: Had There Perished Miserably (Vol. 3, p. 345)
- undated
89
- Gale of Winds
- undated
90
- North Foreland Lighthouse
- undated
91
- A Tug Vessel
- undated
92
- In Portsmouth Harbor
- undated
93
- November 1st: Where is My Lord of Leicester (Vol. 3, p. 164) November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)
- undated
94
- A Bit of Blood
- undated
95
- How to Ride Genteel and Agreeably Downhill
- undated
96
- Studies of facial features of a horse
- undated
97
- Doctor Ass (A Satire on the Law)
- undated
98
- Male Figure Raising Stone Slab
- undated
99
- Banditti
- undated
100
- Mill near Newbury
- undated