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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
36
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
36
Easling, J. C., fl.1788–1815
8
Dunkarton, Robert, 1744–1811
5
Say, William, 1768–1834
5
Annis, William T., active 1798–1811
4
Clint, George, 1770–1854
3
Dawe, Henry E., 1790–1848
2
Lewis, Frederick Christian the Elder, 1779–1856
1
Date
1896
43
1812
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36
1811
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1808
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1813
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1816
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1819
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1891
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1920
6
1887
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1774
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1782
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1886
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1889
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1817
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1818
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1902
3
1760
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1778
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1785
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1789
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1802
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1810
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1815
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1822
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1883
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1885
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1897
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1725
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1743
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1759
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1800
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1814
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1837
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1856
1
1858
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1860
1
1864
1
1893
1
1906
1
1939
1
1977
1
On-site Access
Accessible by appointment in the Study Room
36
Image Use
Free to Use
36
Image Available
Available
36
Classification
Prints
36
Creator Gender
male
36
Collective Title
Liber Studiorum
36
Period
19th century
36
Materials & Techniques
brown ink
[remove]
36
etching (printing process)
36
mezzotint
35
wove paper
32
laid paper
4
Height [cm]
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18
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39
Width [cm]
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Current results range from
18
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45
Work Type
intaglio print
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36
frontispiece
1
Genre
landscape
25
architectural subject
11
marine art
6
religious and mythological subject
6
genre subject
4
animal art
2
literary theme
1
still life
1
Subject Terms
religious and mythological subject
6
death
5
landscape
4
arrow
3
moon
3
mother
3
mourning
3
riverbank
3
torch
3
Old Testament
2
alone
2
bodies
2
fire
2
hill
2
hunting dogs
2
sackcloth
2
sacrifice
2
skeletons
2
sons
2
tree
2
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Subject Terms
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Associated Places
Alps
3
Chamonix-Mont-Blanc
3
France
3
Haute-Savoie
3
Mer de Glace (glacier)
3
Mont Blanc
3
Rhône-Alpes
3
Israel
1
Jerusalem
1
Associated People
Cephalus
3
Procris
3
Rispah
2
Rizpah
1
Exhibition History
Ruskin - Past: Present: Future (Yale Center for British Art, 2000-01-20 - 2000-02-27)
2
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
2
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
2
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
34
Yale Center for British Art, Paul Mellon Fund
2
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Materials & Techniques
brown ink
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Date
1812
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intaglio print
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1
Etched by Joseph Mallord William Turner, 1775–1851
River Wye
1812
2
Etched by Joseph Mallord William Turner, 1775–1851
Chain of Alps from Grenoble to Chamberi
1812
3
Etched by Joseph Mallord William Turner, 1775–1851
Rivaux Abbey, Yorkshire
1812
4
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Mer de Glace, Valley of Chamouni, Savoy
1812
5
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Mer de Glace, Valley of Chamouni, Savoy
1812
6
Etched by Joseph Mallord William Turner, 1775–1851
Chain of Alps from Grenoble to Chamberi
1812
7
Etched by Joseph Mallord William Turner, 1775–1851
Chain of Alps from Grenoble to Chamberi
1812
8
Etched by Joseph Mallord William Turner, 1775–1851
Rivaux Abbey, Yorkshire
1812
9
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Mer de Glace, Valley of Chamouni, Savoy
1812
10
Etched by Joseph Mallord William Turner, 1775–1851
River Wye
1812
11
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
12
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Calm
1812
13
Etched by Joseph Mallord William Turner, 1775–1851
Winchelsea, Sussex
1812
14
Etched by Joseph Mallord William Turner, 1775–1851
Scene in the Campagna
1812
15
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Crypt of Kirkstall Abbey
1812
16
Etched by Joseph Mallord William Turner, 1775–1851
Water Mill
1812
17
Etched by Joseph Mallord William Turner, 1775–1851
The Mildmay Sea-Piece
1812
18
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
19
Etched by Joseph Mallord William Turner, 1775–1851
Winchelsea, Sussex
1812
20
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Crypt of Kirkstall Abbey
1812
21
Etched by Joseph Mallord William Turner, 1775–1851
Scene in the Campagna
1812
22
Etched by Joseph Mallord William Turner, 1775–1851
Water Mill
1812
23
Etched by Joseph Mallord William Turner, 1775–1851
The Bridge and Goats
1812
24
Etched by Joseph Mallord William Turner, 1775–1851
The Mildmay Sea-Piece
1812
25
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
26
Etched by Joseph Mallord William Turner, 1775–1851
Winchelsea, Sussex
1812
27
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
28
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Calm
1812
29
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Calm
1812
30
Print made by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
31
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Calm
1812
32
Etched by Joseph Mallord William Turner, 1775–1851
Hedging and Ditching
1812
33
Etched by Joseph Mallord William Turner, 1775–1851
Frontispiece to the 'Liber Studiorum'
1812
34
Etched by Joseph Mallord William Turner, 1775–1851
Peat Bog, Scotland
1812
35
Etched by Joseph Mallord William Turner, 1775–1851
Hedging and Ditching
1812
36
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812