Plan of Private Entrance from the Uxbridge Road (Arklow House)
undated
4810
Henry Phillip Hope, active 1799–1818
South East Front of the Deepdene
undated
4811
unknown artist
View of the North West Front of the Deepdene
undated
4812
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library - Plan of Ceiling and Elevations of Walls.
undated
4813
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library and Mr. Coevelt' s Bedroom - Plan and Wall Elevations of Library
undated
4814
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Elevation of Library Cabinet
undated
4815
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Dining Room - Plan and Wall Elevations
undated
4816
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Elevations and Ceiling Plan
undated
4817
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Plan and Elevations of Walls
undated
4818
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan of Ceiling and Elevations
undated
4819
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan and Elevations
undated
4820
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Elevations and Ceiling Plan
undated
4821
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
4822
William Mason, 1724–1797
Interior of an Inn
undated
4823
Giles Hussey, 1710–1788
Study of classical sculpture of Apollo Sauroctonur and Nymph with a shell
between 1730 and 1768
4824
George Moutard Woodward, ca. 1760–1809
Villagers Clearing out Rubbish
1800
4825
unknown artist
Soldiers at an Inn (Interior with Soldiers)
undated
4826
unknown artist
Ischaemum afrum (J.F. Gmel.) Dandy: finished drawing of inflorescence and leaves, with fifteen separate details below
undated
4827
unknown artist
Panicum deustum Thunb. (Wild Millet): finished drawing of whole plant in flower
undated
4828
Giles Hussey, 1710–1788
Study of classical figure of man
between 1730 and 1768
4829
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
4830
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
4831
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
4832
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
4833
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
4834
Giles Hussey, 1710–1788
Study of classical scultpure of Castor and Pollux
between 1730 and 1768
4835
unknown artist
A View of Hyde Park from Ennismore Gardens
ca. 1830
4836
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Elevation sur la Cour
undated
4837
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
undated
4838
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Facade du Petit Chateau de Brucourt, du Cote du Nord, avec l'Agrandissement Projete
undated
4839
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Furniture Designs
undated
4840
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Gallery - Plan and Elevations
undated
4841
unknown artist
Design for Table - Elevation, View of Top, View of base
ca. 1835
4842
unknown artist
Sketch I - Elevation of Pavilion Wall
undated
4843
Henry Phillip Hope, active 1799–1818
Bedgebury: Design for the Stone Floor of the Pavilion.. (1 of 4)
undated
4844
Henry Phillip Hope, active 1799–1818
Bedgebury: View of Interior of Pavilion (3 of 4)
undated
4845
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin
undated
4846
Henry Phillip Hope, active 1799–1818
Bedgeway: View of Interior of Pavilion... (4 of 4)
undated
4847
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Deuxieme (2me) Etage Plan
undated
4848
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Caves et Souterreins - Plan
undated
4849
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Rez-de-Chaussee - Plan
undated
4850
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)
undated
4851
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Premiere Etage - Plan
undated
4852
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein
undated
4853
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)
undated
4854
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Sousterrain (du Chateau de Wildenstein)
undated
4855
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Corner Bedrooom on Chamber Floor - Elevations and Ceiling Plan
undated
4856
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours
undated
4857
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
undated
4858
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer
undated
4859
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine
undated
4860
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif
undated
4861
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
undated
4862
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif
undated
4863
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe sur la Ligne AB du Petit Chateau de Brucourt avec l'Agrandissement Projete
undated
4864
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Chamber Floor Bedroom over Anteroom - Plan of Ceiling and Wall Elevations
undated
4865
unknown artist
View of Bedgebury Park - Entrance Front
undated
4866
unknown artist
Principal Front of Bedgebury House - Elevation
undated
4867
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View of Entrance Hall Towards Staircase
undated
4868
unknown artist
Badgebury House, South East Front - Elevation
1841
4869
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
undated
4870
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Projet de la Decoration du petit Salon de Verdure Hotel de Monsieur Rape quai d'Orsay
undated
4871
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation View
undated
4872
Richard Banks Harraden, 1778–1862
Christ's College, Cambridge
ca. 1836
4873
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
4874
unknown artist
Hinton St. George, Somerset: Plan of the Vestibule
undated
4875
Richard Banks Harraden, 1778–1862
Chapel Front, Emanuel College, Cambridge
ca. 1833
4876
Richard Banks Harraden, 1778–1862
St. Peter's College, Cambridge
ca. 1830
4877
Richard Banks Harraden, 1778–1862
New Building of St. John's from the Gardens, Cambridge
ca. 1830
4878
Stephen Riou, 1720–1780
Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan
1763
4879
Stephen Riou, 1720–1780
Design for a villa: `The Ground Plan and Elevations of a Villa'
1770
4880
Stephen Riou, 1720–1780
Design for a substantial villa. The `Forefront' and profile plan of the front elevation
1770
4881
unknown artist
Design for a Library
undated
4882
John Adey Repton, 1775–1860
London: Houses of Parliament
undated
4883
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
4884
John Yenn, 1750–1821
Design for a Doorway
1781
4885
John Yenn, 1750–1821
Design for a Doorway
ca. 1781
4886
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
4887
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
4888
John Yenn, 1750–1821
Designs for Wall Decoration
ca. 1800
4889
John Yenn, 1750–1821
Design for a Doorway
ca. 1781
4890
John Yenn, 1750–1821
Design for a Doorway
1781
4891
unknown artist
Design for a Saloon
undated
4892
George Richardson, ca.1738–ca.1813
Design for a Chimney Piece
1773
4893
Studio of Sir Jeffry Wyatville, 1766–1840
Windsor Castle, Berkshire: South Front of Military Knights Houses
1838
4894
Isaac Johnson, 1754–1835
Survey of Beauthorp-Hall Estates
1753
4895
James Wyatt, 1746–1813
Cobham Hall, Kent: Dressing Room Ceiling
ca. 1790
4896
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Room
ca. 1790
4897
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation and Plans of the Windows, Attic and Staircase
ca. 1790
4898
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Courtyard
ca. 1790
4899
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Hallway
ca. 1790
4900
Thomas Harrison, 1744–1829
Designs for Clifton Castle, Yorkshire: Two Alternative Elevations