Materials & Techniques: brown ink / Date: 1817 / Height [cm]: 20

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Materials & Techniques brown ink

Date 1817

Height [cm] 20

John Thomas Smith, 1766–1833

The Smock Exposed

1817

John Thomas Smith, 1766–1833

Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

1817

John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

John Thomas Smith, 1766–1833

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

1817

John Thomas Smith, 1766–1833

The Reconcilation

1817

John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

John Thomas Smith, 1766–1833

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

1817

John Thomas Smith, 1766–1833

Hogarth at Old Slaughter's Hobbing with Highmore the Painter

1817

John Thomas Smith, 1766–1833

Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

1817

Samuel Howitt, 1756–1822

Honey-Badger

1817

Isaac Weld, 1774–1856

"After Pinnelli" (Group of Peasants Outside a House)

1817

Print made by Richard Earlom, 1743–1822

A Study

1817

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